This modernist and non-linear film, influenced by the French New Wave, and, especially, by films such as Jules and Jim and Breathless, tells the story of an advertiser (Yossi Spector), in his forties, who meets Helit (Helit Yeshurun [he]), a model in her twenties, and together the two spend a day in Tel Aviv and Jerusalem. The model leads the advertiser into cafés and drug-fueled orgies, while, he leads her into the workshops of sculptors, so, that they could create sculptures, modeled on her body, out of gypsum. While she tries to liberate his mind, he attempts to stay where he is. The film ends with the advertiser strangling Helit to death, during a sadomasochistic session.[5]
Reception
Maariv compared the film to the works of James Joyce, Jean-Luc Godard, and, Michelangelo Antonioni, with the acting of Helit Yeshurun [he] being compared to that of Monica Vitti,[6] writer Yoram Kaniuk wrote that the film is a critique of the horrors of the modern world,[7][8] and, Davar compared the film to painting.[9] The film, however, was a commercial failure, with only 38,000 tickets sold, due to its highly avant-garde nature.[10]University of Haifa sociologist, Prof. Dr. Oz Almog [he], wrote that film's main theme is the independent woman's, unsuccessful, attempt to free the man, from the shackles of his masculinity, and, noted that it was one of the first Israeli films to express their director's personal view.[11]
^Rappaport, Azaria (26 October 1969). אמנות – ליחידה־סגולה בלבד? [Art – Only for the Privileged?]. Maariv (in Hebrew). Tel Aviv. Retrieved 3 April 2017.