Arista Records LLC v. Lime Group LLC

Arista Records LLC v. Lime Group LLC
CourtUnited States District Court for the Southern District of New York
Full case name Arista Records LLC et al. v. Lime Group LLC et al.
Decided11 May 2010 amended on 25 May 2010
Docket nos.1:06-cv-05936
Citation715 F. Supp. 2d 481
Case history
Subsequent actionPermanent injunction
Holding
Summary judgment granted for inducement of copyright infringement
Court membership
Judge sittingKimba Wood

Arista Records LLC v. Lime Group LLC, 715 F. Supp. 2d 481 (S.D.N.Y. 2010), is a United States district court case in which the Southern District of New York held that Lime Group LLC, the defendant, induced copyright infringement with its peer-to-peer file sharing software, LimeWire. The court issued a permanent injunction to shut it down.[1] The lawsuit is a part of a larger campaign against piracy by the Recording Industry Association of America (RIAA).[2]

Background

LimeWire LLC was founded in June 2000[3] and released its software program, LimeWire, the following August. LimeWire was widely used; in 2006, when the lawsuit was filed, it had almost 4 million users per day.[4]

LimeWire is a program that uses peer-to-peer (P2P) file sharing technology, which permits users to share digital files via an Internet-based network known as Gnutella; most of these were MP3 files containing copyrighted audio recordings. An expert report presented during the trial found, in a random sample of files available on LimeWire, that 93% were protected by copyright. These files were distributed, published, and copied by LimeWire users without authorization from the copyright owners, potentially competing with the recording companies' own sale of the music.

Thirteen major recording companies led by Arista Records[note 1][5] (when sued owned by Sony BMG, now by Sony Music) sued LimeWire LLC, Lime Group LLC, Mark Gorton, Greg Bildson, and M.J.G. LimeWire Family Limited Partnership for copyright infringement.[3] LimeWire filed antitrust counterclaims against the plaintiffs and ancillary counterclaims for conspiracy in restraint of trade, deceptive trade practices, and tortious interference with prospective business relations,[6] all dismissed by the court in 2007.[7]

The recording companies alleged that the software is used to obtain and share unauthorized copies, and that LimeWire facilitated this copyright infringement by distributing and maintaining the software. They claimed that LimeWire was liable for:

  1. inducement of copyright infringement
  2. contributory copyright infringement
  3. vicarious copyright infringement
  4. violations of state common law prohibiting copyright infringement and unfair competition

Opinion of the court

On 11 May 2010, Judge Kimba Wood granted the RIAA's motion for summary judgment, finding LimeWire liable for inducement of copyright infringement, common law copyright infringement and unfair competition as to the plaintiffs' pre-1978 copyrighted works.[8] The court amended its opinion and court order on 25 May 2010.

Because all persons and corporations who participate in, exercise control over or benefit from an infringement are jointly and severally liable as copyright infringers,[9] all claims of copyright infringement were equally applicable against Lime Group LLC and Mark Gorton, as sole executive director.[8] The claims against Bildson, a former employee, were dropped in exchange for providing factual information about LimeWire and payment of a settlement. The court did not settle the fraudulent conveyance claim against M.J.G. LimeWire Family Limited Partnership under summary judgment, due to a genuine issue of fact.[10]

Secondary liability

The RIAA based their infringement claims on theories of secondary liability, which may be imposed on a party that has not directly infringed a copyright, but has nonetheless played a significant role. A party that distributes infringement-enabling products or services may facilitate direct infringement on a massive scale, making effective enforcement for the copyright owner illusory.[11]

The court established the prerequisite of direct infringement, supported by expert testimony which estimated that 98.8% of the files requested for download through LimeWire were copyright-protected and not authorized for free distribution.

Inducement

To establish a claim for inducement, the RIAA had to show that LimeWire, by distributing and maintaining LimeWire, engaged in purposeful conduct that encouraged copyright infringement with intent to do so. Applying the inducement doctrine as announced by the Supreme Court in 2005 in MGM Studios, Inc. v. Grokster, Ltd.,[12] the court found overwhelming evidence of LimeWire's purposeful conduct fostered infringement. It established intent to encourage infringement by distributing LimeWire through the following factors:

  1. LimeWire's awareness of substantial infringement by users;
  2. its efforts to attract infringing users;
  3. its efforts to enable and assist users to commit infringement;
  4. its dependence on infringing use for the success of its business; and
  5. its failure to mitigate infringing activities.[10]

