As a baby in a playpen, Max Glass screams when his parents suggest he'll grow up to become a lawyer. Twenty years later, he is a graduating senior at an unnamed college in Providence, Rhode Island who is struggling to figure out his future. He doesn't want to go to law school and is disappointed to get an acceptance letter from Columbia University, which throws him into an existential crisis.
Max is an indifferent student who lives with two quirky roommates—Kate Blum and Zeno Stefanos. He spends much of his time at the college's progressive rock station, WXOX, hanging out with his friend, Wells Dennard. Other DJs include Moonboy and Bambi. WXOX's main disc jockey and founder, Peter Downs, is a hero to Max. The station is threatened by developers who wish to raze it and the surrounding block. Peter initially battles against this, but then surrenders to the inevitable and leaves town.
Max continues to fight against the developers, thereby angering the college's administration and risking his chances of graduating. He also runs into trouble with the police after he breaks into the apartment of Lisa, with whom he had had a brief affair.
Wells and Katie participate in the college's commencement, but Max disrupts the ceremony by taking over WXOX and blasting his anti-corporate message over a public-address speaker. His final message is, "Rock and roll can save you." The film ends with him in the radio station's studio and his future is uncertain.
The film was largely shot on the Brown University campus[3] and its story was inspired by the switch of WBRU, a Brown station, from a free-form format to a commercial one.[4]
Marc Savlov of the Austin Chronicle reviewed the film positively and awarded it 3 and 1/2 stars out of 5.[8] He wrote its depiction of young people caught between their college years and the adult world was accurate and relatable, and noted the film "continues mining [the] vein of early-90s, twenty-something angst, though Morgan is less of a cynic than many of his indie contemporaries."[8]
Janet Maslin of The New York Times wrote the film "drifts with Max from classroom to junkyard to corporate party, touching all the bases of a counterculture on the verge of extinction but still clinging to a distinctive world view",[1] but noted, "The best of A Matter of Degrees is merely atmospheric and anecdotal. And a lot of it has the drifting feel of a good-natured anecdote without an ending."[1]
