Christina Joy BartonMNZM (born 1958), known as Tina Barton, is a New Zealand arthistorian, curator, art writer and editor. She was director of the Adam Art Gallery between 2007 and 2023.
Education
Barton completed a Masters of Art in art history at the University of Auckland in 1987. Her thesis topic was the history of post-object art in New Zealand between 1969 and 1979.[1][2]
She was awarded a Higher Doctorate for her published work in art history in 2022.
Career
After completing her MA, Barton joined the Auckland Art Gallery as a research assistant. She worked as Assistant Curator at Auckland Art Gallery from 1988 to 1992, and as Curator of Contemporary New Zealand Art at the Museum of New Zealand Te Papa Tongarewa from 1992 to 1994.[3] During her time at Te Papa Barton curated Art Now, a major survey exhibition of contemporary New Zealand art practice intended to become a biennial event, a hope which did not materialize.[4] She also co-curated, with Deborah Lawlor-Dormer, Alter / Image: Feminism and representation in New Zealand art 1973–1993, an exhibition organised to mark the centennial of women's suffrage in New Zealand.[5]
From 1995 to 2007, Barton lectured in the Art History department at Victoria University of Wellington.[1] During this time she continued to curate exhibitions, including Guests and Foreigners, Rules and Meanings (Te Kore), a major installation by Joseph Kosuth at the then-recently opened Adam Art Gallery at Victoria University.[6]
Barton was appointed director of the Adam Art Gallery in April 2007.[1] Significant exhibitions she has curated for the gallery include:
In 2014, Barton co-edited a major anthology of art critic Wystan Curnow's writing with curator Robert Leonard. The Critic's Part: Wystan Curnow Art Writings 1971–2013 was published by Victoria University Press and described by critic Jill Trevelyan as 'more than a collection of essays: it serves as an insight into the development of New Zealand art, illuminating a period of rapid change'.[18][19] In the same year she was a juror for the 2014 Walters Prize.[20]
In 2015, Barton curated Billy Apple®: The Artist Has to Live Like Everybody Else, a survey exhibition of Billy Apple's work for Auckland Art Gallery.[21][22] Barton has worked consistently with Apple; previous exhibitions include The Expatriates: Frances Hodgkins and Barrie Bates in 2004 and Billy Apply: New York 1969–1973 in 2009, both at the Adam Art Gallery.[23][24]
Billy Apple® : a Life in Parts, Auckland: Auckland Art Gallery, 2015. ISBN9780864633002
Tina Barton and Robert Leonard, with Thomasin Sleigh, The critic's part : Wystan Curnow art writings 1971–2013, Wellington: Victoria University Press, 2014. ISBN9780864739322
Beautiful Creatures: Jack Smith, Bill Henson, Jacqueline Fraser, Wellington: Adam Art Gallery, 2013.
I, here, now / Vivian Lynn, Wellington: Adam Art Gallery, 2010. ISBN1877309176
The expatriates: Frances Hodgkins and Barrie Bates , Wellington: Adam Art Gallery, 2004. ISBN1877309044
Ground/work: The art of Pauline Rhodes, Wellington: Adam Art Gallery & Victoria University Press, 2002. ISBN0864734336
Joseph Kosuth Guests and Foreigners, Rules and Meanings (Te Kore), Wellington: Adam Art Gallery, 2000. ISBN9781877309007
Art now : the first biennial review of contemporary art, Wellington: Museum of New Zealand Te Papa Tongarewa, 1994. ISBN0909010196
Tina Barton and Deborah Lawler-Dormer, Alter/image : feminism and representation in New Zealand art, 1973–1993, Wellington: Wellington City Art Gallery, 1993. ISBN0908818149
Surface tension : ten artists in the '90s, Auckland: Auckland Art Gallery, 1992. ISBN9780864631886
Louise Henderson : the cubist years, 1946–1958, Auckland: Auckland Art Gallery, 1991. ISBN0864631952
After McCahon : some configurations in recent art, Auckland: Auckland Art Gallery 1989. ISBN0864631715
^Barton, Christina (1987). Post-Object art in New Zealand 1969-1979 Experiments in art and life. v. l. Experiments in art and life -- v. 2. Documentation (Masters thesis). ResearchSpace@Auckland, University of Auckland. hdl:2292/17035.