A Genuine Tong Funeral

A Genuine Tong Funeral
Studio album by
Gary Burton
Released1968
RecordedJuly 1967
GenreJazz
Length43:35
LabelRCA
ProducerBrad McCuen
Gary Burton chronology
Lofty Fake Anagram
(1967) 		A Genuine Tong Funeral
(1968) 		Gary Burton Quartet in Concert
(1968)
Professional ratings
Review scores
SourceRating
The Penguin Guide to Jazz Recordings [1]

A Genuine Tong Funeral is an album by vibraphonist Gary Burton featuring compositions by Carla Bley recorded in 1967 and released on the RCA label in 1968.[2] It features Burton with Bley herself on keyboards and conducting an expanded ensemble consisting of trumpeter Michael Mantler, trombonist Jimmy Knepper, tenor saxophonist Gato Barbieri, soprano saxophonist Steve Lacy, baritone saxophonist Howard Johnson, guitarist Larry Coryell, bassist Steve Swallow and drummer Bob Moses.

Reception

The Allmusic review by Scott Yanow awarded the album 4½ stars, stating: "One of vibraphonist Gary Burton's most intriguing recordings... The music is dramatic, occasionally a little humorous, and a superb showcase for Gary Burton's vibes".[3]

Track listing

All compositions by Carla Bley.

  1. "The Opening / Interlude : Shovels / The Survivors / Grave Train" - 6:37
  2. "Death Rolls" - 1:36
  3. "Morning (Part 1)" - 1:43
  4. "Interlude : Lament / Intermission Music" - 4:28
  5. "Silent Spring" - 7:58
  6. "Fanfare / Mother of the Dead Man" - 2:51
  7. "Some Dirge" - 7:47
  8. "Morning (Part 2)" - 1:17
  9. "The New Funeral March" - 2:40
  10. "The New National Anthem / The Survivors" - 6:34
  • Recorded in New York City in July 1967.

Personnel

References

  1. ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 203. ISBN 978-0-141-03401-0.
  2. ^ Gary Burton discography Archived 2012-01-19 at the Wayback Machine accessed November 21, 2011
  3. ^ Yanow, S. Allmusic Review accessed November 21, 2011
  4. ^ On the album's original release Moses was credited as "Lonesome Dragon" at his request due to creative disagreements with Bley; they later reconciled and Moses became a vocal supporter of her music. See Ethan Iverson, A Lifetime of Carla Bley, The New Yorker, May 13, 2018

Further reading

  • Burks, John (January 4, 1969). "A Genuine Tong Funeral". Rolling Stone. San Francisco: Straight Arrow Publishers, Inc.