Hearing the news that At World's Edge was nominated elated me beyond words. I felt particularly grateful for the validation of the incomparable contributions all the musicians, singers and engineers made to the record. I just wish my father would have lived long enough to share this special honor with me.
Work on the album began in Saisse's Scarsdale, New York basement studio, but he had to relocate to Los Angeles after a flood destroyed the studio. The album's core musicians, drummer Simon Phillips, bassist Pino Palladino, and guitarist Jeff Golub, recorded with Saisse in Los Angeles, but not all of the album was recorded on site. The guest musicians recorded their parts where ever they were, then sent them to Saisse who produced the pieces together. The work was then sent to Tokyo where engineer Goh Hotoda completed the mixing.[6]
Selected tracks
Saisse's mid-recording forced cross-country move was the inspiration for much of the album.[2] "Billy's Blues", which features Jason Golley on both trumpet and flugelhorn, was inspired by Saisse's friend Bill Howell. Saisse stayed with Howell prior to his move west, the location of Howell's home was the inspiration for the track "Topanga Moon Dance".[7] The album opens with "From Nowhere to Now Here", the piece tells the story of his journey west.[8] The track "Assante Sana" exemplifies Saisse's world view of music. This Latin flavored piece feature the vocals of Angélique Kidjo from Benin, Africa.[8]
Jonathan Widran of Allmusic called At World's Edge "one of the most exciting and explosive contemporary jazz sets of 2009".[7] Randall Parrish called the album "a highly entertaining and engaging work" and closed his review with "[o]nly a true accomplished master such as Philippe Saisse could nimbly pull this expression of contemporary jazz together so marvelously."[8]