The court said that LimeWire's electronic notice asking users to affirm that they were not using it for copyright infringement, did not constitute any meaningful effort to mitigate infringement. In 2006, LimeWire had implemented an optional hash-based filter capable of identifying a digital file with copyrighted content and blocking a user from downloading the file, but the court did not consider this a sufficient barrier. It found inducement, noting that failure to utilize existing technology to create meaningful barriers against infringement is a strong indicator of intent.[1]

The parties also cross-moved for summary judgment on the claim that LimeWire was secondarily liable for contributory copyright infringement because it materially contributed to the infringement committed by users. Unlike an inducement claim, a claim for contributory infringement does not require a show of intent, rather it must show that the defendant 1) had actual or constructive knowledge of the activity, and 2) encouraged or assisted others' infringement or provided machinery or goods that facilitated infringement. A joint amicus curiae brief was submitted by the Electronic Frontier Foundation and a coalition of consumers and industry[note 2] urging the court to apply the law in a manner that would not chill technological innovation. In particular, the brief urged the court to preserve the "Sony Betamax" doctrine developed in Sony Corp. of America v. Universal City Studios, Inc., which protects developers of technologies capable of substantial noninfringing uses from contributory infringement liability.[13][14] The court declined to rule on this point of law because the case lacked enough facts to determine whether or not the software was actually capable of substantial noninfringing uses.[1]

LimeWire also moved for summary judgment on the claim that it was vicariously liable for copyright infringement. Vicarious liability occurs when a defendant profits from direct infringement, yet declines to stop it. The court found substantial evidence that LimeWire had the right and ability to limit the use of its product for infringing purposes, including by implementing filtering, denying access, and by supervising and regulating users, none of which were exercised. Furthermore, the court found that LimeWire possessed a direct financial interest in the infringing activity, that its revenue was based on advertising and increased sales of LimeWire Pro, both consequences of its ability to attract infringing users. The court denied LimeWire's motion.[1]

The parties cross-moved for summary judgment on the claim of common law copyright infringement and unfair competition. The claim was included because federal copyright law does not cover sound recordings made prior to 1972.[15] The elements for finding inducement for copyright infringement are, as under federal law: direct infringement, purposeful conduct, and intent. The court found these established on the previously introduced evidence and granted summary judgment to the RIAA. The unfair competition claim was also granted because they had had to compete with LimeWire's free and unauthorized reproduction and distribution of plaintiffs' copyrighted recordings.[1]

Evidentiary motions

LimeWire filed a number of motions challenging the admissibility of evidence submitted by the RIAA.[note 3] The court found all the evidentiary objections without merit and denied the motions; it did place certain conditions on plaintiffs' future interaction with a specific former LimeWire employee.[1]

Subsequent developments

Permanent injunction

As the litigation continued, the parties consented to a permanent injunction on 26 October 2010 shutting down the LimeWire file-sharing service.[16] The permanent injunction prohibits LimeWire from copying, reproducing, downloading, or distributing a sound recording, as well as directly or indirectly enabling or assisting any user to use the LimeWire system to copy, reproduce or distribute any sound recording, or make available any of the copyrighted works. LimeWire was also required to disable the file trading and distribution functionality for current and legacy users, to provide all users with a tool to uninstall the software, to obtain permission from the plaintiffs before offering any new version of the software, to implement a copyrighted content filter in any new versions developed, and to encourage all legacy users to upgrade if a new version was approved.[11] The court order also required that if LimeWire sells or licenses any of its assets, as a condition of the transfer, it must require the purchaser or licensee to submit to the court's jurisdiction and agree to be bound by the permanent injunction.[17]

Following the permanent injunction, the website www.limewire.com was effectively shut down and displays a notice to that effect. LimeWire also shut down its online store.

Soon after the injunction was ordered, a report appeared on TorrentFreak about the availability of LimeWire Pirate Edition (LPE), a new, improved LimeWire client released by "a secret dev team."[18][19][20][21] The RIAA quickly complained to the judge that LimeWire was not complying with the injunction, and alleged that the LPE developer was a current or former LimeWire employee.[22] The court ordered the LPE website shut down and allowed limited discovery to obtain the identity of the primary developer.[19][20][22] LimeWire denied affiliation with the developer,[20][23] who likewise denied being affiliated with Lime Wire LLC.[22] The developer, who initially said his motivation was for working on the software was "to make RIAA lawyers cry into their breakfast cereal,"[21] voluntarily shuttered the LPE website rather than lose anonymity by contesting the court order.[22]

Limitations on damages

The court maintained jurisdiction in order to provide a final ruling on LimeWire's liability and damages to determine the appropriate level necessary to compensate the record companies.

