Álvarez Muñoz was born in El Paso, Texas, to Enriqueta Limón Alvarez and Francisco Pompa Alvarez.[1][2] She grew up in the Chihuahuita historical neighborhood of El Paso.[3] Prior to becoming an artist, Álvarez Muñoz worked as a fashion illustrator and an elementary school art educator.[4] She decided to commit to creating art in the 1970s, by 1977 she enrolled in graduate school to study art.[1][5] She earned a Masters of Fine Arts at North Texas State University in Denton, Texas.[6]
Work
Drawing on her experiences living near the US-Mexico border, Álvarez Muñoz's work addresses the tension between linguistic, cultural, and political worlds.[5] She often incorporates themes of family and "communal memories" in her work.[7] She uses text and images in her work to explore the ambiguous signs and signifiers where cultures meet, and to communicate stories of American history, culture, and society.[8] She has exhibited her work in museums and galleries in the U.S. and abroad, and is included in the collection of the Museum of New Mexico.[9]
Her work has been written about by art historians, Lucy Lippard, Benito Huerta, and others.[10][11][12] In Roberto Tejada's monograph on Muñoz, he includes a teaching guide (Vol. 3) using principles from her work in the teaching of multicultural art, and border issues.
In 2024, her work is included in Xican-a.o.x. Body a comprehensive group exhibition expanding on the Chicano experience and artistic practice as part of major art historical movements. The show included works from 1960s to the present and traveled from the Cheech Marin Center for Chicano Art & Culture at Riverside Art Museum, California, to the Pérez Art Museum Miami, Florida. The show was curated by Cecilia Fajardo-Hill, Marissa Del Toro, and Gilbert Vicario with accompanying catalog by The Chicago University Press.[13][14]
^"Celia Alvarez Muñoz". Idea Photographic: After Modernism. Museum of New Mexico. Archived from the original on 8 June 2022. Retrieved 27 December 2016.
^Huerta, Benito (Fall 1999). "Celia Alvarez Muñoz". Art Lies: 59–62. Retrieved 27 December 2016.
^Fajardo-Hill, Cecilia; Del Toro, Marissa; Vicario, Gilbert; Chavez, Mike; Chavoya, C. Ondine; Salseda, Rose; Valencia, Joseph Daniel; Villaseñor Black, Charlene; Cheech Marin Center for Chicano Art & Culture of the Riverside Art Museum, eds. (2024). Xican-a.o.x. body. New York, NY : Munich, Germany: American Federation of Arts ; Hirmer Publishers. ISBN978-3-7774-4168-9. OCLC1373831827.
Roberto Tejada, Celia Alvarez Muñoz, University of Minnesota Press, 2009. ISBN978-0-89551-112-6
Fajardo-Hill, Cecilia; Del Toro, Marissa; Vicario, Gilbert; Chavez, Mike; Chavoya, C. Ondine; Salseda, Rose; Valencia, Joseph Daniel; Villaseñor Black, Charlene; Cheech Marin Center for Chicano Art & Culture of the Riverside Art Museum, eds. (2024). Xican-a.o.x. body. New York, NY : Munich, Germany: American Federation of Arts ; Hirmer Publishers. ISBN978-3-7774-4168-9. OCLC 1373831827