Hilary Fairchild returns home after a long spell in a lunatic asylum. He has regained his sanity but finds that his strong-willed daughter Sydney, now an adult, is planning to marry and that his wife has divorced him.
The film was announced in November 1939 with the lead roles allocated to Adolphe Menjou and Maureen O'Hara. O'Hara had just moved to Hollywood with Charles Laughton and appeared in The Hunchback of Notre Dame. Producer Robert Sisk and director John Farrow had made a number of films together, including the popular Five Came Back (1939).[1] It was considered an "A" picture, Farrow and Sisk's first such film at RKO.[2]
In a contemporary review for The New York Times, critic Theodore Strauss wrote: "Under the restrained direction of John Farrow, the performances of an ably selected cast are fused into a film that is continuously eloquent and moving. ... Out of a familiar play the producers have again drawn a suspensive drama of courage and despair."[5]
^"SCREEN NEWS HERE AND IN HOLLYWOOD". New York Times. November 1, 1939. ProQuest102790700.
^Louella O. Parsons (November 1, 1939). "Close-Ups and Long-Shots Of the Motion Picture Scene". The Washington Post. ProQuest151106620.
^Schallert, E. (November 18, 1939). "DRAMA". Los Angeles Times. ProQuest165040168.
^Churchill, Douglas W. (November 23, 1939). "SCREEN NEWS HERE AND IN HOLLYWOOD". New York Times. ProQuest102920596.
^Strauss, Theodore (1940-07-12). "The Screen in Review: The Capitol Presents Joan Crawford and Fredric March in 'Susan and God'—'A Bill of Divorcement' and 'Devil's Island' Also Are Seen". The New York Times. p. 11.
^Jewell, Richard; Harbin, Vernon (1982). The RKO Story. New Rochelle, New York: Arlington House. p. 148. ISBN9780706412857.