Citing a hypothetical argument from Nimmer on Copyright and the U.S. Supreme Court case Feltner v. Columbia Pictures Television, Inc., the plaintiffs proposed one award for each infringement by individual LimeWire users.[24] The plaintiffs estimated, using a consultant's statistical analysis,[25] that there were more than 500 million downloads[24][25] of post-1972 works[24] using the LimeWire system; however, they offered no suggestions on how to determine a precise number of direct infringers of each work.[24]

The defendants cited McClatchey v. The Associated Press[24] and related case law which rejected the Feltner precedent and the Nimmer hypothetical for situations involving statutory damages for infringement committed on a massive scale.[26][27][28] In their pleadings, the defendants pointed out that the 500 million direct infringements estimated by the plaintiffs could lead to a maximum damage award of $75 trillion ($75,000,000,000,000).[citation needed]

On 11 March 2011, the court ruled that McClatchey and related case law did indeed trump Feltner and the Nimmer hypothetical, and held that the per-infringement proposal produces "an absurd result" potentially in the "trillions" of dollars, given the large number of uploads and downloads by LimeWire users over a period of several years.[24] The court noted that despite its claims to the contrary, the RIAA hadn't ever argued for a per-infringement award until this case, and even then not until September 2010, more than three years after filing the lawsuit.[24] The court added that the plaintiffs were "suggesting an award that is more money than the entire music recording industry has made since Edison's invention of the phonograph in 1877."[24]

Accordingly, the court ruled that the labels were entitled to an award only on a per-work, rather than per-infringement basis,[29] limiting the award to between $7.5 million and $1.5 billion of statutory damages.[30] The court calculated the damages at $750 to $150,000 for each of approximately 10,000 post-1972 recordings infringed via LimeWire, plus "actual" damages for infringement of about 1,000 earlier works[30] (statutory damages are not an option for the earlier works).[31]

Plaintiffs are entitled to a single statutory damage award from Defendants per work infringed, regardless of how many individual users directly infringed that particular work.[24]

— Hon. Kimba Wood (S.D.N.Y.)

Inapplicable direct infringement actions

The defendants then asked for a partial summary judgment exempting 104 works which had been directly infringed by LimeWire users, and for which the plaintiffs had already recovered damages in separate actions.[31] The defendants claimed the individual defendants in those cases are "jointly and severally liable" with the defendants in this case, and, citing Bouchat v. Champion Prods., Inc.,[26] argued that the language of 17 USC 504 meant to group together all actions relating to infringement of a given set of works.[31] The defense further contended that since only those 104 works had been proven to be directly infringed, they shouldn't be held liable for inducing infringement of any other works.[31] The court denied the request, rejecting the notion that the other actions had any bearing on the inducement case, except to the extent that already-recovered damage amounts might be taken into account when calculating the inducement damages, and further holding that Bouchat doesn't apply; 17 USC 504 doesn't preclude finding inducement of infringement separately from finding direct infringement of the same works.[31]

Damages phase

The damages phase of the trial began on 2 May 2011.[31] LimeWire founder and CEO Mark Gorton admitted on the stand that he was aware of widespread copyright infringement by LimeWire users and that he chose not to make use of available filtering technology; and he said that until this trial, he believed that his company couldn't be held liable for inducing copyright infringement.[32] Citing a 2001 statement he made to investors about the risk of being sued, and a 2005 notice sent by the RIAA making him aware that the decision in MGM Studios, Inc. v. Grokster, Ltd. meant that LimeWire was liable, the plaintiffs contended that he didn't misread the law, but rather knew all along that he was violating it.[32] The RIAA further asserted that Gorton made efforts to hide LimeWire's profits in personal investments, in anticipation of a lawsuit.[32]

Settlement

On 12 May 2011, a settlement was reached, and the case dismissed. LimeWire CEO Mark Gorton paid $105 million to the four largest record labels,[33] which at that time were Universal Music Group, Sony BMG, Warner Music Group, and EMI.

Press

Reactions to the injunction

One law and technology blog called the injunction a "smackdown" for LimeWire,[34] a second, "Judge slaps Lime Wire with permanent injunction",[35] while The New York Times brought quotes from both parties disagreeing on the impact of the decision.[36]

The RIAA issued a press release urging previous LimeWire users to begin using one of the available legitimate options.[37] The New York Times also ran a story about Gorton.[38]

Finally, there was interest in what previous LimeWire users would do and where they would go—and if BitTorrent would be their next move.[39][40]

Reporting of estimated damages

Although the plaintiffs never explicitly asked for a specific amount of damages—rather, the exact calculation was left as an exercise for the court[25]—the press circulated several multitrillion-dollar estimates. Some press reports initially stated, accurately, that the largest estimate, $75 trillion, was no longer being sought, but later reports were written as if the RIAA was still seeking that amount. Many of these reports surfaced in mid-2012, over a year since the case had been settled.

