Adamson was born in Moss Side, Manchester, England to a white mother and a black father.[3] He read comic books from an early age. At school he immersed himself in art, music and film and produced his first song – "Brain Pain" – at the age of 10. His diverse musical tastes range from Alice Cooper to Motown to David Bowie.
Career
After leaving school, Adamson drifted into graphic design whilst attending Stockport Art College[4] but quit shortly after, preferring to venture into the exploding punk rock scene of the late 1970s. He joined ex-Buzzcocks singer Howard Devoto's band Magazine to play the bass guitar, with whom he scored one chart single, "Shot by Both Sides"; in late 1977, he joined the Buzzcocks, as a temporary replacement for Garth Smith. He played on all of Magazine's albums in their original incarnation and contributed to Devoto's solo album and his next band, Luxuria. He also contributed to the studio-based band Visage, playing on the ensemble's first two albums, Visage and The Anvil.
In 2002, Adamson left his long-term label, Mute Records, and started his own production home, Central Control International. In 2006, he released Stranger on the Sofa, first for his Central Control International imprint, to critical acclaim. Back to the Cat, his second album for the label, was released in March 2008.[9]
In 2007 it was announced that Magazine would re-form for concerts in 2008. Adamson took part in the same band line-up that recorded Secondhand Daylight, with the exception of the late John McGeoch, who was replaced by Apollo 440 member Noko. However, Adamson has since withdrawn from the reunion and new recordings.
On 27 August 2010, Adamson released the track "Rag and Bone", as a digital download and as a 12-inch vinyl record.
In 2011, Adamson premiered his directorial debut, Therapist, for which he also provided the music.[10] He then released a studio album, I Will Set You Free, on 30 January 2012.[11]
Adamson collaborated with the Bad Seeds on their 2013 album, Push the Sky Away, playing bass guitar on two songs. He also toured with the band on drums and keyboards, to fill in for an ailing Thomas Wydler.[12]
His 2016 album Know Where To Run was accompanied by a book with photos that Adamson shot in the US while on tour with Nick Cave. 2018 saw the release of Memento Mori, an album celebrating his 40th anniversary as a professional musician, which was followed by a concert at the Union Chapel in London. A recording of this concert was released on vinyl and CD.
In the earliest Real Life Magazine videos, Adamson played a Rickenbacker 4001, and on Secondhand Daylight, a Gibson EB-3. His primary bass during Magazine's touring was an Ovation Magnum Mk1. The Ovation can be seen in Magazine's appearance in Urgh! A Music War as well as on the cover of the live album Play. For the 2008 Magazine concerts, he alternated between the Ovation, a Fender Artist and a Fender Jaguar Bass. He often used a BossChorus unit on his basses, giving a slightly processed sound that was much imitated in the UK 1980s rock scene.[13]
Legacy
In his autobiography, It's So Easy (And Other Lies), Duff McKagan of Guns N' Roses said he was influenced by bass-driven bands such as that of Barry Adamson in Magazine.[14] In an interview with German music magazine Gitarre & Bass, Billy Gould of Faith No More said that Adamson was one of his influences, because he combined soul music with post-punk when he played with Magazine.[15]
^Adamson, Barry (2021) Up Above the City, Down Beneath the Stars - Magazine, the Bad Seeds, into the Underworld and Beyond, Omnibus Press, ISBN978-1-913172-25-1
