Edith Beatrice Catharine Lennie (June 16, 1905 – June 1, 1987) was a Canadian painter and sculptor.[1][2] She is primarily known for her public sculptures in Vancouver, British Columbia, many of which remain in Vancouver today.[3] Lennie was more concerned with rendering an idea than with a realistic depiction of her subject.[4]
Career
In 1929, as a member of the original graduating class of the Vancouver School of Decorative and Applied Arts, Lennie was active in student affairs including founding the Pasovas Club "that aimed for the furtherance of art education". She served as its first president. The Pasovas Club met regularly at Bee Lennie's studio where they held life drawing sessions. In addition, they held regular exhibitions at the BC Art League Gallery at 649 Seymour Street and later at the Vancouver Art Gallery on Georgia Street.[5][6]
In 1933, after her studies in California, she was invited by F. H. Varley and Jock Macdonald to teach sculpture and modeling at the newly founded, and short-lived, BC Institute of the Arts. In 1950, she sculpted a frieze and reliefs for St. John's Shaughnessy Anglican Church.[7]
Lennie stated with regards to her public commission for the Vancouver Labour Temple (1949) that:
So many people have this Victorian idea of a woman sculptor. ...They think of women 'tiddling' with pretty little figurines and vases when actually sculptoring for a living is a hard and demanding life. I spent six months on the labor mural in the workshops of a big construction company and the union men were shocked.[9]
^Richardson, Letia (1987). First Class - Four Graduates from the Vancouver School of Decorative and Applied Arts, 1929. Vancouver, BC, Canada: Women in Focus. p. 14. ISBN0-921823-03-7.