In 1923, on another visit to Paris, Gilmore re-encountered Oliver Newberry Chaffee, Jr., who had studied with her under Robert Henri in New York City. They married in 1926, and under Chaffee's influence, Gilmore began concentrating more on her painting and less on her prints.[6]
Gilmore exhibited her prints at the 1915 Panama–Pacific International Exposition (PPIE).[1] With the other members of the Provincetown Printers, she developed a new style of printmaking using multiple colors on a single printing block, separated by white lines. Her prints have been described as "softer and more imaginative than the severely geometric" prints of the other members of the collective.[7]
Death and legacy
Gilmore and Chaffee returned to Provincetown in 1928 from France, where she died in 1955.[1] Chaffee had died in 1944 in Asheville, North Carolina.[8]