Dr. Joseph O. Stillson Matilda Rose (Bisch) Stillson
Blanche Stillson (June 6, 1889 – January 4, 1977) was an American artist and author from Indianapolis. She began her career as a painter, and later moved to wood-block printing.
Early life and education
Blance Stillson was born on June 6, 1889, in Indianapolis, Indiana, to Mathilde Rose (Bisch) and Dr. Joseph O. Stillson.[1] Joseph Stillson and Matilda Bisch married on October 27, 1880. In the late 1800s Doctor Joseph O. Stillson, attended Hanover College, practiced medicine in Bedford, Indiana, with his father, Dr. Joseph Stillson.[2]
Stillson wrote a weekly art column for the Indianapolis News from 1923 to 1925.[10] She also wrote magazine articles, including "On Block Prints," an essay that was published in the Alpha Phi Quarterly in June 1922.[12]
She was the author of three books. Abe Martin––Kin Hubbard (Indianapolis, 1939), which she co-authored with Dorothy R. Russo, describes Frank "Kin" McKinney Hubbard and Abe Martin, the cartoon character he created. The Marmon Memorial Collection of Paintings (Indianapolis, 1948),[1] describes the modern art that Caroline Marmon Fesler acquired and donated to the Art Association of Indianapolis (Indianapolis Museum of Art).[13]Wings: Insects, Birds, Men (Indianapolis, 1954)[1] which gained national attention from the Book of the Month Club, is her most well-known work. Stillson, an avid bird watcher,[9] provides a detailed account of the evolution of flight. In a book review published in the American Museum of Natural History's magazine, Natural History, E. T. Gilliard described Wings as "a classic" and compared it to Rachel Carson's The Sea Around Us, explaining that Stillson's book "does for the air around us what Rachel Carson has done for the sea."[14]
Cultural leader
Stillson was active in the Indianapolis arts community. She was elected a trustee of the Art Association of Indianapolis, the present-day Indianapolis Museum of Art (Newfields) in 1944. She was also a member of the IMA's board of directors and served as vice president of the board in 1959.[10]
Personal life
Throughout her life, Stillson resided at a home that her parents had built in 1908 on North Meridian Street.[9]
Stillson produced art in several mediums, including still-life paintings, but she is best known for her wood-block prints, especially her bookplates. Examples of Stillson's art are included in the permanent collections of the Indianapolis Museum of Art (Newfields) in Indianapolis,[7] and in the collections of the William Henry Smith Memorial Library at the Indiana Historical Society in Indianapolis.[3]
References
^ abcDonald Eugene Thompson and R. E. Banta (1974). Indiana Authors and Their Books, 1917-1966; A Continuation of Indiana Authors and Their Books, 1816-1916, and Containing Additional Names from the Earlier Period. Vol. I. Crawfordsville, Indiana: Wabash College. p. 586. OCLC929100.
^ abcdJudith Vale Newton and Carol Ann Weiss (2004). Skirting the Issue: Stories of Indiana's Historical Women Artists. Indianapolis, IN: Indiana Historical Society Press. p. 329. ISBN0-87195-177-0.
^Ray E. Boomhower (2007). Fighting for Equality: A Life of May Wright Sewall. Indianapolis: Indiana Historical Society. pp. 29 and 31. ISBN9780871952530.
^ abJudith Vale Newton and Carol Weiss (1993). A Grand Tradition: The Arts and Artists of the Hoosier Salon, 1925–1990. Indianapolis, Indiana: Hoosier Salon Patrons Association. p. 437. ISBN9780963836007.
^ abcC. Warner Williams (August 1927). "An Exhibit of Xylography". The Columbian. Indianapolis, Indiana: The Columbia Club: 15.
^Harriet G. Warkel, Martin F. Krause, and S. L. Berry (2003). The Herron Chronicle. Bloomington: Indiana University Press. p. 115. ISBN9780253342379.{{cite book}}: CS1 maint: multiple names: authors list (link)
^E. T. Gilliard (January 1955). "Your New Books, 'Wings: Insects, Birds, Men'". Natural History. Washington, D.C.: American Museum of Natural History: 5.