Before the revisions, it was done as an amateur production by Kent State University, Trumbull Campus, Summer Stock. It has been done there again sometime in the 21st century.
Because of the extremely low royalty fee, the production was the highest netting for the Summer Stock to that point even though the turnout was not high.
The show's European premiere was in London at the Southwark Playhouse, from 2 June to 8 July 2017.[7]
The show's Latin American premiere was in an all Spanish version in Montevideo, Uruguay at the Teatro Tablado in 2003. Directed and Choreographed by Alvaro Loureiro and Stefan Sittig.
Synopsis
Act 1
In the morning all the workers are getting ready for their jobs (All the Livelong Day). Mike Dillard, a steelworker, talks about the dangers of his job. Some people get caught in a (Traffic Jam) on the highway. Some of the cars stop at an office building where Al Calinda, a parking lot attendant is working. He parks the cars and states that he has been parking cars his whole life, and probably will for the rest of his life (Lovin Al). On top of the parking lot there is an office building. Amanda McKenny is displeased that people stereotype her with her job. She has a strained relationship with her boss, Rex Winship, who tells us he wants to be a teacher. Rose Hoffman, a teacher who has one year left until retirement, is unhappy with the changes she sees in the school system (Nobody Tells Me How). She remembers a student of hers, Babe Secoli, who is now a checker at the Treasure Island Supermarket. Babe explains that her job requires work from every part of the body (I'm Just Movin). Her bag boy, Roberto Núñez, is unhappy with the music that is playing in the market, which is the Cuban Revolution celebratory song along with the hardships of working on a farm and hopes a better day will come (Un Mejor Día Vendrá). In the neighborhood, Conrad Swibel is on his UPS delivery route, talking about the perks of his job: meeting women, and the bad parts, getting chased by dogs. After he leaves, John Rushton delivers the newspaper and tells of his dreams for the future (Neat to be a Newsboy). His mother, Kate Rushton, a housewife, who complains that people doubt her intelligence because she chooses to stay at home and look after her family (Just a Housewife). Candy Cottingham says that she needs to separate people from their jobs for her job as a political fundraiser. Grace Clements explains that she does not want to see any young people doing her job as a millworker because of the physical stress on the body (Millwork). As evening rolls in, all the workers remember their dreams of old (If I Could've Been).
Act 2
Anthony Coelho likes his job because in a hundred years people will still see his work (The Mason). On the highway, Frank Decker and Dave are driving their truck (Brother Trucker). Frank explains that he barely sees his family because of his schedule. He makes a call and because of the signal is transferred to the operator, Heather Lamb. She, Sharon Atkins, and Enid DuBois explain that sometimes it's hard not to listen in on phone conversations. Dolores Dante loves her job and is proud to be a waitress (It's an Art). At the park Joe Zutty, a retired man, talks about his life (Joe). He spends his days as a volunteer firefighter. Tom Patrick, who also works as a firefighter, gets emotional talking about the lives he saved. Maggie Holmes talks about wanting a better life for her daughter (Cleanin' Woman). Finally, Ralph Werner recounts his dream life. Mike Dillard comes back and relates how much time he has missed with his family because of work (Fathers and Sons). The ensemble boasts about their accomplishments as workers (Something to Point To).
Musical numbers
Broadway Production
Act One
“All the Livelong Day” – Company (Stephen Schwartz)
“Lovin' Al” – Al Calinda and Ensemble (Micki Grant)
“The Mason” – Male Soloist (Craig Carnelia)
“Neat to Be a Newsboy” – John Rushton and Newsboys (Schwartz)
“Nobody Tells Me How” - Rose Hoffman (Mary Rodgers & Susan Birkenhead)
“Treasure Island Trio” – Danced by three female Dance Soloists (Michele Brourman)
“Un Mejor Día Vendrá” – Emilio Hernández and Migrant Workers (James Taylor, Graciela Daniele & Matt Landers)
“Just a Housewife – Kate Rushton and Housewives (Carnelia)
“Millwork” – Female Soloist and two Male Backup Singers (Taylor)
“Nightskate” – Danced by Marco Camerone (Brourman & Schwartz)
“Joe” – Joe Zutty (Carnelia)
“If I Could've Been” – Company (Grant)
Act Two
“It's an Art” – Delores Dante and Customers (Schwartz)
