Annette Peacock (born 1941)[1][2] is an American composer, musician, songwriter, producer, and arranger. She is a pioneer in electronic music who combined her voice with one of the first Moog synthesizers in the late 1960s.
Biography
Annette Peacock was writing music by the time she was four years old. She is self-taught except for her time as a student at The Juilliard School in the early 1970s.[3] She grew up in California.[4]
Nee Coleman, she moved to New York to marry jazz bassist Gary Peacock in 1960.[4] During the early 1960s, she was an associate and guest of Timothy Leary[3] and Ram Dass at Millbrook, and was among the first to study Zen Macrobiotics with Michio Kushi, a discipline she continues to uphold. Peacock toured Europe with avant-garde jazz saxophonist Albert Ayler[3][4] while she was married to Gary Peacock, then pianist Paul Bley.[5][6] Her compositions appeared on Bley's album Ballads and influenced the style of ECM Records.[4] She was a pioneer in synthesizing electronic vocals after having been given a prototype of the first designed Moog synthesizer by its inventor, Robert Moog.[3]
She performed with the Bley-Peacock Synthesizer Show at New York's Town Hall in November 1969 and the next month at Philharmonic Hall which she promoted with late-night TV ads and an appearance on The Johnny Carson Show.[7] Her official debut solo album, I'm the One (RCA Victor), was released in 1972.[8]
1971 Revenge: The Bigger The Love The Greater The Hate, Bley-Peacock Synthesizer Show. This is actually her first solo album, preceding I'm The One. Paul Bley is only on three tracks.
1968: Paul Bley - Mr. Joy (all compositions: "Kid Dynamite", "Nothing Ever Was, Anyway", "El Cordobes", "Touching", "Blood" & "Mr. Joy")
1968: Paul Bley - Turning Point ("Mr. Joy" & "Kid Dynamite")
1968: Karin Krog and Friends - Joy ("Mr. Joy")
1970: Paul Bley & Gary Peacock - Paul Bley with Gary Peacock (all compositions: "Gary" & "Albert's Love Theme")
1971: Paul Bley - The Paul Bley Synthesizer Show (all compositions:"Mr. Joy", "The Archangel", "Nothing Ever Was, Anyway", "Gary", "Snakes", "Parks" & "Circles")
1971: Paul Bley - Ballads (all compositions:"Ending", "Circles" & "So Hard It Hurts")
1972: Paul Bley - Open, to Love ("Open, to Love" & "Nothing Ever Was, Anyway")
^ abcdeAdams, Simon (2002). Kernfeld, Barry (ed.). The New Grove Dictionary of Jazz. Vol. 3 (2nd ed.). New York: Grove's Dictionaries Inc. p. 252. ISBN1-56159-284-6.
^arwulf, arwulf. "Paul Bley". AllMusic. Retrieved 15 April 2017.