2010

In mid-May 2010—which was after the summary judgment had been made finding liability, but well before damages had been capped and before the RIAA sought per-infringement damages—blogger Miles Harrison, on his slashparty blog (now defunct), reviewed court documents and estimated the potential damages being sought at $15 trillion.[41] Harrison based his figure on a reported 200 million downloads of the LimeWire client software from Download.com alone, as cited in a filing by the plaintiff's lawyer.[42] Harrison cut the 200 million in half to account for re-downloads and multiple installations by the same user, then assumed every user infringed an average of 1 work at issue in the case. He then multiplied that 100 million infringements by the upper limit for statutory damages, $150,000, to arrive at $15 trillion. This story was modestly promoted on Reddit,[43] but wasn't widely reported.

A few weeks later, on 8 June 2010, blogger Jon Newton, in an article on his technology news blog p2pnet, arrived at his own estimate of $1.5 trillion,[44] based on the same report of 200 million client downloads. Apparently conflating LimeWire software downloads with infringements of sound recordings, Newton computed his figure by multiplying 200 million by $750, the minimum statutory damage amount the filing said was being sought for each work infringed.[44] The following day, Newton published a revised estimate of $15 trillion, quoting Harrison's calculations.[41] Newton's first article was promoted on Reddit,[45] but apparently wasn't picked up by the mainstream press.

2011

In March 2011, shortly after the court issued the ruling capping potential damages at $1.5 billion, an even higher estimate was reported: Corporate Counsel magazine and its affiliated Law.com website reported on 15 March that when seeking damages on a per-direct-infringement, rather than per-infringed-work basis, the record companies had "demanded damages ranging from $400 billion to $75 trillion"—figures taken from the defendants' pleadings. The report went on to say that Judge Wood had called the plaintiffs' request "absurd".[46]

The Law.com article was popularized via Reddit on 22 March,[47] and the $75 trillion figure was repeated in a PC Magazine article the next day.[48] Two days later, citing the $75 trillion figure as if it were still being actively sought, Anonymous launched a DDoS attack on the RIAA website under the Operation Payback banner.[49] The following week, in several Australian APN News & Media outlets, an op-ed piece repeated the $75 trillion figure, erroneously calculated from $150,000 × 11,000 infringed works (which actually comes to $1.65 billion).[50]

2012

In May 2012, a year after the case was dismissed, an op-ed piece on a New Zealand news site reported on the case as if it were ongoing. Although it mentioned the March 2011 damages ruling, the piece repeated the $75 trillion estimate and added that the amount was in excess of the 2011 global GDP.[51]

The revived story was then reported as news by the online edition of NME, with the amount dropped slightly to $72 trillion, and with the erroneous statement that the RIAA was still actively seeking that much in damages. The NME story linked back to an accurate, 2011 report in Computerworld,[29] but made no mention of the court's ruling that limited the damages to a maximum of $1.5 billion.[note 4]

This embellished version of the story "went viral" and was picked up as a current news report, without fact-checking, by numerous organizations, including Business Insider, PC World, a Forbes blog, a CBC business program, a Los Angeles CBS affiliate, and many entertainment and technology news blogs. Some reported the figure as $75 trillion, others as $72 trillion.

After it was pointed out that the case had been settled a year earlier and that the RIAA was not still seeking damages, some outlets pulled the story and some issued retractions, but many websites left the unedited story online. The Forbes retraction included a statement from the RIAA pointing out that no specific amount had ever been asked for, but the author countered that this is splitting hairs; a multitrillion-dollar amount was still implied.[52]

NMPA lawsuit

The case resulted in a separate lawsuit from National Music Publishers Association (NMPA) in order for them to be included in any future settlement negotiations and damages.[53] This case ended with a settlement before the damages phase of the trial at hand.[citation needed]

