Adam Adamant Lives! is a British adventure television series that ran from 1966 to 1967 on BBC 1, starring Gerald Harper in the title role. The series was created and produced by several alumni from Doctor Who. The titular character was an adventurer born in 1867, who had been revived from hibernation in 1966, thus offering a satirical look at life in the 1960s through the eyes of an Victorian. In 2020, Big Finish Productions reimagined the series as an audio drama.
The main character originally went through a number of possible names: "Cornelius Chance", "Rupert De'Ath", "Dick Daring", "Dexter Noble", "Aurelian Winton", "Magnus Hawke" and even "Darius Crud" before Sydney Newman settled on Adam Adamant, named after the generic mineral term adamantine which, since medieval times, has commonly referred to diamond. In the opening episode, "A Vintage Year for Scoundrels", Adam Llewellyn De Vere Adamant is a swashbuckling Edwardian gentleman adventurer who, in 1902 (when Edward VII had been on the throne just one year), goes to rescue his kidnapped girlfriend Louise. In fact, he is lured into a trap, whereupon he is captured and condemned to be frozen forever in a block of ice by his nemesis, the Face, whose identity is concealed behind a leather mask and who speaks in a sinister whispering voice. The Face grants him one last request, and Adamant asks to see Louise; in his last moments of life before being frozen, he learns to his horror that Louise had faked her kidnapping and had been working for the Face all along.
Adamant is found in 1966, when a building is being knocked down, and he is revived. On emerging from a hospital and collapsing on the London streets, he is rescued by Georgina Jones and taken to her flat. Adamant immediately became embroiled in the criminal world of the 1960s when Georgina is threatened after almost being witness to the murder of her grandfather by protection racketeers at a disco. Though in many ways a typical swinging sixties woman, Georgina had grown up idolising Adamant through tales of his turn-of-the-century exploits. She tries to get involved with all his cases, despite his efforts to stop her, and often manages to get a job at the scene in question at a moment's notice. The part was played by Ann Holloway in the untransmitted pilot episode, but was recast with Juliet Harmer as it was felt that Holloway's performance did not fit the series. During the second episode, "Death Has a Thousand Faces", the events of which are set in Blackpool, he acquires a manservant in the form of former music hall artiste and Punch and Judy man William E. Simms. The character was originally to have been played by John Dawson, who hurt his back lifting an actress during rehearsals for "The Sweet Smell of Disaster" and was unable to continue.[citation needed] The part was recast, going instead to Jack May.
Adamant is an expert swordsman, carrying a swordstick with which he cold-bloodedly kill any enemy who deserves it. John Steed of The Avengers and Lord Peter Wimsey used similar weapons.[1] Adamant was a colonel, and a member of the volunteer strength of the 51st Yeomanry since 1895, though he is listed on their official records as being "missing, presumed killed" since 1902. He is also a good boxer, and occasionally demonstrates proficiency in jujitsu, which had been introduced to England several years before he was frozen.
Though there is no indication of where his money comes from or how he supports himself, Adamant rebuilt his old home, the long demolished 26A Albany Street, on the top of a multi-storey car park which he had bought at 17 Upper Thames Street in central London. It is accessed by a lift hidden on the other side of a sliding wall, activated from the outside by pressing a hidden call button. He also purchased a Mini Cooper S with the personalised number plate AA 1000. The car was a special conversion: a "Mini de Ville" by Harold Radford Coach Builder LTD.[2] He occasionally does jobs for the British Government, as in "More Deadly Than the Sword". When he is knocked unconscious, Adamant often dreams of how he was caught by the Face and Louise. He continues to be taken advantage of by women in the 1960s, owing to his out-of-time naïveté.
The Face returned to the show in the second series, beginning with the episode "A Slight Case of Reincarnation". He joins Adamant in the present day, having also been frozen in 1902. His accomplice Louise aged naturally, watching over him during the intervening years, before reviving him. Throughout the second series The Face would assist Adamant's antagonists, but routinely escaped before facing defeat himself. In the final episode, Adamant celebrates his 100th birthday in the final episode, "A Sinister Sort of Service", receiving a telegram from the Queen.
