Beginning in the late 1940s, he was associated with C.L.R. James and the radical Marxist Johnson–Forest Tendency. During the 1950s, he was the Los Angeles editor of their journals Correspondence and News & Letters, while working as a master machinist and tool and die maker for Ford Motor Company and General Motors.[4] During this period, several theoreticians and organizers of the Johnson-Forest trend (including Raya Dunayevskaya, Martin Glaberman, Grace Lee Boggs and James Boggs) were concentrated in the auto industry in Detroit, where they worked to recruit Black workers and gain influence in the auto workers' unions. In 1962, Kunkin left General Motors to return to college and obtain a graduate degree.
Soon afterwards, he moved to the West Coast, where he had his first experience with a local newspaper, on the staff of a Los Angeles Mexican-American paper, the East L.A. Almanac. "For the first time in my life I was writing about garbage collection and all kinds of community problems," he later recalled.[5] Meanwhile, he was also doing political radio commentaries for KPFK Pacifica Radio and serving as the Southern California district leader of the Socialist Party.
Los Angeles Free Press
In May 1964 he produced the first issue of the Los Angeles Free Press, a one-time edition distributed at the Renaissance Pleasure Faire and May Market, a fund-raising event for KPFK. The response was favorable enough for him to start publishing the Freep (as it came to be called) regularly,[6] starting in July.
The paper's core volunteers and supporters included people from KPFK, the bohemian crowd that hung out at the Papa Bach bookstore, and The Fifth Estate, a Sunset Strip coffee house that provided office space for the Freep in its basement.[7][8] The paper soon became a nerve center of the burgeoning hippie scene.[9] The atmosphere there was described by a reporter for Esquire: "Kids, dogs, cats, barefoot waifs, teeny-boppers in see-through blouses, assorted losers, strangers, Indian chiefs wander in and out, while somewhere a radio plays endless rock music and people are loudly paged over an intercom system. It's all very friendly and rather charming and ferociously informal."[10]
Launched on a shoestring budget, the Free Press struggled for years. By 1969 circulation had exploded to 100,000 copies,[7] but legal problems stemming from the publication of a list of names of undercover drug agents put it in a precarious financial position[6] just as it was expanding its operations to include a printing plant, a typesetting firm, and a small chain of bookstores. Underpaid staff members left in two waves of defections to form the competing newspapers Tuesday's Child and The Staff.[11] By 1972 Kunkin and the paper were deep in debt to the pornographers whose advertising had been the source of its profits.[7] Kunkin lost control of the paper and was fired, rehired, and fired again, as the paper spiraled slowly into oblivion, paralleling the nationwide decline of the underground press.
Later Freep revival attempts
Immediately after losing the Free Press, Kunkin started another competing paper called the Los Angeles Weekly News, with much the same tone as the original Free Press — and many original contributors. A writer for the American Library Association's Social Responsibilities Round Table newsletter had this to say about the firing of Kunkin and his subsequent startup of the Los Angeles Weekly News:
It can be put succinctly: the old Los Angeles Free Press, pioneer "underground" rag..., is DEAD. To clarify: it's still published weekly. But it ain't the same; ...the tabloid's become a money-grubbing, almost colorless rival to the L.A. Times. Moreover, the publishers dismissed founder-editor Art Kunkin, who however "freaky" and mercuric — is a guy who can write and who's definitely got what might be termed "alternative soul." ... Yet there's a redeeming aspect to this otherwise grim scene, for Kunkin didn't just stagger whimperingly away. instead, with much of the original Freep staff, he began a new sheet, the LOS ANGELES WEEKLY NEWS, which ... continues the Freep's muckraking tradition.... So the old Freep is "dead" but lately reborn as the alive-and-scrapping WEEKLY NEWS. The "message" here for libraries is that if they've been dutifully subscribing to the Free Press as a genuine example of counter-culture journalism, they'd be well-advised to drop that sub, replacing it with the WEEKLY NEWS....[12]
Despite this endorsement, the LA Weekly News didn't last, however, going out of business after only three or four issues.[13]
In November 1995, early in the development of the World Wide Web, Kunkin founded the World Wide Free Press, an online news aggregator of progressive political content.[6]
In 1999[13] and 2005–2007, he was involved with short-lived revivals of the Los Angeles Free Press.[14]
In 2008, The International Alchemy Guild gave Kunkin an honorary lifetime membership.[citation needed] In 2009, he published a radical reinterpretation of the philosopher's stone formula in Volume 1 of the unfinished five-ebook series Alchemy: The Secrets of Immortality Finally Revealed.
Personal life and death
Kunkin was married three times. His first wife was painter Abby Rubinstein (née Addis),[20] with whom he had two daughters, Anna Kunkin and April Fountain. After they divorced, he married Valerie Porter. His third wife was Elaine Wallace, who died in 2017.[1][2]
^Murray, William (June 1970). "L.A. Free Press is Rich". Esquire.; reprinted in Murray, William (1970). Previews of Coming Attractions: Scenes and Faces from the Permanent L.A. Fun Game. World Publishing Company. p. 281.
^Leamer, Laurence (1972). The Paper Revolutionaries. Simon & Schuster. p. 56.