In 2005, Lim began developing a body of work titled SEA STATE, which explores the political, biophysical and psychic contours of Singapore through the lenses of the sea.[2] The artist's practice involves extensive research about Singapore's maritime history and its geography, examining the impact of mankind on the physical environment, and the relationships between nature and technology, land and sea. For the installation SEA STATE 9: proclamation garden (2019), Lim replaced the original ornamental landscaping in the National Gallery Singapore's roof garden with 30 species of plants foraged from reclaimed areas. This was intended to draw attention to life that was disrupted and re-emerged elsewhere, and unsettle neat settler-colonizer tropes.[5] This work recalibrates the habitual behaviours of museum staff and the public, asking visitors to accept the coexistence of fauna other than themselves.[6]
References
^ abNanda, Akshita (4 November 2018). "Sea stories go on and on". The Straits Times. Archived from the original on 9 August 2020. Retrieved 9 August 2020.
^ abc"Charles Lim Yi Yong". Haus der Kulteren der Welt. 2017. Archived from the original on 19 September 2020. Retrieved 20 September 2020.