When Paramount sold the film's television rights, it retitled the film Tops Is the Limit because the 1956 film version, also produced by Paramount, was currently running in theaters.
Plot
A young man falls in love with a beautiful woman whom he follows onto a luxury liner, where he discovers that she is an English heiress who fled her home and is being returned to England. He also discovers that his boss is on the ship. To avoid identification, he disguises himself as the gangster accomplice of a minister, who is actually a gangster running from the law.
"Shanghai-De-Ho", written by Frederick Hollander and Leo Robin, sung by Bing Crosby and Ethel Merman
The film required revisions of Cole Porter's lyrics to pass Production Code censors. Only four of his songs remained: "Anything Goes", "I Get a Kick Out of You", "There'll Always Be a Lady Fair" and "You're the Top". "You're the Top" contained substantially revised lyrics, and only the first line (sung by Ethel Merman during the opening credits) was retained from the song "Anything Goes".
In a contemporary review for The New York Times, critic Frank Nugent lamented the absence of Victor Moore, the star of the stage production of Anything Goes: "'Anything Goes' without Victor Moore is comparable to 'You're the Top' without Cole Porter's lyrics. It gets by, but without distinction. ... Otherwise (but what a huge deficit to overcome!) Paramount has done rather well by 'Anything Goes.' ... Bing Crosby is an acceptable substitute for the show’s William Gaxton in almost every subdivision except that in which he joins Miss Merman in 'You’re the Top'. It doesn’t seem possible, but Mr. Crosby croons it."[4]
Variety wrote: "Cole Porter’s lyrics, which were the original essence and chief asset of the original stage Anything Goes have been sacrificed for and replaced by plot motion in this Paramount film adaptation. ... Ethel Merman comes from the original cast and her job in the picture equals her job in the stage version, which means aces. Crosby in the Billy Gaxton juve lead makes it more important than the latter did, because of the extra territory taken in by his singing ... As directed by Lewis Milestone everything moves along swiftly. On the whole, as screen entertainment and as musical adaptation, Par’s ‘Goes’ will do."[5]
Writing for The Spectator in 1936, Graham Greene panned the film and criticized Crosby's slow and "moony methods" of singing in "a picture which should rattle quite as fast as a sub-machine gun." Greene also wrote that the song "You're the Top" had been "murdered."[6]
References
^"Anything Goes". Internet Movie Database. Retrieved September 1, 2012.