See also

Footnotes

  1. ^ The thirteen consisted of Arista Records LLC (Sony BMG/Sony Music), Atlantic Recording Corporation (Warner Music Group), BMG Music, Capitol Records Inc. (EMI), Elektra Entertainment Group Inc. (Warner Music Group), Interscope Records (Universal Music Group), LaFace Records LLC (Sony BMG/Sony Music), Motown Record Company, L.P. (Universal Music Group), Priority Records LLC (EMI), Sony BMG Music Entertainment, UMG Recordings Inc., Virgin Records America Inc. (EMI), and Warner Bros. Records Inc. (Warner Music Group)
  2. ^ The Electronic Frontier Foundation was joined on the amicus curiae brief by the Center for Democracy and Technology, the Computer and Communications Industry Association, the Consumer Electronics Association, the Home Recording Rights Coalition, the Information Technology Association of America, Public Knowledge, the Special Libraries Association, and the U.S. Internet Industry Association.
  3. ^ Motions included objections as to the reliability of one expert opinion, the properness of another, failure to identify individuals as witnesses, exclusion as to exhibits purportedly relating to settlement negotiations, exclusion of evidence of conduct outside of limitation period, strikes as to a declaration from a former LimeWire employee, and objections based on relevance, authentication and hearsay.
  4. ^ The original NME piece at http://www.nme.com/news/various-artists/63944 has since been removed, but it is quoted in its entirety Archived 19 October 2012 at the Wayback Machine at Zeropaid, and a summary remains on the NME site in the "20 Most Viewed News Stories of the Week", stating "The Recording Industry Association of America (RIAA) estimates that filesharing website LimeWire owes it over $72 trillion (£46 trillion) in damages. In October 2010, Limewire was forced to shut down after a judge in the Federal District Court ruled that its main filesharing functions be disabled, but the RIAA is still actively pursuing its owners for damages."

