John Fordham, writing for The Guardian, commented, "occasionally the whole set sounds eerily like the mid-60s Miles Davis quintet reinvented as a shyly slinky, contemporary-cool-jazz tribute."[2]
All About Jazz correspondent John Kelman commented "More open, more translucent and somehow more intrinsically pure, Baida welcomes Alessi to a label whose instinctive ability to find and draw out good music where it lives remains both unparalleled and fundamental to its ongoing success and reputation."[3]
