Archduchess Maria Elisabeth of Austria (born 1743)

Maria Elisabeth of Austria
Portrait by Martin van Meytens, 18th-century
Born(1743-08-13)13 August 1743
Schönbrunn Palace, Vienna, Archduchy of Austria, Holy Roman Empire
Died22 September 1808(1808-09-22) (aged 65)
Linzer Palace, Linz, Austrian Empire
Burial
Names
  • German: Maria Elisabeth Josefa Johanna Antonia
  • French: Marie Élisabeth Joséphine Jeanne Antoinette
HouseHabsburg-Lorraine
FatherFrancis I, Holy Roman Emperor
MotherMaria Theresa
ReligionRoman Catholic

Maria Elisabeth of Austria (German: Maria Elisabeth Josefa Johanna Antonia; 13 August 1743 – 22 September 1808) was an archduchess of Austria and princess of Tuscany, Bohemia, and Hungary as the daughter of Empress Maria Theresa and Emperor Francis I. She was an abbess of the Theresian Institution of Noble Ladies in Innsbruck from 1780 until 1806.

Early life

The palace where Elisabeth was raised in her early childhood

Born on 13 August 1743, Maria Elisabeth Josefa Johanna Antonia was the sixth (fourth living) of the sixteen children of Maria Theresa, ruler of the Habsburg monarchy, and Francis I Stephen, Holy Roman Emperor. She was given the customary education of an archduchess with a focus on religion, foreign languages, and etiquette, designed to make her a good consort.[1] She was known as Elisabeth or Liesl in her family.[2] As an infant, Elisabeth was small, frail, and sickly, worrying her family. Probably as a result of some gastrointestinal disease, she often failed to retain food and developed slowly. On the advice of the imperial doctors, she was moved to Engelskirchner Palace [de] (later Archduke Rainer Palace, demolished in 1957) in Wieden; she was also prescribed chocolate drinks. Eventually, Elisabeth strengthened and grew into a lively child, who liked games and jokes, and teased her many siblings often.[3] She was also very vain as a result of being considered the most beautiful among the archduchesses from an early age.[4]

Elisabeth in her childhood

Elisabeth was brought up with her sister Maria Amalia, who was three years younger, and their aya, the Countess of Heister, is said to have had a difficult time with both of them.[5] In adolescence, Elisabeth was described as unstable and eccentric, without any particular interests.[6] She was fun-loving and neglected her studies. She earned her mother's censure by liking gossip and mocking everyone, offending her siblings and attendants with ironic comments. Her staff changed often, as few could stand her. Elisabeth was a difficult child to raise, and five ayas were appointed in turn to educate her; even her confessor needed to be changed once.[7] Her mother considered her childish and immature, calling her eine Kokette der Schönheit ('a pretty coquette'), observing: 'It mattered not if the look of admiration came from a prince or a Swiss guard, Elisabeth was satisfied.'[6]

Elisabeth performing in Il Parnaso confuso

She was active in court life: at the wedding of her brother Joseph in 1765, she played the part of Apollo in the operetta Il Parnaso confuso by Christoph Willibald Gluck.[6]

Marriage negotiations

Elisabeth was considered a valuable asset in dynastic marriage negotiations due to her beauty. She was a subject of marriage speculations at an early age, but many proposals were denied because of the Viennese court's high expectations for the status of her groom.[8]

Elisabeth (left) with her two elder siblings: Maria Anna (right) and Joseph, King of the Romans. Portrait by Josef Hauzinger, 1778

When King Charles III of Spain was widowed in 1761, there were negotiations between Spain and Austria about a marriage between him and Elisabeth, but these ultimately failed.[citation needed] A marriage with King Stanisław II August of Poland was suggested after his succession in 1764, but both Catherine the Great of Russia and Maria Theresa disapproved for political reasons. The empress of Russia was wary of the Habsburg monarchy becoming stronger in Central and Eastern Europe, and Elisabeth's mother considered King Stanisław untrustworthy and of lowly origins.[9] Next, her cousin, Prince Benedetto, Duke of Chablais, was proposed.[10] Elisabeth declared herself very willing,[citation needed] but her brother Joseph did not find the match politically advantageous enough.[10] In 1767, Elisabeth was already twenty-four, considered late to be unmarried for a princess in the 18th century.

In 1768, simultaneously with the discussions of a marriage between her younger sister Archduchess Maria Antonia and Dauphin Louis Auguste (the future Louis XVI),[11] a suggestion was made to engage Elisabeth to the widowed Louis XV of France, the dauphin's grandfather. A marriage contract was prepared and the negotiations were almost completed. However, before they could be finalised, Elisabeth fell ill with smallpox.[12] Although she made a full recovery, it was reported that the illness had terribly scarred her face and destroyed her beauty, thus disrupting all plans of marriage.[13] Additionally, the Choiseul party at the French royal court opposed the idea of King Louis XV remarrying.

Ambassadorial report on the Choiseul opposition to Elisabeth's marriage

Persons in power imagine that a queen, judicious and amiable, who would succeed in gaining the affection of her husband, might open his eyes to the irregularities and the enormous abuses which exist in all departments here, and cause much embarrassment to those who direct them. They are consequently of opinion that it behoves them to divert the mind of the King from ideas of marriage; and I have very strong proofs that Madame de Gramont, more interested than any one in the maintenance of the present abuses, has succeeded in persuading M. de Choiseul to renounce his own predilections in this affair.

