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Bistrița Monastery
Bistrița Monastery
Mănăstirea Bistrița
	Church of the Bistrița Monastery
Religion
Affiliation	Eastern Orthodox
Ecclesiastical or organizational status	Friary
Leadership	Metropolitan of Moldavia and Bukovina
Patron	Dormition of the Mother of God
Status	Active
Location
Location	Bistrița, Neamț County, Romania
Geographic coordinates	46°57′28″N 26°17′21″E / 46.95778°N 26.28927°E
Architecture
Type	Classic Moldavian
Founder	Alexandru cel Bun
Groundbreaking	1402
Completed	1407 (first documentary attestation); 1498 (bell tower); 1546 (defense wall)
Specifications
Direction of façade	South
Length	40 m[citation needed]
Height (max)	45 m[citation needed]

The Bistrița Monastery (Romanian: Mănăstirea Bistrița, pronounced [ˈbistrit͡sa] ^ⓘ) is a Romanian Orthodox monastery located 8 km west of Piatra Neamț. It was dedicated in 1402, having as original ctitor the Moldavian Voivode Alexandru cel Bun whose remains are buried here.

The church is historically and archaeologically valuable. It shows features of Byzantine architecture, is richly ornamented, with a 15th-century entrance door of fine craftsmanship and detailed frescoes.

The monastery is surrounded by 4 meter high stone walls built during Petru Rareș's reign (1541–1546), the original ones being destroyed in 1538 by Suleiman the Magnificent's army. Also from the same period dates a chapel located north of the monastery. The inner court bell tower had already been erected in 1498 by Ștefan cel Mare. With his extensive restoration of the monastery in 1554, Alexandru Lăpușneanu is also considered to be a ctitor. Thus, the monastery is considered to have been donated by 4 voivodes of the Mușatin dynasty (Alexandru I, Ștefan III, Petru IV, Alexandru Lăpușneanu).

A remarkable item preserved here is the miraculous icon^{[broken anchor]} of Saint Anne given as a present to the monastery in 1407-1408 by Voivode Alexandru I's wife, Lady Ana. According to tradition,^{[note 1]} the icon was given as a "patronage gift" to Lady Ana by empress Jelena, wife of Manuel II Palaiologos, emperor of Constantinople. The icon was restored in the 18th century and in 1853 was placed in a new section, made of carved and gilded wood, of the kliros.

During the year 1855 the monastery underwent major reconstruction under the lead of the famous architect Carol Benesch.

The monastery was an important cultural center for calligraphers, miniaturists and chroniclers. The monastery's museum hosts an important collection of medieval art.

History

Bistrita Monastery has a very high historical and archaeological value. It is built in Byzantine style, richly ornate, with the entrance door kept from the moment of construction being worked with a lot of art. The most remarkable is the icon of St. Ana, the mother of the Virgin Mary. According to tradition, in 1401, this icon was given as "the patronal present" to the lady Ana, the wife of Alexander the Good, by the Empress Irena (Ana), wife of the Byzantine Emperor Manuel II Palaiologos (1391-1425), and Patriarch Matthew, of Constantinople. Subsequently, the Voivode (Prince) family gave the icon to the St. Ana the Bistrita Monastery.

In the church of the monastery are buried: Alexandru the Good (Cel Bun), his wife Ana, Alexandru - the son of Stephen the Great, Chiajna - the wife of Stephen V of Moldavia, Anastasie – the Metropolitan of Suceava.

Bistrita Monastery is the place where one of the oldest monuments of the Romanian medieval culture was created: Pomelnicul de la Bistrița. The pomelnik offers the most interesting data about the beginning of the Moldavian voivodal and church history.

The monasteries are the most important category of monuments that survived the weather of the times, many of them being mirrors of the past. Around the monasteries both the religious life of the community and the culture of the nation have developed. They, monasteries, can also illustrate a military dimension, many of them being real fortresses and playing an active role in the defensive system of the country, given the restrictions imposed by Ottoman domination, especially after the middle of the XVIth century.

The monasteries and hermitages built by the voivodes and boyars, endowed with a rich heritage and important privileges, are the storage of a rich treasure of Romanian culture and civilization. The historical message is made of mural paintings, ancient memories, cult objects, printed books, funerary monuments and stone-preserved inscriptions, as well as the glorification of the voivodes who built them, a part of these monuments representing a gesture of thanksgiving God for help in battles.