PROFILPELAJAR.COM

Sam Gilliam (/ˈɡɪliəm/ GHIL-ee-əm bɛ dɔɣi o la silimiingoli November bɛɣu pihita dali , yuuni 1933 ka o kani silimiingoli June pɛɣu pishi ni anu dali , yuuni 2022) o daa nyɛla ŋun tumdi nucheeni tuma din jendi peeintin, binyara kpebu, nti pahi nucheeni tuma baŋsim chicha tali tuma nim zaa. Bɛ dɔɣi o la tiŋyuli booni Mississippi, ka o nyɛ ŋun zooi Kentucky tingban ni, Gilliam nyɛla ŋun daa be Washington, D.C.o nachim bili bibu na saha, ka bɛ mi o ni "dean" bɛ yaɣi li maa nucheeni tuma puuni.^[1] O nyɛla ŋun niŋ niŋgbuna Washington Color School, n be Washington tingban ni nucheeni tuun tumdibi ban tumdi kom kom nucheeni tuma din jendi peentin yuma 1950s hali ni yuma 1960s.^[2]^[3]^[4]

Konko tuma nima

Paintings by Sam Gilliam (1967), The Phillips Collection, Washington, D.C.^[5]
Projects: Sam Gilliam (1971), Museum of Modern Art, New York^[6]
Red & Black to “D”: Paintings by Sam Gilliam (1982–1983), Studio Museum in Harlem, New York^[7]
Sam Gilliam: Construction (1996), Speed Art Museum, Louisville, Kentucky^[8]
Sam Gilliam: A Retrospective (2005–2007), originating at the Corcoran Gallery of Art, Washington, D.C.^[9]
Sam Gilliam: Hard Edge Paintings 1963-1966 (2013), David Kordansky Gallery, Los Angeles
Sam Gilliam: The Music of Color (2018), Kunstmuseum Basel, Switzerland^[10]
Existed Existing (2020), Pace Gallery, New York^[11]
Sam Gilliam: Full Circle (2022), Hirshhorn Museum, Washington, D.C.^[12]

Notable works in public collections

Shoot Six (1965), National Gallery of Art, Washington, D.C.^[13]
Red Petals (1967), The Phillips Collection, Washington, D.C.^[14]
April 4 (1969) Smithsonian American Art Museum, Washington, D.C.^[15]
Rondo (1971), Kunstmuseum Basel^[16]
"A" and the Carpenter I (1973), Art Institute of Chicago^[17]
Rail (1977), Hirshhorn Museum and Sculpture Garden, Washington, D.C.^[18]
Master Builder Pieces and Eagles (1981), Studio Museum in Harlem, New York^[19]
Yet Do I Marvel (Countee Cullen) (2016), National Museum of African American History and Culture, Washington, D.C.^[20]

Kundivihira

↑ O'Sullivan, Michael (27 June 2022). "Sam Gilliam, abstract artist who went beyond the frame, dies at 88". The Washington Post. ISSN 0190-8286. OCLC 2269358. https://www.washingtonpost.com/obituaries/2022/06/27/artist-sam-gilliam-dies/.
↑ 'Sam Gilliam' Review: Flowing Color, Billowing Canvas (19 August 2020).
↑ Cohen, Jean Lawlor (26 June 2015). "When the Washington Color School earned its stripes on the national stage" (en-US). The Washington Post. ISSN 0190-8286. OCLC 2269358. https://www.washingtonpost.com/entertainment/museums/when-the-washington-color-school-earned-its-stripes-on-the-national-stage/2015/06/26/83413b9e-0f98-11e5-9726-49d6fa26a8c6_story.html.
↑ CultureNOW – Jamaica Center Station Riders, Blue: Sam Gilliam and MTA Arts & Design.
↑ Remembering Sam Gilliam.
↑ Projects: Sam Gilliam. Museum of Modern Art.
↑ Sam Gilliam (September 10, 2020).
↑ Prominent African American Artist, Sam Gilliam, Dies at the Age of 88.
↑ Sam Gilliam: a retrospective.
↑ Sam Gilliam: Music of Color.
↑ Sam Gilliam: Existed Existing.
↑ A chirim ya: Invalid <ref> tag; no text was provided for refs named DCist write-up
↑ Shoot Six. National Gallery of Art (1965).
↑ Red Petals. The Phillips Collection.
↑ April 4 - Sam Gilliam. Smithsonian Institution.
↑ Rondo (de).
↑ "A" and the Carpenter I. Art Institute of Chicago (1973).
↑ Rail. Smithsonian Institution.
↑ Master Builder Pieces and Eagles. The Studio Museum in Harlem (April 23, 2021).
↑ Yet Do I Marvel (Countee Cullen). Smithsonian Institution.

