William Robert 'Bertie' Crewe (1860 – 10 January 1937) was one of the leading English theatre architects in the boom of 1885 to 1915.
Biography
Born in Essex and partly trained by Frank Matcham, Crewe and his contemporaries W.G.R. Sprague and Thomas Verity, were together responsible for the majority – certainly more than 200 – of the theatres and variety palaces of the great building boom which took place in Britain between 1885 and 1915, peaking at the turn of the century.[1] Crewe became known as one of the most dynamic architects of the 1890s-1900s, specialising entirely in theatres and later cinemas. He also designed the Paris Alhambra for Thomas Barrasford, which opened in 1904.
Crewe trained in Paris and London, where, as a young man, he was a frequent visitor to Frank Matcham's home. Up to the mid-1890s, Crewe collaborated with Sprague, producing the Lincoln Theatre Royal as well as a number of theatres around London. It was after he branched out on his own that he developed what was to become his characteristic Baroque-influenced style. His work around the turn of the century was marked by horizontal balconies tied to ranges of stage boxes and elaborate ornamental features.[2]Cecil Masey trained in Crewe's office, working on large theatres and music halls that Crewe designed before the First World War. Masey's designs include the theatre at Stanford Hall, Nottinghamshire. In the early 1930s Masey worked for Sidney Bernstein on the creation of the Granada cinema circuit, including the Tooting Granada.
Crewe's last project, jointly with Henry G. Kay was the Regal, Kennington Road (opened 17 November 1937) by the Arthur O'Connor circuit. Designed as split theatre-cinema, the Edwardian Kennington Empire would have been in decline by the time of building.[3]
After death
After World War II, many theatres that were not destroyed by bombing were in the way of redevelopment. The building boom of 1885 to 1915 was matched between 1950 and 1975 by theatre demolition. In that 25-year period, 35 theatres were demolished in Greater London alone.
Crewe's reputation has been re-established over the last 20 years. In 2004, the Palace Theatre, Redditch, (built 1913) completed a £3.7 million facelift. A now rare example of Edwardian theatre, it was successful in bidding for a Heritage Lottery Fund grant. Experts believe the Grade II-listed theatre is one of only six examples that can be fully attributed to Bertie Crewe.[4]
As sub to Walter Emden. Next to the Metropolitan railway station (now Sloane Square tube). Reconstructed in 1952 and 1980. An unimpressive auditorium, whose sight-lines could be improved, is the strangely antique setting for modern drama that generally preaches change
Frank Matcham converted a skating rink into a circus in 1901. When Thomas Barrasford bought the Hippodrome in October 1902 he called in Crewe to replace the circus ring with raked stalls seating, add boxes where the animal entrances has been and extend the apron with a new orchestra pit in front
Designed by William Wilkins it opened on 11 October 1819. Redesigned by Crewe in 1906. Greene King purchased the freehold in 1920, but closed in 1925 and used as a barrel store. Air Vice-Marshal Stanley Vincent raised over £37,000 to restore and re-open the Theatre Royal in 1965, and leased to the National Trust in 1975 on a 999-year lease
Demolished, now the site of the modern extension of the Grand Opera House, Belfast and Fitzwilliam Hotel
Became cinema in 1935, Odeon in 1961, and New Victoria Cinema in 1974. Bingo Hall in approx 1987 with occasional theatre use. Closed 1988. Demolished 1997
Built for Walter de Frece, his wife Vesta Tilley performed on the opening night, and in 1915 it played host to the only pantomime undertaken by Gracie Fields. Converted to the Odeon Cinema in 1936, it became a three screen in 1974. Unsuccessful in this format, it closed the same year, and remained closed until demolition in 1983. Now the site of a council social services building[10]
With C J Bourne. Converted to a cinema in 1930, with Neon lighting was introduced to light the dome, the second theatre in the country to do this (the first being the London Coliseum) Sister theatre to Aldershot Hippodrome.
Designed for Oscar Hammerstein in 1912, sold to London Opera House Ltd (a newly formed company) in 1913, transformed into a cinema by Oswald Stoll in 1916. A smaller theatre, The Royalty, built nearby opened 1960. Renamed The Peacock Theatre it presented the Paul Raymond revues. Today the Peacock is owned by the London School of Economics, it is a lecture theatre by day and home of Sadler's Wells' West End programme by night.[12]
First villa to be erected in Regent's Park. Designed in 1816-18 by Decimus Burton aged 18 for his father, James Burton. Further wings were added in 1911 by Bertie Crewe. More alterations were carried out in 1935[15]
Auditorium Reconstructed. Now leased to Ambassador Theatre Group
Built in 1891 by Alfred Darbyshire & F B Smith as the Manchester Palace of Varietie. The first computerised box office system in Europe was installed. Owned by the Palace Theatre Trust[16]
Closed on 4 April 1968 with David McCallum in "The Heroin Gang" and Deborah Kerr in "Eye of the Devil". Purchased by Camden Council, an extension to the Town Hall was built on the site
Presently boarded up, it is to be converted to flats, 2006
With Henry G. Kay, consultant for Duchy of Cornwall estate: Louis de Soissons. Probably Crewe's last project - he died the year it opened. Converted to a cinema in 1961
^"Grand Theatre & Opera House, Blackpool - A Conservation Statement (Practice Profile)"(PDF). blackpoolgrand.co.uk. Blackpool Grand. p. 16. Archived from the original(PDF) on 4 February 2012. Theatresearch was formed in 1985 to undertake the reconstruction of the Tyne Theatre & Opera House after a devastating fire swept through this Grade I listed theatre... Current work includes a £3.6 million extension of the Palace Theatre, Redditch,...
