Christian Victor Noel Hope Hely-Hutchinson (26 December 1901 – 11 March 1947)[1] was a British composer, conductor, pianist and music administrator. He is best known for the Carol Symphony and for humorous song-settings.[2][3]
He joined the BBC at Savoy Hill in 1926, becoming a conductor, pianist, and accompanist. He moved to Hampstead, where his two sons were born. In 1933, he moved once again to Birmingham to become Midland Regional Director of Music for the BBC, where he formed and conducted the Midland Studio Orchestra. In 1934, he left the BBC to become Professor of Music at the University of Birmingham, taking over from Sir Granville Bantock.[3]
In 1938, he saw signs of war, and relocated his family out of Birmingham to a nearby village. During the war he became an ARP warden. He became a D.Mus from Oxford University in 1941. He also joined the university's officer cadet force. In 1944, he returned to the BBC to become overall Director of Music, succeeding Arthur Bliss.[2] He moved to St John's Wood. He never purchased a car, always using his bicycle.
The winter of 1947 was very long-lasting and to save fuel (which was still rationed), Hely-Hutchinson refused to switch on the radiators in his office. He developed a cold, which became influenza.[4]
Although mostly forgotten now, Hely-Hutchinson's orchestral music enjoyed some popularity during his lifetime, including the Overture to a Pantomime, and the substantial Variations, Intermezzo and Finale, (described by the composer as a set of symphonic variations[4]) premiered at the Proms in 1927.[7]The Young Idea, a lighter, jazz-influenced rhapsody for piano and orchestra, was also played at the Proms in 1930 and was recorded in 2008 with the BBC Concert Orchestra and David Owen Norris as soloist.[8] A Symphony for small orchestra, using music reworked from some of his film scores, was heard posthumously at the Proms in 1947.[9]
The third movement was used for the title music of the 1943 Children's Hour and 1984 BBC children's television adaptation of John Masefield's The Box of Delights, in particular the variation on the theme of The First Nowell.[14]
Much incidental music for plays, theatre and radio
Chamber
Piano Quintet
Piano Sonata
String Quartet
Viola Sonata
Violin Sonata
Bibliography
Jürgen Schaarwächter, Two Centuries of British Symphonism: From the beginnings to 1945. A preliminary survey, Vol. I, pp. 564–565, Georg Olms Verlag, Hildesheim-Zurich-New York, 2015.
^Jürgen Schaarwächter, Two Centuries of British Symphonism: From the beginnings to 1945. A preliminary survey, Vol. I, p.564, Georg Olms Verlag, Hildesheim-Zurich-New York, 2015.