Kanga has been an active chamber musician since joining Australian contemporary music group Ensemble Offspring in 2005 at the age of 22, of which he remains a member.[3][4] He played with the Marsyas Trio between 2017 and 2018, during which time they recorded In the Theatre of Air, an album of music by women composers for piano, flute, and cello.[5] It reached #7 in the Specialist Classical Charts and was named on Sequenza21's "Best Chamber Music CDs of 2018".[6][7]
Notable solo performances of Kanga's include Beat Furrer's concerto for two pianos Nuun with Rolf Hind and the London Sinfonietta at the Queen Elizabeth Hall in January 2011 and Thomas Adès's Concerto Conciso at the Elisabeth Murdoch Hall in 2013, when he also appeared alongside the composer in a two-piano arrangement of Conlon Nancarrow's Studies Nos. 6 and 7.[8][9][10] Kanga frequently commissions pieces that combine the piano with electronics and interactive media, including Patrick Nunn's Morphosis for piano, motion sensors and live electronics (premiered at Cheltenham Music Festival), Laura Bowler's SHOW(ti)ME for speaking pianist, MiMU gloves, live video and live electronics (premiered at Huddersfield Contemporary Music Festival) and Luke Nickel's hhiiddeenn vvoorrttiicceess for piano, five Soundbrenner haptic metronomes, video and electronics (premiered at Submerge Festival, Manchester).[11][12][13] His own compositional output has included Dead Leaves, which he premiered on ABC Classic radio in 2017, and was selected to represent Australia at the 2018 International Rostrum of Composers.[14][15]
Kanga appeared at Huddersfield Contemporary Music Festival in 2018 with his programme Wikipiano, named after a commissioned piece by Alexander Schubert, WIKI-PIANO.NET. The score is derived from a web page which members of the public can edit by adding text, directions, notation, images, and YouTube videos.[16][17] In the same year, Kanga premiered Brett Dean's Rooms of Elsinore at the Extended Play new music marathon alongside his own composition Spider Web Castle.[18] Kanga has performed several times at London Contemporary Music Festival, premiering Michael Finnissy's Hammerklavier – Part 1 and Alwynne Pritchard's Heart of Glass, as well as performing his realisation of Julius Eastman's Gay Guerrilla at London Contemporary Music Festival alongside Hind, Siwan Rhys, and Eliza McCarthy, which was later featured (uncredited) in video installation The Third Part of the Third Measure.[19][20][21][22][23]
Kanga has received international critical acclaim since being awarded "Best Newcomer" in the 2010 ABC Limelight Awards. His Melbourne Festival performance of John Cage's Sonatas and Interludes was described in The Age as "a blaze of retrospective creative brilliance", while his 2019 Australian tour Piano Ex Machina was described by Limelight magazine as "a rewarding experience, rich in possibility, infused with curiosity and playfulness, and not afraid to explore conceptual and expressive horizons well beyond the boundaries of a traditional piano recital".[24][25] He premiered a major new piano and multimedia work by Philip Venables, Answer Machine Tape, 1987 in 2022, exploring the life of New York artist David Wojnarowicz using a KeyScanner by the Augmented Instruments Laboratory to allow the piano to type text live onto the screen.[26] He toured it to Time of Music Festival, November Music, and Huddersfield Contemporary Music Festival.[27][28][29][30][31]
2018: In the Theatre of Air (NMC D248, NMC Recordings) with the Marsyas Trio.
Awards
AIR Awards
The Australian Independent Record Awards (commonly known informally as AIR Awards) is an annual awards night to recognise, promote and celebrate the success of Australia's Independent Music sector.
^Barr, Philip (November 2007). "Music Medal". Grammar Foundations: Newsletter of the Sydney Grammar School Foundation. No. 37. p. 3. Retrieved 12 May 2019. for the last two years, the winners of the Sydney University Medal in Music have been Old Sydneians ... Chris may and Zubin Kanga (shared in 2006).
^O'Connell, Clive (13 October 2016). "Melbourne Festival review: Zubin Kanga captivates with blaze of creative brilliance". The Age. Retrieved 19 May 2019. Kanga's interpretation was engrossing, the work's mutable rhythmic steadiness and continuous juxtaposition of pointillism with colour-washes accomplished splendidly, the performance reaching a serenely illuminating climax across the last two sonatas, where the gentle clangour generated by this gifted pianist invested the festival with a blaze of retrospective creative brilliance.