References

  1. ^ a b c d e f Arista Records LLC v. Lime Group LLC, 715 F. Supp. 2d (S.D.N.Y. 2010).
  2. ^ "Piracy: Online and on the Street". Recording Industry Association of America. Retrieved 2 March 2011.
  3. ^ a b Stempel, Jonathan (13 May 2010). "Big record labels win LimeWire copyright case". Reuters. Retrieved 9 March 2011.
  4. ^ Bangeman, Eric (22 April 2008). "Study: BitTorrent sees big growth, LimeWire still #1 P2P app". Ars Technica. Retrieved 2 March 2011.
  5. ^ Gonsalves, Antone. "LimeWire Ordered To Shut Down". Information Week. Retrieved 9 March 2011.
  6. ^ Simmons, Sarah. "LimeWire Strikes Back against the RIAA (Cartel?)". Chilling Effects. Retrieved 9 March 2011.
  7. ^ "Motion to dismiss LimeWire's counterclaims is granted". Justia.com. Retrieved 2 March 2011.
  8. ^ a b Bray, Chad (26 October 2010). "LimeWire Told to Shut". The Wall Street Journal. Archived from the original on 8 February 2011. Retrieved 8 March 2011.
  9. ^ "Federal Court Issues Landmark Ruling Against LimeWire". Recording Industry Association of America. Retrieved 9 March 2011.
  10. ^ a b Stuart D. Levi; David W. Sussman; Mary E. Rasenberger. "Arista Records v. Lime Group Summary". Skadden. Archived from the original on 16 July 2011. Retrieved 9 March 2011.
  11. ^ a b Oiaga, Marius (27 October 2010). "No More LimeWire Downloads, the File-Sharing Network Shut Down by Court Order". Softpedia. Retrieved 8 March 2011.
  12. ^ "MGM v. Grokster". FindLaw. Retrieved 10 March 2011.
  13. ^ "Arista v. Lime Wire". Electronic Frontier Foundation. Archived from the original on 5 March 2011. Retrieved 9 March 2011.
  14. ^ MacRonin (26 September 2008). "EFF Urges Court to Protect Innovation in Arista v. LimeWire". Privacy Digest. Archived from the original on 9 March 2011. Retrieved 9 March 2011.
  15. ^ "Federal Judge in New York Puts the Squeeze on LimeWire Music File-Sharing". Intellirights. Retrieved 9 March 2011.
  16. ^ Bray, Chad (26 October 2010). "LimeWire Told to Shut ". The Wall Street Journal. Archived from the original on 8 February 2011. Retrieved 8 March 2011.
  17. ^ "Permanent Injunction Order". Justia. Retrieved 10 March 2011.
  18. ^ "LimeWire Resurrected By Secret Dev Team". TorrentFreak. 19 November 2010. Retrieved 16 October 2012.
  19. ^ a b Sandoval, Greg (19 November 2010). "RIAA wants revived LimeWire dead and buried". CNET. Retrieved 16 October 2012.
  20. ^ a b c Albanesius, Chloe (19 November 2010). "Lime Wire Not Complying with Injunction, RIAA Says". PC Magazine. Retrieved 16 October 2012.
  21. ^ a b Anderson, Nate (9 November 2010). ""Horde of piratical monkeys" creates LimeWire: Pirate Edition". Ars Technica. Archived from the original on 21 February 2011. Retrieved 8 March 2011.
  22. ^ a b c d "LimeWire Pirate Edition Site Nuked By "Cheap and Dishonest" RIAA Action". TorrentFreak. 19 November 2010.
  23. ^ "Limewire Brought Back To Life By Secret Dev Team". LimeWire Info. Archived from the original on 2 March 2011. Retrieved 8 March 2011.
  24. ^ a b c d e f g h i "Opinion and order - Case 1:06-cv-05936-KMW -DCF Document 678" (PDF). 10 March 2011. Retrieved 16 October 2012.
  25. ^ a b c Case 1:06-cv-05936-KMW -DCF Document 540 - Plaintiffs' opening brief regarding separate statutory damage awards against defendants under 17 U.S.C. § 504(c), 25 February 2011
  26. ^ a b Bouchat v. Champion Prods., Inc., 327 F. Supp. 2d 537, 552 (D. Md. 2003), aff'd on other grounds, 506 F.3d 315, 332 (4th Cir. 2007).
  27. ^ United States Media Corp. v. Eddie Entm't Corp., No. 94 Civ. 4849, 1998 WL 401532, at *20 (17 July 1998 S.D.N.Y.)
  28. ^ Arista Records LLC v. Usenet.com, Inc., No. 07 Civ. 8822, 2010 WL 3629587, at *1 (S.D.N.Y. Sept 16, 2010). Here, the plaintiffs, who are parties in this LimeWire case, had asked for damages to be calculated on a per-work basis.
  29. ^ a b Vijayan, Jaikumar (25 March 2011). "RIAA request for trillions in LimeWire copyright case is 'absurd,' judge says". Computerworld. Retrieved 16 October 2012.
  30. ^ a b Stempel, Jonathan (11 March 2011). "LimeWire wins limit on damages to record labels". Reuters. Archived from the original on 3 March 2016. Retrieved 16 October 2012.
  31. ^ a b c d e f "Opinion and Order - Case 1:06-cv-05936-KMW -DCF Document 678" (PDF). 7 April 2011. Retrieved 16 October 2012.
  32. ^ a b c Sandoval, Greg (9 May 2011). "Lime Wire founder on copyright law: 'I was wrong'". Retrieved 16 October 2012.
  33. ^ Sandoval, Greg (12 May 2011). "Lime Wire settles with RIAA for $105 million". CNET. Retrieved 16 October 2012.
  34. ^ Goldman, Eric (13 May 2010). "LimeWire Smacked Down for Inducing Copyright Infringement – Arista Records v. Lime Group". Technology & Marketing Law Blog. Archived from the original on 3 March 2011. Retrieved 2 March 2011.
  35. ^ Sandoval, Greg (26 October 2010). "Judge slaps Lime Wire with permanent injunction". cnet news. Retrieved 8 March 2011.
  36. ^ Plambeck, Joseph (12 May 2010). "Court Rules That File-Sharing Service Infringed Copyrights". The New York Times. Retrieved 2 March 2011.
  37. ^ "LimeWire Update". Recording Industry Association of America. Retrieved 9 March 2011.
  38. ^ Plambeck, Joseph (23 May 2010). "Idea Man of LimeWire at a Crossroads". The New York Times. Retrieved 2 March 2011.
  39. ^ Healey, Jon (26 October 2010). "LimeWire goes down, but where do its users go?". Los Angeles Times. Retrieved 8 March 2011.
  40. ^ Parfeni, Lucian (November 2010). "LimeWire Shut Down Proves a Healthy Boost to the File-Sharing Community". Softpedia. Retrieved 8 March 2011.
  41. ^ a b Newton, Jon (9 June 2010). "Does LimeWire owe Big Music 15 trillion?". p2pnet. Archived from the original on 12 June 2010. Retrieved 16 October 2012.
  42. ^ Klaus, Kelly (4 June 2010). "Memorandum of Law in Support of Plaintiffs' Motion for Permanent Injunction - Case 1:06-cv-05936-KMW Document 235" (PDF). Retrieved 16 October 2012.
  43. ^ "RIAA Claims LimeWire owes $1.5 trillion". 8 June 2010. Retrieved 16 October 2012.
  44. ^ a b Newton, Jon (8 June 2010). "www.p2pnet.net/story/40481". p2pnet. Archived from the original on 10 June 2010. Retrieved 16 October 2012.
  45. ^ "RIAA wants 15 trillion dollars". 20 May 2010. Retrieved 16 October 2012.
  46. ^ Li, Victor (15 March 2011). "Manhattan Federal Judge Kimba Wood Calls Record Companies' Request for $75 Trillion in Damages 'Absurd' in Lime Wire Copyright Case". Corporate Counsel. Retrieved 16 October 2012.
  47. ^ "RIAA - We want $75 TRILLION in out settlement from LimeWire Judge - You know that that's more money than there is, right?". 22 March 2011. Retrieved 16 October 2012.
  48. ^ Albanesius, Chloe (23 March 2011). "P2P Music File Sharing Dropped After Limewire Shutdown, NPD Says". PC Magazine. Retrieved 16 October 2012.
  49. ^ "RIAA Targeted by Anonymous' Operation Payback". 28 March 2011. Archived from the original on 26 January 2013. Retrieved 16 October 2012.
  50. ^ Johnson, Callum (31 March 2011). "Evil downloaders beware; culture sparrow". Sunshine Coast Daily. p. 30.
  51. ^ Pilcher, Pat (21 May 2012). "RIAA wants $72 trillion from LimeWire". Stuff.co.nz. Retrieved 16 October 2012.
  52. ^ Worstall, Tim (24 May 2012). "The RIAA: Do Not Believe a Word They Say, Ever, For They're Claiming $72 Trillion in Damages. Updated, See Correction". Forbes. Retrieved 16 October 2012.
  53. ^ Plambeck, Joseph (16 June 2010). "Music Publishers Sue LimeWire". The New York Times. Retrieved 2 March 2011.

