Starting in 1993, Staake contributed concepts and cartoons to "The Style Invitational", a humor competition at The Washington Post. In 1995, he became a regular contributor to Mad. He created many covers for The New Yorker, beginning with the September 4, 2006 issue.
Staake is noted for using vintage software to create his illustrations. He currently uses Adobe Photoshop 3.0[1] on Classic in Mac OS X.
Books
Staake began as a book illustrator in 1992 when he contributed to Jay Leno'sHeadlines (Warner Books). In 1998, he wrote and illustrated his first book for children, My Little 1 2 3 Book (Little Simon), a 26-page board book. He followed with numerous books for children, including The Red Lemon, named by The New York Times as one of the ten best illustrated children's books of 2006.[citation needed]
In The Complete Book of Caricature (North Light Books, 1991). Staake explained how a subject's personality is incorporated into a drawing and provided reference materials, along with samples of caricaturists, including David Levine, Mort Drucker and Ralph Steadman. In 1990, 1991 and 1993, Staake wrote and co-edited the Humor and Cartoon Markets series of resource books listing magazines, newsletters, greeting card companies and other publishers who purchase humorous illustrations. In 1996, for The Complete Book of Humorous Art (North Light), he interviewed 20 illustrators, including Gary Baseman, Lou Brooks and Elwood Smith.[citation needed]
In September 2016 Bob Staake released under the pseudonym Arthur Gackley a book of children's book covers for adults entitled Bad Little Children's Books. Three months after release blogger Kelly Jensen at Book Riot critiqued the humor book for propagating racist stereotypes. The subsequent online outcry led Staake to request that his publisher, Abrams Books, cease printing the book.[4][5][6] The National Coalition Against Censorship, whose Board of Directors currently includes Abrams president and CEO Michael Jacobs, issued a statement in support of the book: “We support Abrams’ decision to publish this, or any other book, even if it offends some readers. We urge the company not to accede to pressure to withdraw the book, but to stand for the proposition that it is the right of authors to write as they choose and of individuals to decide for themselves what to read.” [7] Abrams clarified in a statement that they were only ceasing future printings of the book in order to honor the author's request and would not otherwise have intervened.[8]