Adam Adamant Lives! has been called by modern observers "what Doctor Who did next",[3] because at least three Doctor Who alumni had key positions on the pilot. It reunited producer Verity Lambert with Head of Television Drama Sydney Newman. Together they had been at the core of decision-makers who launched Doctor Who. The series also brought Donald Cotton, who had the same year written two serials for Doctor Who, back into Newman's orbit. Cotton and partner Richard Harris would write the first script, "A Vintage Year for Scoundrels", and would therefore come to be credited as co-creators.[4][5] However, over the years, Newman has been cited as creator of the show. Even the BBC has at times propagated this idea, calling him the creator on some of their own pages devoted to the programme,[6] but not on others.[7]
Adam Adamant Lives! was a quick replacement for the show he had actually intended, an adaptation of the adventures of literary detective Sexton Blake. When the rights to the character suddenly became unavailable, it fell to writers Cotton and Harris, along with script editor Tony Williamson, to come up with an alternative idea.[8] Newman indicated near the end of his life that he had, indeed, been significantly involved in the rewrites, suggesting that his critic Mary Whitehouse had been partial inspiration for the character.[6] Many of the indoor scenes were filmed at Studios 3 and 5 at the BBC Television Centre in London.[citation needed]
Gerald Harper chose to wear false eyebrows when playing the title role, based on those of his make-up artist. He also wore a wig. Harper was shortsighted and wore glasses, which he removed as soon as filming was ready to start. When the series ended, the make-up woman sewed his fake eyebrows onto a sampler, with "Here lie the Eyebrows of Adam Adamant, 1966–1967" underneath, which was framed and given to Harper as a memento. He also kept his chararcter's swordstick, and both remain on his wall at home to this day.[citation needed]
Television critic Paul Stump opines in the BBC Four documentary The Cult of Adam Adamant! that the programme ended because the contemporaneously airing The Avengers was a "sexier, slicker, better-funded" version of the same concept.[9]
Gerald Harper went on to appear in Yorkshire Television's Gazette and its sequel Hadleigh.
The untransmitted pilot episode, "Adam Adamant Lives", no longer exists in the BBC Archives. All of series one, with the exception of "Ticket to Terror", is held by the BBC. Series two has not fared so well, with only "Black Echo" and "A Sinister Sort of Service" remaining in existence.
1902 sequence reused in "A Vintage Year for Scoundrels."
* Approximately four minutes from this episode exist on audio tape in a private collection, and is included as part of the Special Features on the DVD release.[citation needed] ** This episode currently exists only as an off-air audio recording.[citation needed]
There were originally 29 black-and-white episodes composing two series, plus one unbroadcast pilot titled Adam Adamant Lives (without exclamation mark, as here). The 1902 sequence is now all that is known to survive of this unseen debut episode of the series, and only exists because it was later reused in "A Vintage Year for Scoundrels". No script of Adam Adamant Lives is known to exist, and the only documentation that remains is the description given in the Drama Early Warning Synopsis issued on Thursday 10 March 1966; this is included in the booklet Adam Adamant Lives!: Viewing Notes accompanying the DVD boxed set Adam Adamant Lives!: The Complete Collection released by 2entertain Ltd in July 2006.
The first series, with the exception of "Ticket to Terror", was made as a mixture of single camera 16 mm film for the location sequences, and multi-camera studio recording using 625-line electronic cameras. However, instead of being edited on video tape, as was the usual BBC procedure, the series was edited entirely on film, with the output of the studio cameras being telerecorded, for ease of editing. (At that time, videotape editing was difficult.)
"Ticket to Terror" from the first series, and all of the second series, were made with the usual BBC mix of tape and film, but were edited on tape. Wiping by the BBC in the 1970s has resulted in no master videotapes having survived. Film recordings haven't all survived either as, in one case, one episode on 35 mm film is known to have been destroyed.
The result of all this is that only 16 episodes remained in the archives when the BBC realised the value of such material, including the first and last episodes in broadcast order. These were mainly in the form of 35 mm film telerecordings, with a handful of episodes as 16mm film recordings or reduction prints. In the case of some episodes, the 35 mm location footage also exists, and has been used to remaster those surviving episodes. The last episode of Series One, "D For Destruction", thought to be among those lost forever, was recovered in 2003, from a mislabelled film can in the BBC Archives. It has been shown in public at the Missing Believed Wiped event, and is included in the Complete Collection DVD set.
Another lost episode, "The Basardi Affair", was recovered as a complete off-air audio recording in 2017, and remains to date the only missing Adam Adamant Lives! episode known to exist in this format.
A public appeal campaign, the BBC Archive Treasure Hunt, continues to search for missing episodes.
* This episode currently exists only in audio form.
Adam Adamant Lives!
