Wolpe studied as a metal engraver, and Albertus was modelled to resemble letters carved into bronze. The face began as titling capitals. Eventually a lowercase roman was added, and later a strongly cursive, narrow italic. Albertus has slight glyphic serifs. It is available in light and italic varieties.
The project began in 1932.[1] Titling caps were released first, and the Monotype Recorder of summer 1935 presented the capitals as an advance showing.[2] Other characters and a lower case were added by 1940. Albertus has remained popular since its release and since the end of mass use of metal type phototypesetting and digital versions have been released.
Characteristics
In the uppercase "M" the middle strokes descend only partway, not reaching the baseline, in the default version.
In the metal type period, Albertus was offered with alternative characters, including a non-descending 'J' that stops at the baseline, an 'M' that reaches the baseline, and a different ampersand, similar to that used on Dwiggins'Metro.[3][4]
Wolpe later designed Pegasus, a spiky serif design intended to complement Albertus with more body text-oriented proportions. It was less popular and had faded in popularity by the end of the metal type period, although Matthew Carter digitised it and added a bold and italic in 1980 as part of a commemorative exhibition project on Wolpe's work.[5][6]
Monotype released an updated digital version of Albertus, named Albertus Nova, in 2017. It was digitised by Toshi Omagari as part of a Berthold Wolpe Collection series that included Pegasus and three other Wolpe typefaces.[8][9] Monotype promoted the digitisation with an exhibition at the Type Museum in London.[8][9] Omagari added a number of alternates, including metal type alternates, an 'A' based on Wolpe's lettering and an uncial 'e' used in the production design of The Prisoner.[10][11]
Monotype's previous digital version is also available and Albertus digitisations have also been sold by Adobe, Bitstream, Fontsite, SoftMaker and others.[12][13][14]
Bitstream's version is called Flareserif 821.
URW++ released a lookalike version known as A028 for free for use with Ghostscript and TeX. Featuring medium and extra-bold weights but no italics, A028 is widely available on Linux systems and other open source environments.
Blackwell, Lewis. 20th Century Type. Yale University Press: 2004. ISBN0-300-10073-6.
Fiedl, Frederich, Nicholas Ott and Bernard Stein. Typography: An Encyclopedic Survey of Type Design and Techniques Through History. Black Dog & Leventhal: 1998. ISBN1-57912-023-7.
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. The Encyclopædia of Type Faces. Blandford Press Lts.: 1953, 1983. ISBN0-7137-1347-X.
Macmillan, Neil. An A–Z of Type Designers. Yale University Press: 2006. ISBN0-300-11151-7.
Williams, OwenBerthold Wolpe and His Typeface Albertus Letter Arts Review, Vol 20 No 1, 2006