Anatoly Ivanovich Sivkov (alternative spelling: Anatolii Ivanovich Sivkov)(Russian: Анатолий Иванович Сивков)(born 18.02.1952-died 07.02.2017) is a contemporary Russianpainter. Sivkov studied from 1966-73 at the renowned Novosibirsk State University in Akademgorodok (Russian: Академгородок), a suburb of Novosibirsk.[1]
In recent years he lived and worked in St. Petersburg. Buried at the Kovalevsky cemetery in St. Petersburg .Russia.[2]
Career
After completing his training; Anatolii Sivkov in 1976 entered the faculty at the Leningrad Institute of Theatre. In pre-perestroika Soviet Russia Sivkov began to work as a creative director for a number of theatres in Leningrad and Perm.[3] With the collapse of the Soviet Union in 1991 his career as an artist grew independently from the artistic mainstream. He is recognized as a member of the Union of Artist of the Russian Federation. Sivkov has participated in exhibitions in St. Petersburg, Moscow, Paris, London, Amsterdam and North America. In 2002 a retrospective of his work was held in Regensburg, Germany.[4]
Modernist influences
As a student Sivkov yearned to explore outside the teleological-milieu of socialist realism the official aesthetic of the Soviet Union since the 1930s. In a rare public exhibition held in 1967 Novosibirsk he was introduced to the radical work of Pavel Nikolayevich Filonov (Russian: Павел Николаевич Филонов). Filonov was an influential artist of the early Russian avant-garde whose canvases examined the inner substance of their subject.[5] Along with Filonov's analytical art Sivkov’s oeuvre illustrates the influences of Wassily Kandinsky's (Russian: Василий Кандинский) inner necessity, and Joan Miró's biomorphic masses.
Work
Sivkov's paintings are characterized by a kaleidoscopic complexity of colour, the layered impasto of his palette, and an applied etching technique that reinforces a sense of flatness in his composition. Sivkov’s style is enormously individualistic and is evasive of classification. His art holds a tense equilibrium between unrelinquished expression and compositional exactitude.
Colour
Sivkov’s art is nurtured by the heavy, garish sumptuousness of his palette. His colours and application of, are powerfully expressive. The eloquence of his colours come to delineate the non-perspectival pictorial space. Combined with the impasto texture of his work, Sivkov's palette effectively creates a technically sensorial opus.
Sivkov's Lines
Sivkov's line art aesthetic, which he employs by a process of applying a heated needle to his thickly coated canvases, adds a compositional element that distinguishes his style from his contemporaries. His work draws inspiration from the ancient temple reliefs of Egypt and Mesopotamia. This is most evident in his proportionality, sense of imposing permanence and almost exclusively depicting the facial profile of his subjects. A correlation can be inferred in his work between ancient bas-reliefs and line art. Despite the fact that line art tends to be monochromatic Sivkov's engraved lines act in a semi-autonomous relationship from the other elements in his compositions. In this fashion his lines act independently from the artist's palette to emphasize form and outline.
1997: Group exhibition S.S.S.R., or in Cyrillic 'C.C.C.P' (Synochkin, Sivkov, Safronov. Russia) in the Dostoevsky Literary Memorial Museum, St. Petersburg.
1997: Winner of "Window on Holland" exhibition, the Consulate of the Netherlands in St. Petersburg.
1996-98: Season auctions of Russian artists working in Paris.
1998: Group exhibition in Rochester City, NY.
1999: Group Exhibition, Santa Barbara, California.
2000: ARTEXPO San Francisco, California.
2001: ARTEXPO New York, New York.
2003: Group exhibition at Mr. and Mrs. Tovbin home. San - Francisco, California.
2003: Group exhibition at Mr. and Mrs. Portnoy, Hillsborough, Calif.
2004: Group exhibition in publishing place Artodox, San - Francisco, California.
2007: Mix: Russian Contemporary Art. Group exhibition at Fort Mason, San Francisco, California.
2010: Group exhibitions outside the U.S: the Netherlands, Britain, France, Russia (St. Petersburg, Moscow, Novosibirsk)
2010: Personal exhibition in Galerie Vinogradov, Berlin.
Costa, Xavier (2006). Hans Hofmann. the Chimbote Project: The Synergistic Promise of Modern Art and Urban Architecture. Actar/MACBA. ISBN84-95951-73-8.
