M'Baye has emphasized the leading role played by Langston Hughes as a voice for black transnationalism and cosmopolitanism.[4] He has written on the contested figure of the goordjiggen, the 'man-woman' or gender nonconformist, in Senegalese culture, and edited a collection on gender and sexuality in Senegalese societies.[5] His work has also examined the enduring impact of the transatlantic slave trade on African institutions, by destabilizing African political institutions and creating an African slaver class parasitic on Western slave ships rather than local legitimacy.[6]
Works
Books
The trickster comes west: Pan-African influence in early Black diasporan narratives. 2009.[7]
(ed. with Alexander Charles Oliver Hall) Crossing traditions: American popular music in local and global contexts. Lanham: The Scarecrow Press, Inc., 2013.
Innovation and Reflexivity in the Research Process. 2008.
Black cosmopolitanism and anticolonialism: pivotal moments. New York: Routledge, 2017.
(ed. with Besi Brillian Muhonja) Gender and sexuality in Senegalese societies: critical perspectives and methods. Lanham, Maryland: Lexington Books, 2019.[5][8]
^Kameelah L. Martin; Donald M. Shaffer Jr. "Black Transnationalism and the Discourse(s) of Cultural Hybridity: An Introduction". South Atlantic Review. 82 (4). JSTOR90017444.
^Lynsey Chutel (October 13, 2020). "What is owed Africa". Quartz Africa. Retrieved May 10, 2022.
^David M. Westley (Spring 2013). "The Trickster Comes West: Pan-African Influence in Early Black Diasporan Narratives by Babacar M'Baye (review)". Journal of American Folklore. 126 (500): 235–237.