Born in 1983, Cedric grew up in San Felipe, Texas surrounded by the blues, old soul, country, and zydeco music. Though hip-hop was then popular amongst his peers, Cedric developed an affinity for the old-style French songs of Southwest Louisiana and the greater Houston area. He soon found himself in Lafayette, Louisiana where he became part of the musical community and began contributing to the continuity of Creole music.
He has performed in places across the United States as well as in France, Nova Scotia, Haiti, and Spain. He has said he wants "to present the Creole Nation of Louisiana to the Creole Nations in other parts of the world, to make these Creole cultures aware of the one in Louisiana, and vice versa."[5]
In 2010 Watson appeared in season 1 episode 7 of the HBO series Treme with Wilson Savoy and Watson's replacement in the Pine Leaf Boys Courtney Granger. The scenes depict Annie (Lucia Micarelli) trying out to join the Pine Leaf Boys on a Canadian tour as Watson's replacement, but choking at the audition. Watson actually left the band to form Bijou Creole in 2006, not 2005 as depicted in the show.[6]
Musical style
Cedric Watson plays a variety of old-school zydeco styles, original material, and Creole traditionals. The polyrhythmic and syncopated sounds of Africa and the Caribbean echo in his ensemble. He plays old La-La French music (traditional Creole music) in accordion, fiddle, and guitar with mentors Edward Poullard and James Adams in Les Amis Creole [1]. With accordionist Corey "Lil' Pop" Ledet, he displays the more blues and R&B influence of Clifton Chenier, John Delafose, Canray Fontenot, Beau Jocque (Andrus Espree ) and Bebe Carrier.[7] "Cedric's creative style and obvious joy in playing make him an engaging and exciting performer. Moving with ease between fiddle and accordion, his natural playfulness on stage makes him just plain fun to watch."[5] More recently with Bijou Creole, he is "developing an expansive modern take on his adopted state's already hybridized Creole sounds, flavoring it with hearty injections of soul and Caribbean influences as well as whiffs of bluegrass and string-band music—an approach that reached its fullest expression yet on [2013's] Le Troubadour Creole."[8]