You can help expand this article with text translated from the corresponding article in Italian. (July 2016) Click [show] for important translation instructions.
View a machine-translated version of the Italian article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Italian Wikipedia article at [[:it:Basilica cattedrale di Santa Maria Assunta (Carpi)]]; see its history for attribution.
You may also add the template {{Translated|it|Basilica cattedrale di Santa Maria Assunta (Carpi)}} to the talk page.
The original church was built by King Aistulf in 756.[1] Construction on the present building began around 1514,[2] predating the establishment of the diocese here in 1779 by over 250 years. The church was designed by Baldassare Peruzzi under his patron Alberto III Pio, Prince of Carpi.[3]
With the creation of the diocese in 1779, the cathedral was assigned a Chapter, which was to consist of four dignities (the Archpriest, the Archdeacon, the Provost, and the Dean) and seventeen Canons.[4] The first bishop was Francesco Benincasa.
The cathedral has a Baroque facade and a Latin cross floorplan.
It was granted the status of a minor basilica in 1979, on the occasion of the bicentenary of the establishment of the diocese.[5]
The building was seriously damaged during the earthquakes that struck in 2012. After restoration work it was reopened for worship on 25 March 2017 with a solemn ceremony led by Cardinal Pietro Parolin.[6] The restoration included in the installation of a new lighting system.[3]