The Yadavabhyudaya is regarded to be a significant work of medieval Sanskrit poetry.[5] It holds the rare distinction of being offered a flattering commentary by the philosopher Appayya Dikshita, who belonged to the Advaita school of thought; the poet Vedanta Desika himself was a proponent of the rival Vishishtadvaita philosophy.[6]
Indologist Edwin Bryant describes the Yadavabhyudaya to be an "encyclopedic treatment of the Krishna-katha (narrative) and lila (divine "play")". The themes of love and separation, heroism, eroticism, and various forms of rasa (aesthetic experience) are combined in the poem to describe the story of the deity. The poem begins with a number of laudatory stotras (eulogies).[7] The first few cantos narrate the pregnancy of Devaki, Krishna's mother, the birth of the deity, and his arrival to Gokulam. The defeat of Putana, Keshi, Kaliya, as well as other malicious beings are recounted. The fifth and the sixth cantos offer an illustration of the seasons and sacred imagery. The seventh and the eighth cantos relate the legend of Krishna lifting the hill Govardhana and his rasa-lila, his dance with the milkmaids called the gopis. The poem then describes the arrival of Akrura and Krishna's journey to Mathura, where he slays his tyrannical uncle Kamsa. The legends of his kingship in Dvaraka, his marriage to Rukmini and Satyabhama, the vanquishing of Narakasura, the stealing of the parijata tree, and his royal progress are detailed. A brief account of the Kurukshetra War and the deity's preaching of the Bhagavad Gita is offered. The final canto describes the deity's life as an ideal householder with his numerous queens at Dvaraka.[8][9][10]
Hymn
The traditional first propitious hymn of the work, called the mangalashloka, venerates Krishna:[11]
To the one born on the occasion of Jayanti, the one who moves freely around Vrindavana, the darling of the gopis, the one who is adorned by the Vaijayanti, I offer my salutations
This hymn was originally featured in one of the author's other works on Krishna, the Gopalavimshati.[12]