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Kate MaraMara pada Festival Film Internasional Toronto 2008 pada September 2008Lahir27 Februari 1983 (umur 41)Bedford, New York, Amerika SerikatPekerjaanAktrisTahun aktif1997–kini Kate Mara (lahir 27 Februari 1983) adalah aktris film layar lebar dan televisi asal Amerika Serikat. Ia dikenal lewat perannya dalam film Brokeback Mountain yang meraih penghargaan Academy Award sebagai film terbaik. Filmografi Pranala luarKate Mara di Internet Movie Database Tahun Judul Peran Catatan 1...

У этого термина существуют и другие значения, см. Драхма. Драхма серебряная, отчеканенная в Афинах. Около 449-420 гг. до н. э. Дра́хма (др.-греч. δραχμή — схваченное рукой[1]; другая версия: от ассирийского «дараг-мана» — шестидесятая часть мины[2]) — древнегречес...

 

 

Hak

Artikel ini tidak memiliki referensi atau sumber tepercaya sehingga isinya tidak bisa dipastikan. Tolong bantu perbaiki artikel ini dengan menambahkan referensi yang layak. Tulisan tanpa sumber dapat dipertanyakan dan dihapus sewaktu-waktu.Cari sumber: Hak – berita · surat kabar · buku · cendekiawan · JSTORGaya atau nada penulisan artikel ini tidak mengikuti gaya dan nada penulisan ensiklopedis yang diberlakukan di Wikipedia. Bantulah memperbaikinya be...

 

 

Hikaru Naomoto Hikaru Naomoto saat FC Bayern (wanita) vs SC Freiburg (wanita), Mei 2019Informasi pribadiNama lengkap Hikaru NaomotoTanggal lahir 3 Maret 1994 (umur 30)Tempat lahir Prefektur Fukuoka, JepangPosisi bermain GelandangKarier senior*Tahun Tim Tampil (Gol)2007–2011 Fukuoka J. Anclas 26 (0)2012– Urawa Reds 102 (9)Tim nasional2014– Jepang 15 (0) * Penampilan dan gol di klub senior hanya dihitung dari liga domestik Hikaru Naomoto (猶本 光, lahir 3 Maret 1994) adalah seora...

Rum

Untuk kegunaan lain, lihat Rum (disambiguasi). Rum Karibia, tahun 1941 Rum adalah minuman beralkohol hasil fermentasi dan distilasi dari molase (tetes tebu) atau air tebu yang merupakan produk samping industri gula. Rum hasil distilasi berupa cairan berwarna bening, dan biasanya disimpan untuk mengalami pematangan di dalam tong yang dibuat dari kayu ek atau kayu jenis lainnya. Produsen rum terbesar di dunia adalah negara-negara Karibia dan sepanjang aliran Sungai Demerara di Guyana, Amerika S...

 

 

American politician Caldwell ButlerMember of the U.S. House of Representativesfrom Virginia's 6th districtIn officeNovember 7, 1972 – January 3, 1983Preceded byDick PoffSucceeded byJim OlinMinority Leader of the Virginia House of DelegatesIn officeJanuary 1964 – January 12, 1972Succeeded byPete GiesenMember of the Virginia House of Delegatesfrom Roanoke CityIn officeJanuary 10, 1962 – January 12, 1972Preceded byJulian RutherfordSucceeded byJohn C. ...

