Ai Xiaoming was born in 1953 in the city of Wuhan with a name meaning 'bright dawn', a name typical of the period to show reverence to the new Party government.[6] Her grandfather was Tang Shengzhi, a prominent Kuomintang general in the Second Sino-Japanese War and responsible for the defence of Nanjing.[6] Despite his affiliation with the Kuomintang administration, the family was relatively privileged, and Ai's father worked as an English teacher.
At the age of twelve, as the Cultural Revolution swept through the country, Ai's family was caught up in the violence. Her grandfather was arrested and imprisoned - where he would later die at the age of 81. Ai's parents were both denounced for their relationship, beaten and sentenced to menial labour.[6] Ai was pressured into denouncing her parents and eventually joined a local band of Red Guards to distance herself from her family.
In 1969, Ai Xiaoming was denied entry to high school because of her relation to 'counter-revolutionaries' and was instead sent to the rural countryside to practice vocational skills.[6]
In 1974, as the party was beginning to launch broad rehabilitation campaigns, Ai was admitted to Central China Normal University in Wuhan based on her relation to former officials. At university she would heavily study literature. During this time she was forbidden from joining the Chinese Communist Party because of her past - but was eventually allowed membership in 1984, as the party opened up in the relatively liberal 1980s.[6]
Upon graduation, Ai moved to Beijing to work on a PhD in Chinese Literature at Beijing Normal University and became the first woman to obtain a PhD in literature after the Cultural Revolution.
Political awakening
Despite an initial apathy, towards the end of the 1989 Tiananmen protests she visited and brought blankets for the protesters. Ai's political awakening was influenced by the massacre that followed.[6]
Following this, she stopped pursuing a career at an institution as closely tied to the Chinese Communist Party's political structure as Beijing Normal University and accepted a job in the relatively liberal Guangzhou at Zhongshan University.
In the fall of 1999 and spring of 2000, she spent a sabbatical year teaching at The University of the South in Sewanee, TN. In her early career, Ai was an accomplished writer and translator, writing several books on literature and translating the works of Milan Kundera, as well as editing others.[7]
Her experience in an American Liberal Arts college has had a major impact on her political activism. When she returned to China, for example, she translated The Vagina Monologues into Chinese and had her students perform it.[6]
Documentary filmmaking and activism
In 2003, Ai Xiaoming began to make documentary films after an encounter with the documentarian Hu Jie.[8] Ai collaborated with Hu on her first film which documented her staging of the Vagina Monologues at her university. She explained in interviews that she wanted to use film to break through shame, expose injustice, promote social awareness and make visible things that are not normally spoken about.[8][9]
In 2009, she was prevented from attending a Chinese Documentary Film Festival in Hong Kong, due to concerns about her personal safety resulting from her political film-making activities.[10]
Ai has criticised the Chinese government's national policy of compulsory IUDs for women who have already given birth to a child. She has said that many women, herself included, had never been advised of potential complications and the requirement for regular checkups.[11]
In 2013, Ai protested topless on Twitter[12][13][14] and outside a Hainan school in response to the rape of six students by the school's principal and a local official. She was jailed the same day for defending herself with a kitchen knife against attackers who came to her home. She stated that her nude protest was inspired by Ai Weiwei.[13][14]
A documentary about the changes taking place in China between 2003 and 2005 in terms of respect and protection of human rights. Ai co-directed with Hu Jie.
2005
The Village Taishi (太石村 Taishi Cun)
100 minutes
Recounts the struggle of the villagers of Taishi against local authorities in 2005.
2006
The Epic of the Great Plains (中原纪事 Zhongyuan Jishi)
140 minutes
A documentary film about the fate of villagers infected with HIV who, because of their poverty, had sold their blood. The courage they have shown in this situation is contrasted with official corruption.
2006
Sexuality, Gender, and Rights in Asia (Xing Xing Yu Quan Li Bie)[citation needed]
46 minutes
2007
The House of Care and Love (关爱之家 Guan'ai Zhi Jia)
108 minutes
A documentary on people infected with HIV after receiving a blood transfusion. It focuses on the case of Liu Xiaohong, a villager from Xingtai in Hebei, who was contaminated during childhood. Ai co-directed with Hu Jie.
2008
The Train that Leads to My House (Kaiwang Jiaxiang of Lieche)
59 minutes
A documentary describing the plight of migrants, following the disruption of rail traffic on the Beijing-Guangzhou line, after winter weather.
2009
Our Children (我们的娃娃 Women de Wawa)
73 minutes
One of three documentaries about the 2008 earthquake in Sichuan and its impact on the population, especially in the scandal of corruption in school construction.[16]
2009
A Citizen Survey (公民调查 Gongmin Diaocha)
64 minutes
One of three documentaries about the 2008 earthquake in Sichuan and its impact on the population, especially in the scandal of corruption in school construction.
2010
Why are Flowers so Red (花为什么这么红 Hua Weishenme Zheme Hong)
One of three documentaries about the 2008 earthquake in Sichuan and its impact on the population, especially in the scandal of corruption in school construction.
2011
Postcard (明信片Míngxìnpiàn)
A film about Chinese civil rights activist Wang Lihong.[17]
2012
Wukan Three Days (乌坎三日 Wūkǎn Sān Rì)
2014
New Citizen's Trial (新公民案审判 Xīn Gōngmín àn Shěnpàn)
^ abcdefgJohnson, Ian (26 September 2023). Sparks: China's Underground Historians and Their Battle for the Future. Oxford University Press. ISBN0197575501.
^ abYing, Qian (22 May 2014). "Working with Rubble: Montage, Tweets and the Reconstruction of an Activist Documentary". China's IGeneration: Cinema and Moving Image Culture for the Twenty-First Century. Bloomsbury Publishing. p. 181-194. ISBN1623565952.
^ abDi Stasio, Arnaud (26 June 2013). "Naked Courage In China". worldcrunch. Retrieved 26 February 2021. english translation of: Pedroletti, Brice (2013-06-20). "La nudité, arme de protestation massive". Le Monde.fr
Hung, Ruth Y.Y. ‘“An Honest Failure”: Simone de Beauvoir in China.’ In Failures East and West: Cultural Encounters between East Asia and Europe, eds. Ralf Hertel and Kirsten Sandrock. Edinburgh: Edinburgh University Press, 2023. 49–65.