Contains the first two episodes of Series One, "A Vintage Year for Scoundrels" and "Death Has a Thousand Faces", the latter replacing the previously considered "The Village of Evil". Although there were rumours of two further releases towards the end of 1991, these did not appear owing to poor sales. Re-issued on DVD by Revelation in 2001.
Adam Adamant Lives!: The Complete Collection
Five-disc Region 2 DVD box set containing all 17 surviving episodes in digitally re-mastered form. Includes 64-page collector's booklet Adam Adamant Lives!: Viewing Notes, written by Andrew Pixley.
Note: On both the VHS and DVD releases, "A Vintage Year for Scoundrels" and "Death Has a Thousand Faces" have had music edits made due to the originally featured tracks by the Rolling Stones not being able to be cleared for commercial release. For the former, "Route 66" was replaced by "Piano Rocket" from the Parry Music Library CD Time Periods 1, while the latter featured "Bye Bye Blues" from the KOK Library CD Pop Era in place of "Now I've Got a Witness" .
With its pairing of an upper-class adventurer with a "trendy" woman of the 1960s, parallels have been drawn with competitor ITV's The Avengers. There was also a similarity with Granada's Mr. Rose (1967) in which William Mervyn as a retired police inspector was assisted by a youngish confidential secretary (Gillian Lewis) and a manservant (Donald Webster). However, because Adam Adamant was a last-minute replacement for another concept, the degree to which the BBC intended such similarities with The Avengers is unclear. Lambert directly addressed the issue: "In Adam Adamant Lives, we were trying to create something original. Even though it may have been aimed at a similar audience to The Avengers – any production decisions we made were not influenced by trying to imitate".[10]
However, a reviewer of the 2006 BBC Four retrospective The Cult of ... Adam Adamant Lives! detected something more to the issue when Lambert and other principals were interviewed on camera:
The genial and personable Harmer, Clemens, Harper and producer Verity Lambert all owned up to the clunking obviousness of the series' hamfisted and, in retrospect, laughable attempt to trump ABC's masterpiece. Even an otherwise impartial and unironic script compared the two shows thus: "Edwardian gent teamed with beautiful girl ... and Edwardian gent teamed with beautiful girl". The unspoken tag, of course, was that The Avengers had queered this pitch three years previously.— Paul Stump, Off the Telly review of The Cult of ... Adam Adamant Lives!, 2006[11]
The genial and personable Harmer, Clemens, Harper and producer Verity Lambert all owned up to the clunking obviousness of the series' hamfisted and, in retrospect, laughable attempt to trump ABC's masterpiece. Even an otherwise impartial and unironic script compared the two shows thus: "Edwardian gent teamed with beautiful girl ... and Edwardian gent teamed with beautiful girl". The unspoken tag, of course, was that The Avengers had queered this pitch three years previously.
Anthony Clark at the British Film Institute|(BFI) noted that while the show "owes a stylistic debt to The Avengers", it was "the BBC's reply to the success of ITV's spy and action series like The Saint (1962–69) and Danger Man (1960–69)". He goes on to call the character of Adamant "more age-of-empire adventurer than spoof spy". A Television Heaven review said that while the programme has been "long cited as the BBC's answer to The Avengers", it in fact "owes more to the slick style, tone and format of Lew Grade's phenomenally successful ITC stable of action series rather than the sleek and sophisticated antics of Steed and Mrs Peel".[12]
Harper's portrayal of Adamant has been cited as formative to Jon Pertwee's interpretation of the Doctor. The BBC's episode guide to Doctor Who claims parallels between the Third Doctor's inaugural scenes in a hospital with those of Adamant in his pilot, "A Vintage Year for Scoundrels".[13]
"Adamant" is frequently viewed as partial inspiration for Austin Powers: International Man of Mystery.[14][15][16] In particular, allusions are seen between the way in which Austin Powers, like Adamant, is revived from cryogenic sleep and befriended by an attractive woman who had known of his exploits before being frozen. The formula is exactly reversed in Powers, however, in that his partner, Vanessa Kensington, is not impressed with his previous record of service, whereas Georgina Jones is a positive fan of Adamant.
Audio drama production company Big Finish Productions announced that they would be producing a new series of audio plays, written by and co-starring actor-novelist Guy Adams. Nicholas Briggs is the director. Blake Ritson took over the title role.[17] The first volume, "A Vintage Year for Scoundrels", was released in January 2020. A second volume, "Face Off" was released in August 2020.[18]
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