Candice Breitz (born 1972)[1] is a South African white Jewish artist who works primarily in video and photography.[2][3] She won a 2007 Prince Pierre de Monaco Prize.[4] Her work is often characterized by multi-channel moving image installations, with a focus on the "attention economy" of contemporary media and culture,[5] often represented in the parallelism of the identification with fictional characters and celebrity figures and widespread indifference to global issues.[6] In 2017, she was selected to represent South Africa at the 57th Venice Biennale.[7]
Breitz uses found video footage, appropriating video from popular culture.[9] She is represented by KOW (Berlin), Kaufmann Repetto (Milan / NYC) and the Goodman Gallery (Johannesburg / Cape Town / London).[citation needed]
Breitz's 2016 seven-channel installation, Love Story, shares the personal narratives of six individuals who have fled their countries in response to a range of oppressive conditions: Sarah Ezzat Mardini, who escaped war-torn Syria; José Maria João, a former child soldier from Angola; Mamy Maloba Langa, a survivor from the Democratic Republic of the Congo; Shabeena Francis Saveri, a transgender activist from India; Luis Ernesto Nava Molero, a political dissident from Venezuela; and Farah Abdi Mohamed, an idealistic young atheist from Somalia.[10]
Created as part of Performa Commissions for the Performa Biennial, New York City (2009)[11] is her first live performance. Exploring themes of identity and inclusion, this evening length play follows the formula of a television sitcom. New York City involves four sets of identical twins in two separate but identical productions.
^Spont, M. (2010). "Analyzing Mass Media through Video Art Education: Popular Pedagogy and Social Critique in the Work of Candice Breitz". Studies in Art Education. 51 (4): 295–314. doi:10.1080/00393541.2010.11518810. S2CID193017284.