14 March (2016-03-14) – 30 September 2016 (2016-09-30)
Velho Chico (English title: Old River) is a Brazilian telenovela produced and broadcast by TV Globo from 14 March 2016 to 30 September 2016.
Created by Benedito Ruy Barbosa, Edmara Barbosa and Bruno Luperi, and co-written with Luis Alberto de Abreu. Directed by Luiz Fernando Carvalho and co-directed by Carlos Araújo, Gustavo Fernandez, Antônio Karnewale and Philipe Barcinski.[6][7]
Velho Chico faced unprecedented challenges during its production; with Umberto Magnani and Domingos Montagner deaths. On the wake of Montagner's passing on 15 September 2016, two weeks before the scheduled show's finale, production entered in turmoil.
In 2009, Benedito Ruy Barbosa submitted to Rede Globo the synopsis of possible telenovela set at the São Francisco River but after evaluation by the network, the story was considered too political. Barbosa hoped to shoot it the following year in the 9 pm time slot.[16]
In 2015, the project was approved by Rede Globo and was set to premiere just after Êta Mundo Bom! at 6 pm timeslot.[17][18] Rogério Gomes was later announced to direct but on request of the show's author and O Rei do Gado reprise's success, Luiz Fernando Carvalho was offered to direct.[19]
Initially, a telenovela by Maria Adelaide Amaral was supposed to replace A Regra do Jogo but due to its heavily politically-themed storyline—it being an election year—Velho Chico was moved to the primetime timeslot and Amaral's show moved to late 2016.[20][21][22][23]
Scenography and set design
Although set in Bahia, part of the early scenes were recorded in other locations of the Brazil's Northeast like: Baraúna in Rio Grande do Norte, São José da Tapera and Olho d'Água do Casado in Alagoas. Other locations that represent the fictional town of the plot are the Alagoan other municipality: Piranhas. Ilha de Cajaíba, in São Francisco do Conde, the municipality of Cachoeira and Raso da Catarina were also used as locations.[24] In total, about 562 scenes were recorded in northern locations and about 60 to 70% of the cast were from the region.[25][26][27]
The set design was made from recycled objects, such as incandescent lamps used in old rebuilt reflectors.[28] The costume design in the first phase was composed of regal robes from residents in location.[29] Passing through tissue discoloration, dyeing and natural aging, the costumes of the bushmen are made in pastel colors, while those from Salvador are inspired by Tropicália.[30]
Veteran actor Umberto Magnani, who played Father Romão, suffered a stroke (CVA) while preparing to record in the afternoon of 25 April 2016 at Projac.[42] He was hospitalized at Hospital Vitória, near the studios' complex in Barra da Tijuca, in a deep coma. Ana Julia, daughter of Magnani, said that the actor underwent a six-hour surgery and suffered a cardiac arrest. As the character was considered important to the plot, several scenes had to be rewritten.[43] At the time, without the possibility to return to the plot, Magnani was replaced by Carlos Vereza, who went on to interpret Father Benício. Magnani eventually passed away two days later.[44][45]
Death of Domingos Montagner
With only two weeks to the final episode, on 15 September 2016, actor Domingos Montagner, who portrayed the protagonist Santo, drowned at the São Francisco River, located in the Canindé, Region of São Francisco, in Sergipe. Montagner was swimming along with his co-star Camila Pitanga before being dragged by a strong current. The actor was found four hours later, lifeless.[46][47][48][49] While Montagner was missing, Globo's management requested that Velho Chico's recordings set to run until 18 September, to be halted. With the confirmation of the actor's death, the technical team and the cast that were recording in the Northeast were asked to return to Rio de Janeiro.[49] The network also requested that the cast or crew not comment on the matter to the press.[49]
Benedito Ruy Barbosa lamented on the death of Montagner and said in an interview with UOL about the uncertainty about the outcome of the actor's character in the plot:
It is very difficult to have to change an actor like him for any other, it should not be the solution. At the same time, I have to do justice to him and the wonderful work he has been doing."[50]
Consulted by the blog of Patrícia Kogut , for the newspaper O Globo, Barbosa also admitted that he did not know what he would do at the time, that his aim was to honour Montagner.[51]
According to reports the Legal Medical Institute (IML) of Sergipe, the result of the autopsy performed Montagner's body pointed out that the actor died of mechanical asphyxia by drowning.[52]
The Brazilian version of online magazine The Intercept speculated that the strong currents where the actor drowned were caused by the hydroelectric dam, the Xingó Dam, upstream.[53] The dam lies approximately two kilometers upstream, and the flow rate allowed through the dam can affect currents.
