About 20 years before the story takes place, solar flares irradiate the Earth, killing over 99% of the world's population. The survivors gather in a network of safe cities and build primitive humanoid robots, called Pilgrims, to help rebuild and operate in the harsh environment. These robots have two unchangeable protocols: they cannot harm any form of life and may not repair, modify, or alter themselves or other robots in any way. Initially seen as humankind's salvation, they are relegated to manual labor when they fail to stop the advance of desertification. Society has regressed due to lack of technology besides the Pilgrims, as a lack of functional aircraft or other transport prevents travel and cars are a rare commodity, and humanity is on the brink of extinction.
In 2044, Jacq Vaucan—an insurance investigator for ROC, the company that manufactures Pilgrims—investigates a report from Wallace, a police officer who shot a robot he claims was modifying itself. As Jacq looks for a robot they suspect was stealing parts, it leads him outside the city. When he finds it inside a shipping container, it sets itself on fire. As he and a team open up the burned robot to see what it was hiding, they discover the robot had a rare nuclear battery that could power a robot indefinitely. They are able to power up the robot once more, but when he asks it why it set itself on fire, it burns out again.
Jacq salvages the remains and speculates to his boss, Robert, that there may be a "clocksmith", someone who illegally modifies robots, who is overriding the second protocol. Incredulous, Robert rejects this possibility but offers Jacq a transfer out of the city if he can find evidence. Jacq's pregnant wife initially rejects his plans but she eventually relents.
Jacq and Wallace investigate a brothel, where they find Cleo, a modified robot that Wallace subsequently shoots in the leg. When Jacq objects, Wallace says that Cleo's owner will lead them to the clocksmith; Wallace also threatens to kill Jacq if he does not split the proceeds of the battery on the black market. Jacq follows Cleo's owner to a clocksmith named Dr. Dupré, who claims not to know who altered Cleo, an action that would destroy Cleo's CPU. Jacq leaves the burned robot's CPU with her and offers to give her the battery if she can locate information on the clocksmith. When Dupré installs the modified CPU in Cleo, Cleo begins self-repairing. Dupré contacts Jacq, who alerts Robert; however, ROC intercepts Jacq's message and sends a team of assassins to Dupré's lab.
Dupré is killed, but Jacq escapes in a car driven by Cleo. When Cleo takes them into a maze of stanchions, both cars crash; the assassins are killed, and Jacq is injured. Cleo takes Jacq with her into the desert, where they are joined by three other robots, none of whom will obey Jacq's orders. However, the first protocol forces them to prevent his death. Desperate to return to the city to be with his pregnant wife, Jacq makes contact with Robert, who sends Wallace to recover him. Wallace threatens Jacq's life and destroys two of the robots, who have objected to his actions; Jacq kills Wallace with a flare gun before he can also destroy Cleo. Wallace's partner flees after taking a battery from one of the robots.
Robert's boss discloses that the predecessor to the first Pilgrim was a quantum mind created with no security protocols and no artificial restraints on its computational power. Before they deactivated it, its makers tasked it with designing the security protocols that govern Pilgrims. Robert's boss informs Robert that no one has been able to break Pilgrim security protocols because they were created by the unrestricted quantum mind and ROC purposefully limited the computational power of all subsequent AI. ROC forces Robert to accompany a team sent to kill Jacq and the unknown clocksmith before the robots can evolve further beyond human understanding. When Robert objects to their kidnapping Jacq's wife and baby daughter, Conway, the leader, shoots him and leaves him for dead. Meanwhile, Jacq meets the robot responsible for modifying the others. The robot says that he and the other robots plan to go to the radioactive area where humans cannot go. Initially skeptical, Jacq eventually accepts that the robot naturally evolved, like humanity. After a series of philosophical discussions, Jacq gives them his battery, which they use to complete a new design, a sort of dog/insect robot. The robots repair a vehicle for Jacq, and he leaves for the city.
When Conway reaches the robot outpost, he destroys two of the four robots. Jacq finds the dying Robert and returns to the outpost as Conway wounds Cleo and kills the evolved robot. Jacq kills all ROC assassins but Conway, though he is further wounded in the battle. As Conway prepares to kill Jacq, the new robot saves his life by pushing Conway off a cliff. Jacq overcomes his distrust of the uninhibited robot when reunited with his family, and he leaves for the coast with them, as Cleo and the new robot venture further into the irradiated desert, where no humans can follow them. Arriving at the coast they see the ocean, and discover that the Earth is recovering and that hope remains for human beings.
Banderas expressed an early interest in the film after reading the script. Banderas, as producer, brought on Griffith, his wife at the time, and Bardem, who was cast in a minor role and as the voice of the Blue Robot.[3] The film was shot at Nu Boyana Film Studios in Sofia, Bulgaria.[4]
Reception
Rotten Tomatoes, a review aggregator, reports that 30% of 33 surveyed critics gave the film a positive review; the average rating was 5.27/10. The site's summary states of the film: "Beautiful to look at but narratively hollow, Autómata short-circuits its handful of intriguing ideas with an overload of sci-fi clichés."[5]Metacritic rated it 37/100 based on 13 reviews.[6] Jay Weissberg of Variety called it "a dystopic mess" that borrows from numerous science fiction films.[1] Jonathan Holland of The Hollywood Reporter wrote: "The overwrought, uncontrolled sci-fi thriller Automata is a disappointing example of a film that lacks the imagination to follow persuasively through on its engaging initial premise."[7]