 

 

Sebuah patung yang diberi nama Adonis Mazarin yang menampilkan sosok Adonis. Patung ini dibuat dari batang kayu tua oleh François Duquesnoy. Patung ini sebelumnya menjadi koleksi Kardinal Mazarin, kemudian dipindahkan dan disimpan di Museum Louvre.Adonis (Yunani Ἄδωνις dari Semitik Barat laut 'A-D-N) adalah tokoh yang berasal dari Semitik Barat yang merupakan tokoh sentral dalam pemujaan berbagai agama misteri yang menyertai mitologi Yunani pada masa Helenistik.[1] Dia selalu ...

Species of bird Philippine honey buzzard Conservation status Least Concern  (IUCN 3.1)[1] Scientific classification Domain: Eukaryota Kingdom: Animalia Phylum: Chordata Class: Aves Order: Accipitriformes Family: Accipitridae Genus: Pernis Species: P. steerei Binomial name Pernis steereiWL Sclater, 1919 Subspecies[2] P. s. winkleri - Gamauf & Preleuthner, 1998 P. s. steerei - Sclater, WL, 1919 Synonyms Pernis celebensis winkleri Gamauf & Preleuthner, 1998 The ...

 

 

Artikel ini memiliki beberapa masalah. Tolong bantu memperbaikinya atau diskusikan masalah-masalah ini di halaman pembicaraannya. (Pelajari bagaimana dan kapan saat yang tepat untuk menghapus templat pesan ini) Biografi ini terlalu bergantung kepada referensi yang berasal dari sumber primer. Mohon bantu kami dengan menambahkan sumber-sumber sekunder dan tersier. Materi kontroversial tentang tokoh yang masih hidup yang tidak bersumber atau memiliki sumber yang buruk harus segera dihapus, terut...

 

 

Great Falls, MontanaCityGreat Falls, Montana as viewed from Interstate 15, looking due north LambangJulukan: The Electric CityLocation of Great Falls, MontanaCountryUnited StatesStateMontanaCountyCascadePemerintahan • MayorMichael WintersLuas[1] • City22,26 sq mi (57,65 km2) • Luas daratan21,79 sq mi (56,44 km2) • Luas perairan0,47 sq mi (1,22 km2)Ketinggian3.330 ft (1.015 m)Pop...

American film director (1896–1977) Howard HawksHawks in the 1940sBornHoward Winchester Hawks(1896-05-30)May 30, 1896Goshen, Indiana, U.S.DiedDecember 26, 1977(1977-12-26) (aged 81)Palm Springs, California, U.S.Alma materCornell UniversityOccupationsFilm directorproducerscreenwriterYears active1916–1970Notable workScarface, Bringing Up Baby, Only Angels Have Wings, His Girl Friday, Ball of Fire, To Have and Have Not, The Big Sleep, Red River, Gentlemen Prefer Blondes, Rio Br...

 

 

2012 Harlow District Council election ← 2011 3 May 2012 2014 → 11 of the 33 seats to Harlow District Council17 seats needed for a majority   First party Second party Third party   Party Labour Conservative Liberal Democrats Seats before 14 17 2 Seats won 7 4 0 Seats after 20 13 0 Seat change 6 4 2 Popular vote 9,722 7,083 1,467 Percentage 52.1% 38.0% 7.9% Map showing the results of contested wards in the 2012 Harlow District Council el...

 

 

2016年美國總統選舉 ← 2012 2016年11月8日 2020 → 538個選舉人團席位獲勝需270票民意調查投票率55.7%[1][2] ▲ 0.8 %   获提名人 唐納·川普 希拉莉·克林頓 政党 共和黨 民主党 家鄉州 紐約州 紐約州 竞选搭档 迈克·彭斯 蒂姆·凱恩 选举人票 304[3][4][註 1] 227[5] 胜出州/省 30 + 緬-2 20 + DC 民選得票 62,984,828[6] 65,853,514[6]...

Leonid ShamkovichShamkovich at the 1980 Chess Olympiad, MaltaFull nameLeonid Aleksandrovich ShamkovichBorn(1923-06-01)1 June 1923Rostov-on-Don, Soviet UnionDied22 April 2005(2005-04-22) (aged 81)Brooklyn, New York CityTitleGrandmaster (1965)Peak rating2540 (July 1973) Leonid Aleksandrovich Shamkovich (Russian: Леони́д Алекса́ндрович Шамко́вич; June 1, 1923 – April 22, 2005)[1] was a chess Grandmaster and chess writer. He was born in a Jew...

 

 

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