Torsten Lundqvist (14 June 1894 – 12 January 1957) was a Swedish screenwriter.^[1] He worked one many scripts during the 1930s and 1940s, and was one of the three most prolific screenwriters in Swedish cinema alongside Sölve Cederstrand and Gösta Stevens.^[2] He also directed three films.

• A Night of Love by the Öresund (1931)
• Wife for a Day (1933)
• A Wedding Night at Stjarnehov (1934)
• The People of Småland (1935)
• It Pays to Advertise (1936)
• He, She and the Money 1936)
• Unfriendly Relations (1936)
• Conscientious Objector Adolf (1936)
• 65, 66 and I (1936)
• The Andersson Family (1937)
• Adolf Strongarm (1937)
• Oh, Such a Night! (1937)
• Good Friends and Faithful Neighbours (1938)
• Just a Bugler (1938)
• Whalers (1939)
• We at Solglantan (1939)
• Nothing But the Truth (1939)
• Frestelse (1940)
• Kiss Her! (1940)
• The Crazy Family (1940)
• Goransson's Boy (1941)
• Nothing Is Forgotten (1942)
• We House Slaves (1942)
• Doctor Glas (1942)
• In Darkest Smaland (1943)
• The Green Lift (1944)
• Guttersnipes (1944)
• Motherhood (1945)
• 100 dragspel och en flicka (1946)

• Iverson, Gunnar, Soderbergh Widding, Astrid & Soila, Tytti. Nordic National Cinemas. Routledge, 2005.
• Taves, Brian. P.G. Wodehouse and Hollywood: Screenwriting, Satires and Adaptations. McFarland, 2006.

• Torsten Lundqvist at IMDb

This biographical article related to film in Sweden is a stub. You can help Wikipedia by expanding it.

• v
• t
• e