Citations

Cited references

Anderson, John (2018). "The Public Artworks of Rockne Krebs & Sam Gilliam". The Public Artworks of Rockne Krebs and Sam Gilliam, Built and Unbuilt (Exhibition catalogue). Washington, D.C.: Day Eight / Washington Studio School. pp. 9–37. ISBN 978-0999078051.
Beardsley, John (1991). "Then and Now". Sam Gilliam: Of Fireflies or Ferris Wheels, a Cultural Presentation of the United States of America (Exhibition catalogue). Washington, D.C.: Arts America Program, United States Information Agency. pp. 9–18. OCLC 52922826.
Binstock, Jonathan P., ed. (2005). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. ISBN 9780520246454. OCLC 58594996.
Binstock, Jonathan P. (2018). "Selections From an Ongoing Conversation Between Sam Gilliam and Jonathan P. Binstock". In Binstock, Jonathan P.; Helfenstein, Josef (eds.). The Music of Color: Sam Gilliam 1967-1973. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 11–27. ISBN 9783960983408. OCLC 1059129151.
Binstock, Jonathan P.; Helfenstein, Josef, eds. (2018). "Annotated Chronology and Exhibition History". The Music of Color: Sam Gilliam 1967-1973. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 181–187. ISBN 9783960983408. OCLC 1059129151.
Binstock, Jonathan P.; Webb, Tatem (2005). "Annotated Chronology and Selected Exhibition History". In Binstock, Jonathan P. (ed.). Sam Gilliam: A Retrospective. Berkeley, California / Washington, D.C.: University of California Press / Corcoran Gallery of Art. pp. 157–169. ISBN 9780520246454. OCLC 58594996.
Brown, Jackson (2017). "Sam Gilliam" (in en). Callaloo, A Journal of African Diaspora Arts and Letters 40 (5): 59–68. DOI:10.1353/cal.2017.0155. ISSN 1080-6512.
Cullinan, Nicholas (2019). "Nicholas Cullinan on Sam Gilliam". In Martin, Courtney J. (ed.). Four Generations: The Joyner/Giuffrida Collection of Abstract Art. New York: Gregory R. Miller & Co. pp. 110–111. ISBN 9781941366264. OCLC 1104920240.
Davies, Hugh M. (1978). "Outdoor Paintings". Sam Gilliam: Indoor and Outdoor Paintings, 1967-1978 (Exhibition catalogue). Amherst, Massachusetts: University Gallery, University of Massachusetts/Amherst. pp. 1–3. OCLC 5106592.
Edwards, Adrienne (2017). "Sam Gilliam: Betwixt". Sam Gilliam: 1967-1973 (Exhibition catalogue). New York: Mnuchin Gallery. pp. 7–13. ISBN 9780998453927. OCLC 1020307668.
Ferris, William R. (2013). "Sam Gilliam". The Storied South: Voices of Writers and Artists. Chapel Hill, North Carolina: University of North Carolina Press. pp. 200–205. ISBN 9781469607542. OCLC 838415403.
(1991) "Solids and Veils". Art Journal 50 (1): 10–11. DOI:10.1080/00043249.1991.10791412. ISSN 0004-3249.
Gilliam, Sam (1997). "Sam Gilliam: Washington, D.C., April 15, 1997". Sam Gilliam: Of Fireflies and Ferris Wheels: Monastery Parallel (Exhibition catalogue). Magdeburg: Kunstmuseum Kloster Unser Lieben Frauen Magdeburg. pp. Unpaginated. ISBN 9783930030309. OCLC 845459239.
Godfrey, Mark (2019). "Abstraction in Tryin' Times, 1967-1980". In Martin, Courtney J. (ed.). Four Generations: The Joyner/Giuffrida Collection of Abstract Art. New York: Gregory R. Miller & Co. pp. 93–109. ISBN 9781941366264. OCLC 1104920240.
Helfenstein, Josef (2018). "From Object to Process: The Drapes in Context". In Binstock, Jonathan P.; Helfenstein, Josef (eds.). The Music of Color: Sam Gilliam 1967-1973. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 135–150. ISBN 9783960983408. OCLC 1059129151.
Jacobs, Joseph (1985). Since the Harlem Renaissance: 50 Years of Afro-American Art (Exhibition catalogue). Lewisburg, Pennsylvania: Bucknell University Center Gallery. ISBN 9780916279028. OCLC 12727416.
Kloner, Jay (1978). "Indoor Paintings". Sam Gilliam: Indoor and Outdoor Paintings, 1967-1978 (Exhibition catalogue). Amherst, Massachusetts: University Gallery, University of Massachusetts/Amherst. pp. 15–19. OCLC 5106592.
Martin, Courtney J. (2020). "Imagine the Show on the First Day". Sam Gilliam: Existed Existing (Exhibition catalogue). New York: Pace Gallery. pp. 114–124. ISBN 9781948701389. OCLC 1230158624.
Moten, Fred (2020). "The Circle with a Whole in the Middle". Sam Gilliam: Existed Existing (Exhibition catalogue). New York: Pace Gallery. pp. 78–96. ISBN 9781948701389. OCLC 1230158624.
USA: XXXVI International Biennial Exhibition of Art/Venice (Exhibition catalogue). Washington, D.C.: National Collection of Fine Arts. 1972. pp. Unpaginated. OCLC 85016033.
Obrist, Hans Ulrich (2020). "A Conversation with Sam Gilliam". Sam Gilliam: Existed Existing (Exhibition catalogue). New York: Pace Gallery. pp. 36–58. ISBN 9781948701389. OCLC 1230158624.
Osadtschy, Olga (2018). "Plates - Explanatory Notes". In Binstock, Jonathan P.; Helfenstein, Josef (eds.). The Music of Color: Sam Gilliam 1967-1973. Cologne / Basel: Walther König / Kunstmuseum Basel. pp. 33, 47, 69, 79, 114, 123, 129. ISBN 9783960983408. OCLC 1059129151.
Rose, Barbara (1996). "Abstraction as Identity". International Review of African American Art 13 (3): 18–23. ISSN 1045-0920.
Schjeldahl, Peter (9 November 2020). "How to Read Sam Gilliam's Formalism". The New Yorker. Condé Nast. ISSN 0028-792X. OCLC 1760231. Archived from the original on 9 November 2020. Retrieved 24 February 2024.
Schmidt Campbell, Mary (1982). "Sam Gilliam: Journey Toward Red, Black and 'D'". Sam Gilliam: From Red & Black to "D" (Exhibition catalogue). New York: Studio Museum in Harlem. pp. 5–12. OCLC 10145768.
Porter, Jenelle (2017). "Composed". Sam Gilliam (Exhibition catalogue). Los Angeles: David Kordansky Gallery. pp. 22–31. ISBN 9780989159852. OCLC 986538185.
Sims, Lowery Stokes (2023). "Sam Gilliam: Painting, Structure, and Space". Sam Gilliam: The Last Five Years (Exhibition catalogue). New York / Los Angeles: Pace Gallery / David Kordansky Gallery. pp. 8–17. ISBN 9781948701389. OCLC 1230158624.
Stovall, Lou (2022). "My Story". In Stovall, Will (ed.). Of the Land: The Art and Poetry of Lou Stovall. Washington, D.C.: Georgetown University Press. pp. 75–95. ISBN 9781647121716. OCLC 1248597976.