“Brother Trucker” – Dave McCormick, Frank Decker and two Male Backup Singers (Taylor)
“Husbands and Wives” – Danced by Booker & Lucille Page, Will & JoAnn Robinson, Tim & Carla Devlin and Other Couples (Brourman)
“Fathers and Sons” – Male Soloist (Schwartz)
“Cleanin' Women” – Maggie Holmes (Grant)
“Something to Point To” – Company (Carnelia)
Original Licensed Version
“All the Livelong Day” – Company (Stephen Schwartz)
“Traffic Jam” – Company (James Taylor)
“Lovin' Al” – Al Calinda and Ensemble (Micki Grant)
“Nobody Tells Me How” – Rose Hoffman (Mary Rodgers & Susan Birkenhead)
“I’m Just Movin’” – Babe Secoli and two Other Checkers (Schwartz)
“Un Mejor Dia Vendra” – Roberto Nunez and Migrant Workers (Taylor, Graciela Daniele & Matt Landers)
“Just a Housewife – Kate Rushton (Craig Carnelia)
“Millwork” – Grace Clements and Millworkers (Taylor)
“If I Could've Been” – Company (Grant)
“The Mason” – Male Soloist (Carnelia)
“Brother Trucker” – Frank Decker, Dave McCormick and Truckers (Taylor)
“It's an Art” – Delores Dante and Customers (Schwartz)
“Joe” – Joe Zutty (Carnelia)
“Cleanin' Women” – Maggie Holmes (Grant)
“Fathers and Sons” – Mike Dillard (Schwartz)
“Something to Point To” – Company (Carnelia)
2012 Revised Version
“All the Livelong Day” – Company (Stephen Schwartz)
“Delivery” – Freddy Rodriguez and Ensemble (Lin-Manuel Miranda)
“Nobody Tells Me How” – Rose Hoffman (Mary Rodgers & Susan Birkenhead)
“Brother Trucker” – Frank Decker and Ensemble (James Taylor)
“Just a Housewife – Kate Rushton and Housewives (Craig Carnelia)
“Millwork” – Grace Clements and Millworkers (Taylor)
“If I Could've Been” – Company (Micki Grant)
“The Mason” – Male Soloist (Carnelia)
“It's an Art” – Delores Dante and Customers (Schwartz)
“Joe” – Joe Zutty (Carnelia)
“A Very Good Day” – Utkarsh Trajillo and Theresa Liu (Miranda)
“Cleanin' Women” – Maggie Holmes & Cleaning Women (Grant)
“Fathers and Sons” – Mike Dillard (Schwartz)
“Something to Point To” – Company (Carnelia)
Characters (in alphabetical order)
Between the Broadway production, the original licensed version, and the 2012 revised version, Working has featured over 50 different characters. The show is traditionally performed with extensive doubling. The Broadway production featured 17 actors (ten men and seven women), the original licensed version calls for nine actors (five men and four women), and the 2012 revised version calls for six actors (three men and three women).
Characters featured in more than one version of Working
Sharon Atkins, receptionist
Charlie Blossom, ex-copyboy
Al Calinda, parking lot attendant (Not featured in the 2012 revised version)
Grace Clements, millworker
Anthony Coelho, stonemason (Anthony Palazzo in the Broadway production)
Candy Cottingham, fundraiser (Not featured in the Broadway production)
Delores Dante, waitress
Frank Decker, interstate trucker
Mike Dillard, ironworker (Mike LeFevre, steelworker, in the Broadway production)
Rose Hoffman, schoolteacher
Maggie Holmes, cleaning woman
Heather Lamb, telephone operator (Not featured in the 2012 revised version)
Terry Mason, flight attendant (Not featured in the original licensed version)
Dave McCormick, interstate trucker (Not featured in the 2012 revised version)
Amanda McKenny, project manager (Not featured in the Broadway production)
Tom Patrick, fireman
Kate Rushton, housewife
Babe Secoli, supermarket checker (Not featured in the 2012 revised version)
Conrad Swibel, UPS deliveryman (Gas meter reader in the Broadway production)
Roberta Victor, prostitute
Ralph Werner, salesman
Rex Winship, corporate executive (Herb Rosen in the Broadway production)
Joe Zutty, retired
"The Mason" Soloist
Characters featured in the Broadway production only
Benny Blue, bar pianist
Marco Camerone, hockey player
Tim Devlin, salesman
Carla Devlin, his wife
John Fortune, advertising copy chief
Emilio Hernández, migrant worker
Barbara Herrick, agency vice-president
Bud Jonas, football coach
Brett Meyer, box boy
Cathleen Moran, hospital aide
Booker Page, seaman
Lucille Page, his wife
Will Robinson, bus driver
JoAnne Robinson, his wife
John Rushton, newsboy
Fran Swenson, hotel switchboard operator
Jill Torrance, model
Nora Watson, editor
Diane Wilson, secretary
Characters featured in the original licensed version only
Enid Dubois, telephone solicitor
Roberto Núñez, box boy/migrant worker
Characters featured in the 2012 revised version only
^Marks, Peter."Review, 'Working The Musical'"The New York Times, March 17, 1999, reprint in The New York Times Theatre Reviews 1999-2000, Taylor & Francis, 2002, ISBN0-415-93697-7 (books.google.com)