After years of excluding foreign members of Canadian film productions from eligibility, everyone could now compete equally. For the first time in the Genies' history, all of the top contenders were well-known films. Voters chose from a strong slate of contenders, although Phillip Borsos not receiving a nomination in the directing category for One Magic Christmas was analyzed as a snub.[4]Jay Scott of The Globe and Mail also initially labelled the lack of a Best Documentary nomination for Donald Brittain's Canada's Sweetheart: The Saga of Hal C. Banks as a snub;[5] however, as it had been distributed primarily as a television broadcast rather than in theatres, it was instead treated as a television film and received numerous nominations at the Academy's 1st Gemini Awards later the same year.[6]
The academy presented two Special Achievement awards, the first to IMAX president and co-founder Graeme Ferguson. The second was to Judith Crawley and Radford 'Budge' Crawley in recognition of 40 years of contributions to the Canadian film industry. They couple began their career making training films for the National Film Board of Canada; by the 1950s, Crawley Films was the largest independent production company in Canada. Their 1975 film The Man Who Skied Down Everest was the first Canadian feature-length documentary to win an Oscar.[7][4]
^"My American Cousin goes home with six Genies". Ottawa Citizen, March 21, 1986.
^"Montreal film leads Genie contenders with 12 nominations". Montreal Gazette, February 14, 1986.
^"Genie hosts announced". Toronto Star, March 3, 1986.
^ abMaria Topalovich, And the Genie Goes To...: Celebrating 50 Years of the Canadian Film Awards. Stoddart Publishing, 2000. ISBN0-7737-3238-1. pp. 117-199.
Academy of Canadian Cinema & Television Note: Awards by year articles are listed here by the year of eligibility for nomination; due to variable scheduling of the ceremonies, this is not always the same year in which the awards were presented.