Although the artists of the school were not formally organised, they were related by their common technique, which distinguished them from the broader field of contemporary landscapists.[1] In particular the Birmingham School is notable for its emphasis on character as well as precision in its portrayal of nature; for example often depicting trees in a manner that has more in common with portraiture, and showing "a quest for the essential, the quiddity of what is observed".[3] Many of the artists were also related by training: Bond taught in the 1760s and pupils of his exhibited at the Free Society of Artists in London in 1763;[4]Joseph Barber opened a drawing academy in 1801 where pupils included Cox and Baker; and Samuel Lines opened another academy in 1806 where pupils included Creswick.[5]
^ abcGrant, Maurice Harold (1958), "The Birmingham School of Landscape", A chronological history of the old English landscape painters, in oil, from the 16th century to the 19th century, vol. 2, Leigh-on-Sea: F. Lewis, p. 167, OCLC499875203
^Pillement, Georges (1978), "The Precursors of Impressionism", in Sérullaz, Maurice (ed.), Phaidon Encyclopedia of Impressionism, Oxford: Phaidon, p. 39, ISBN978-0-7148-1897-9
^Wildman, Stephen (1990), The Birmingham school: paintings, drawings and prints by Birmingham artists from the permanent collection, Birmingham: Birmingham Museums & Art Gallery, p. 6, ISBN978-0-7093-0171-4