Count Mercy, quotes Williams (1905)

Abbess in Innsbruck

Elisabeth was appointed canoness of the Convent for Noble Ladies in Innsbruck by her mother, which had been established by her mother in 1765 to pray for the soul of her late husband, Francis Stephen. Like her unmarried sister Maria Anna, she did not live in the convent but continued to spend her time with the imperial court in Vienna.[14]

After the death of her mother Maria Theresa in 1780, Elisabeth and her sisters Maria Anna and Maria Christina were asked by their brother Joseph II to leave court because he shunned the presence of women there,[citation needed] and wanted to put an end to what he referred to as his sisters Weiberwirtschaft or 'women's republic'.[12] In May 1781, Elisabeth went to Innsbruck, where she would reside in the Imperial Castle as abbess for fifteen years, until January 1806.

Portrait of Elisabeth in 1781, by Johann Baptist von Lampi the Elder

She did not live a monastic life: the convent afforded its members high rank, a personal allowance, a suite of rooms, and the freedom to participate in public life and high society. Elisabeth entertained much in her apartments, receiving guests and arranging family receptions.[12] During this time, she was described as obese, and was referred to as the 'Kropferte Liesl' because of her smallpox scars.[15] She became known and feared for her sharp wit; her friends described her as popular with a fiery personality. Sir John Swinburne described her sharp wit and humorous self-irony upon his visit.[citation needed]

Her younger brother Leopold, who succeeded Joseph as emperor in 1790 involved her more in state affairs, giving her representational tasks. In 1790, she ceremoniously opened the Landtag (State Diet) of Tyrol in his place, and often acted as his representative at ceremonial occasions.[citation needed] She received many important guests and entertained artists such as Johann Wolfgang von Goethe. She was allowed to travel again[clarification needed] and visited the Puster Valley several times with her chamberlain, Count Spaur, and spent the winter of 1800–1801 in Bruneck.[citation needed]

Flight to Linz and death

In January 1806, Elisabeth fled from Innsbruck to Vienna and then to Linz when Tyrol was taken over by Napoleon Bonaparte’s ally, the Kingdom of Bavaria. She spent her last years there, dying on 22 September 1808 at the age of sixty-five. She was buried in the Old Cathedral.[16]

Ancestry

References

  1. ^ Weissensteiner 1995, p. 99.
  2. ^ "The sixteen children of Maria Theresa – eleven daughters and five sons". Time Travel Vienna. 24 March 2021. Retrieved 11 May 2022.
  3. ^ Weissensteiner 1995, p. 100.
  4. ^ Tamussino 1989, p. 149.
  5. ^ Tamussino 1989, pp. 149–150.
  6. ^ a b c Fraser, Antonia, Marie Antoinette: The Journey. ORION, London 2002, ISBN 978-0-7538-1305-8.
  7. ^ Weissensteiner 1995, pp. 101–102.
  8. ^ Weissensteiner 1995, pp. 103.
  9. ^ Weissensteiner 1995, pp. 103–104.
  10. ^ a b Weissensteiner 1995, pp. 104.
  11. ^ Decker, Michel de (2005). Marie-Antoinette : les dangereuses liaisons de la reine (in French). Paris: Belfond. ISBN 2-7144-4141-6. OCLC 62305760.
  12. ^ a b c "Archduchess Maria Elisabeth Josepha Antonia of Austria". Restaurant Goldener Adler Innsbruck. Retrieved 11 May 2022.
  13. ^ Brigitte Hamann (Hrsg.): Die Habsburger: Ein biographisches Lexikon. Wien 1988, S. 320.
  14. ^ Weissensteiner 1995, pp. 110–111.
  15. ^ "Maria Theresias Kinder: Die 16 Nachkommen Der Herrscherin". timetravel-vienna.at (in German). 15 April 2021. Retrieved 6 June 2022.
  16. ^ Weissensteiner 1995, pp. 118.
  17. ^ Genealogie ascendante jusqu'au quatrieme degre inclusivement de tous les Rois et Princes de maisons souveraines de l'Europe actuellement vivans [Genealogy up to the fourth degree inclusive of all the Kings and Princes of sovereign houses of Europe currently living] (in French). Bourdeaux: Frederic Guillaume Birnstiel. 1768. p. 1.

Bibliography

  • Tamussino, Ursula (1989). Isabella von Parma. Gemahlin Josephs II [Isabella of Parma. Wife of Joseph II] (in German). Wien: Österreichische Bundesverlag. ISBN 978-3215070686.
  • Weissensteiner, Frederich (1995). "Mária Erzsébet. A hiú szépség, akit megpróbált a sors" [Maria Elisabeth. The Vain Beauty Who Was Tried by Fate]. Mária Terézia leányai [The Daughters of Maria Theresa] (in Hungarian). Translated by Szántó, Judit. Budapest: Magyar Könyvklub. pp. 99–118. ISBN 963-654-029-2.