The lending libraries were established within branches of Boots across the country, employing dedicated library staff whose training included examinations on both librarianship and literature.[3] Boots' libraries displayed books for browsing on open shelves[4] at a time when many public libraries had closed access. A catalogue of the books available was first published in 1904.
Subscriptions were available in Classes A and B, the latter being restricted to borrowing books at least one year old, as well as a premium 'On Demand' subscription.[5]
Books carried the 'green shield' logo on the front and an eyelet at the top of the spine.[6] Membership tokens were rectangles of ivorine[7] with a string similar to a Treasury tag; the string could be secured through the eyelet so that the token acted as a bookmark.[8]
Boots also briefly reprinted classic books at the start of the 20th century under the imprint 'Pelham Library',[9] named after the flagship Boots shop on Pelham Street in Nottingham,[10] and later sold books as 'Boots the Booksellers'.
In popular culture
John Betjeman places Boots' libraries at the head of an ironic list of British national emblems:
Think of what our Nation stands for,
Books from Boots' and country lanes,
Free speech, free passes, class distinction,
Democracy and proper drains.
— 'In Westminster Abbey' (1940), John Betjeman
The stage directions for the opening scene of Sir Noël Coward's 1936 play Still Life show the protagonist Laura Jesson 'reading a Boots library book at which she occasionally smiles'.[11] His 1919 play I'll Leave it to You contains a character who comments on another's intention to borrow a book from Boots: "Oh, you belong to Boots too, I did for years—there's something so fascinating in having those little ivory marker things with one's name on them, but, of course, I had to give it up when the crash came." .[12] In the 1945 cinema adaptation Brief Encounter, Laura is seen visiting a branch of Boots to exchange her library book as part of her weekly routine.[13] In the 1948 film Here Come the Huggetts, Jane Huggett is librarian of the Boots Lending Library.
References
^"The hyphen and apostrophe slipped out of use in the postwar period in the interests of simplicity." Dugan, footnote 1, page 153
Moody, Nickianne, 'Fashionable Design and Good Service: The Spinster Librarians at Boots Booklovers Library', pages 131–144 in Evelyn Kerslake and Nickianne Moody (editors), Gendering Library History (Liverpool John Moores University/Association for Research in Popular Fictions, 2000)