At the time of his death, the filming of Velho Chico was just a few days from completion. Only five episodes were ready to be aired and there was uncertainty whether the show would remain on the air or the ending would be advanced.[54] On 16 September 2016, it was confirmed that production would resume on 18 September, and that the telenovela would end on the scheduled airdate. UOL also revealed that the character of Montagner would be carried to the end, without a substitute.[55][56][57][58][59] However, climactic scenes for the finale, in which Montagner was the main character, hadn't been filmed yet. Production decided to complete filming as scheduled. Scenes in which Montagner's character, Santo, would have appeared would be shot from the character's point of view. Thus, Santo would be present in the scene, but would not be seen.[60][61][62]
Weeks prior to the casualty, Rede Globo aired a scene where Santo would be saved by Indians, who found him unconscious floating on the São Francisco River, having been shot by his enemy. The river was the same where the actor lost his life.[63]
Plot
Described by the director as a Shakespearian family saga, counting a history of love framed for social critics, the plot is initiated in the end of the year 1960, when Afrânio, son of a powerful Colonel Jacinto is obliged to return from Salvador for the fictitious Grotas de São Francisco, to assume the place of his father, who commanded the politics and the local economy. He develops a passion for Iolanda, but to oblige his mother, Encarnação, who still grieves the loss of her oldest son who died in waters of the São Francisco River, Afrânio leaves on a trip for the region to reaffirm alliances that his father kept. During his trip, Afrânio gets involved with Leonor, whose father compels them to marry. Leonor is received with disdain by Encarnação. In Encarnação's mind, Leonor's lower class status makes her an unsuitable wife for Encarnação's son. When Maria Tereza is born, Encarnação rubs on Leonor that she should have conceived a son.
The rival family of the Ribeiro, due to Colonel Jacinto aspiring to their lands, is headed by Captain Ernesto Rosa. He is married to Eulália, but they have no children. They adopt Luzia, a baby abandoned on the road side on the way to their cotton plantation. At the same time, the couple receive the retirante, Belmiro and Piedade - parents of Bento and Santo. With the passing of time and growing-up together, Luzia starts to nourish a passion for Santo. This disrupts their feelings of brother and sister.
It is in a procession of Francis of Assisi, under waters of the Old Chico, that the path of Santo and Maria Tereza are crossed. But the love affair between the son of the retirante with the daughter of the Colonel is discovered. Maria Tereza is sent to a boarding school in Salvador. In her letters to Santo, she discloses she is pregnant. This is not taken well by Luzia who is still in love with Santo. Some time later, Miguel is born, a fruit of a forbidden love. Soon after, Maria Tereza returns to the farm. She marries Carlos Eduardo even though she is not in love with him, but still dreams of reuniting with Santo.[64][65][66][67]
The first chapter of the Velho Chico, according to consolidated data of São Paulo, registered 35.4 points with a maximum of 37, achieving the highest ratings for a premiere of the 9pm telenovela since Amor à Vida (2013).[113] In Rio de Janeiro, the premiere recorded 38 point average. The second chapter registered 33.9 points in São Paulo and 37 points in Rio de Janeiro, representing a reduction of one point in both regions.[116]
The last episode registered a viewership rating of 35.2 points in Greater São Paulo, one of the lowest indices in a 9pm telenovela coming after Babilônia.[114]
Generally, Velho Chico had a viewership rating of 29 points, surpassing both Babilônia and A Regra do Jogo with 25 and 28 points respectively.[115]
^Gonçalves, Joelma; Andrade, Tássio (16 September 2016). "Montagner morreu por asfixia mecânica por afogamento, diz IML" [Montagner died of mechanical asphyxia by drowning, says the Legal Medical Institute]. G1 (in Portuguese). Retrieved 17 September 2016.
^Patricia Kogut (3 August 2016). "Lucy Alves, Luzia de Velho Chico, é atual dona da novela". OGlobo. Retrieved 16 May 2017. O trabalho de escalação em Velho Chico foi amplo. O produtor Luiz Antônio Rocha buscou atores no Nordeste, Luiz Fernando Carvalho fez exaustivas seleções. O bom resultado está no ar. Aos talentos a que o público de televisão já está acostumado misturaram-se outros, menos conhecidos (como Lucy Alves)
^Patrícia Kogut (7 June 2016). "Marcos Palmeira se destaca em 'Velho Chico'". OGlobo. Retrieved 16 May 2017. Esse é o melhor trabalho do ator na televisão e um aperfeiçoamento do que ele fez no passado, em outras tramas rurais.
^Patrícia Kogut (27 April 2016). "Zezita Matos e Cyria Coentro, grandes acertos de Velho Chico". O Globo. Retrieved 20 November 2017. A veterana atriz nascida na Paraíba e mais conhecida por seu trabalho no cinema ("O céu de Suely", "Baixio das bestas" e "Cinema, aspirinas e urubus") se destacou nas cenas. Mais que isso. A potência da Piedade de hoje vem do cuidado com que Zezita está honrando a tarefa que recebeu de Cyria. Ambas incorporam o arquétipo da mulher sertaneja. É um trabalho muito bonito e aqui merece elogios ainda a direção de Luiz Fernando Carvalho
^"Os Eleitos". Revista Bravo!. 30 March 2017. Retrieved 12 April 2017. Luiz Fernando Carvalho recebe o Prêmio Bravo! de artista do ano por sua contribuição à TV
