Ángel Agustín María Carlos Fausto Mariano Alfonso del Sagrado Corazón de Jesús Lara y Aguirre del Pino[7] (Spanish pronunciation:[aɣusˈtinˈlaɾa]; ['aŋxelaɣus'tinma'ɾi.a'kaɾlos'fawstoma'ɾjanoal'fonsoð̞elsa'ɣɾað̞okoɾa'sondexe'sus'laɾaia'ɣireð̞el'pino]; October 30, 1897 – November 6, 1970),[8] known as Agustín Lara, was a Mexican composer and performer of songs and boleros. He is recognized as one of the most popular songwriters of his era. His work was widely appreciated not only in Mexico but also in Central and South America, the Caribbean and Spain. After his death, he has also been recognized in the United States, Italy, and Japan. His 1958 bolero album Rosa has been rated as one of the top 25 albums in the history of Latin American music.[9]
Lara was born in Tlacotalpan, Veracruz to Joaquín Lara and Mara Aguirre del Pino.[1] Later, the Lara family had to move to Mexico City, establishing their house in the borough of Coyoacán. After their mother died, Agustín and his siblings lived in a hospice run by their aunt. It was there that he had his first contact with music.[1]
Lara's first musical composition was Marucha, written in honor of one of his first loves. In 1927 he already was working in cabarets. It was around this time that he was involved in an argument with a showgirl named Estrella, who slashed him in the face with a broken bottle, leaving a distinct scar (a Glasgow smile) on his cheek.[10] He subsequently moved to Puebla, but returned to Mexico City in 1928.[11] That same year he started working for the tenorJuan Arvizu as composer and accompanist. In September 1930, Lara began a successful radio career. At the same time he acted and composed songs for such films as Santa.
Statue of A. Lara in Madrid, by sculptor Humberto Peraza
Lara's first tour, to Cuba in 1933, was a failure because of political turmoil on the island. Later, more successful tours in South America, as well as such new compositions as Solamente Una Vez (composed in Buenos Aires and dedicated to José Mojica), Veracruz, Tropicana, and Pecadora increased his fame.
In 1934 he went to Los Angeles, where he did multiple concerts at the California Theatre. He would later return to the city to write songs for Tropic Holiday (1938), a musical film.[12]
By the beginning of the 1940s, Lara was well known in Spain. In 1965, the Spanish dictator Francisco Franco, gave him a house in Granada to show his appreciation of Lara's songs with Spanish themes, such as Toledo, Cuerdas de mi Guitarra, Granada, Seville and Madrid. He received additional honors and decorations from around the world.
In 1968, Lara's health began to decline rapidly; and a fall that occurred on October 16, 1970, fractured his pelvis. He was hospitalized under the false name of Carlos Flores, but the press learned about his hospitalization anyway. The next day, October 17, 1970, he experienced cardiorespiratory arrest in the elevator while being transferred to the intensive care unit.[13] He never regained consciousness, and on November 6, 1970, Lara died.[10] He was buried in Mexico City. By the time of his death, Lara had written more than 700 songs.
A biography of him, "Agustín Lara: Vida y Pasiones", was written by his friend Javier Ruiz Rueda.[14]
Agustín was a son of Joaquín Lara and his wife María Aguirre y Pino.[15] He had an aunt named Refugio Aguirre del Pino and younger sister, María Teresa Lara.[16][17] He married María Félix and Rocío Durán (whom he adopted)[18] and was a stepfather to the actor Enrique Álvarez Félix, who died in 1996.[19]
Sons of Lara are Gerardo Agustín Lara Santacruz (with sixth wife Yolanda Santacruz Gasca)[20] and Agustín Lara Lárraga (biological son of actress Vianey Lárraga, one of Lara's wives).[21]
^Jiménez Rivera, Adriana (November 5, 2020). "Agustín Lara. A 50 años de su muerte, la inspiración trasciende". PressReader / Milenio (in Spanish). Retrieved July 24, 2022. Mi hermano, Gerardo Agustín Lara Santacruz; mi madre, Vianey Larraga, la albacea, y yo somos responsables de difundir la obra de mi padre - Agustín Lara Jr. (My brother, Gerardo Agustín Lara Santacruz; My mother, Vianey Larraga, the executor, and I are responsible for spreading the work of my father - Agustín Lara Jr.)
^Kun, Josh (2017). "Introduction". The Tide Was Always High: The Music of Latin America in Los Angeles. Oakland: University of California Press. p. 25. ISBN9780520294400.
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