External links

Tɛmplet:Sam Gilliam

[WaPo_Obit-1] O'Sullivan, Michael (27 June 2022). "Sam Gilliam, abstract artist who went beyond the frame, dies at 88". The Washington Post. ISSN 0190-8286. OCLC 2269358. https://www.washingtonpost.com/obituaries/2022/06/27/artist-sam-gilliam-dies/.

[WSJ_Dia_review-2] 'Sam Gilliam' Review: Flowing Color, Billowing Canvas (19 August 2020).

[WaPo_Color_School_timeline-3] Cohen, Jean Lawlor (26 June 2015). "When the Washington Color School earned its stripes on the national stage" (en-US). The Washington Post. ISSN 0190-8286. OCLC 2269358. https://www.washingtonpost.com/entertainment/museums/when-the-washington-color-school-earned-its-stripes-on-the-national-stage/2015/06/26/83413b9e-0f98-11e5-9726-49d6fa26a8c6_story.html.

[4] CultureNOW – Jamaica Center Station Riders, Blue: Sam Gilliam and MTA Arts & Design.

[Phillips_Obit-5] Remembering Sam Gilliam.

[MoMA_exhibition_listing-6] Projects: Sam Gilliam. Museum of Modern Art.

[Studio_Museum_Artist_page-7] Sam Gilliam (September 10, 2020).

[8] Prominent African American Artist, Sam Gilliam, Dies at the Age of 88.

[Corcoran_show_listing-9] Sam Gilliam: a retrospective.

[Basel_show_listing-10] Sam Gilliam: Music of Color.

[Pace_Existed_Existing-11] Sam Gilliam: Existed Existing.

[DCist_write-up-12] A chirim ya: Invalid <ref> tag; no text was provided for refs named DCist write-up

[NGA_listing_2-13] Shoot Six. National Gallery of Art (1965).

[14] Red Petals. The Phillips Collection.

[SAAM_April_4_listing-15] April 4 - Sam Gilliam. Smithsonian Institution.

[16] Rondo (de).

[AIC_listing-17] "A" and the Carpenter I. Art Institute of Chicago (1973).

[Hirshhorn_listing_1-18] Rail. Smithsonian Institution.

[Studio_Mus_listing-19] Master Builder Pieces and Eagles. The Studio Museum in Harlem (April 23, 2021).

[20] Yet Do I Marvel (Countee Cullen). Smithsonian Institution.

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]

[11]

[12]

[13]

[14]

[15]

[16]

[17]

[18]

[19]

[20]