Jerry Goldsmith composed the original score, which would have been his last before his death in 2004 (his actual last score was Looney Tunes: Back in Action), but was replaced with a new score by Brian Tyler, after the first cut was re-edited and Goldsmith's increasing health problems prevented him from continuing. The film was poorly received by critics and bombed at the box office, losing an estimated $49 million.[4]
Plot
Professor Edward Johnston leads an archaeological study Castlegard, a village near La Roque Castle in Dordogne, France and the site of the 1357 hanging of Lady Claire, sister to Arnaut de Cervole. Her martyrdom led France to win the Hundred Years War against the English. While excavating a nearby monastery, Johnston's team finds a sarcophagus containing the remains of a French knight with a lopped ear, holding the hand of his lady, an unheard-of practice for the time.
Johnston travels to the American headquarters of the ITC Corporation, his project's sponsor, to inquire whether or not they have tampered with the site. Johnston's students Kate Erickson, Josh Stern, and François Dontelle, along with Scottish archaeologist André Marek; and his son Chris, discover a lens from Johnston's bifocals and a note begging for help, although both date over 600 years old. When they contact ITC, the company invites them to its headquarters.
There, the team is introduced to ITC president Robert Doniger and vice-president Steven Kramer. In the process of developing teleportation technology, ITC locked onto a stable wormhole to 1357 Castlegard. Johnston was invited to see the past for himself, but his group has not returned, and ITC wants Marek and company to go back in time to locate him. All but Josh volunteer to go.
The volunteers are stripped of all modern technology save for pendant-shaped markers they can use to initiate their return. They are joined by a security team including ITC's head of security, Frank Gordon, and two former military men.
On arrival in 1357, the team finds itself in the path of a young woman chased by English knights; the security men are killed while protecting the group, although one activates his marker after priming a grenade. When his body arrives in the present, the grenade detonates and shatters much of the teleportation device. Josh aids Kramer in making repairs.
The team evades the knights, and the woman leads them to the English-controlled Castlegard. They are captured and brought before Lord Oliver de Vannes and his second-in-command, DeKere. De Vannes kills François, believing that he is a French spy. The others are imprisoned along with Johnston, who previously promised de Vannes that he could make Greek fire for the English in exchange for his life. They make their escape but are pursued by the English. Gordon and Johnston are recaptured, while the others make for the monastery, led by the woman.
DeKere reveals himself to Gordon and Johnston as former ITC employee William Decker; he had frequently used the teleportation device but was not told by ITC that each use damaged his DNA until it was too late, at which point he would die on a return trip. He plans revenge on ITC and kills Gordon. De Vannes orders his knights to march on LaRoque castle, and DeKere brings Johnston along.
At the monastery, Marek, Kate, and Chris meet de Cervole and realize that the woman is Lady Claire; they have changed history by saving her. Kate and Chris help to swing the upcoming battle in the French's favor by leading de Cervole's men through the monastery tunnels they had previously mapped to the castle.
As the battle starts, Marek is captured while trying to rescue his friends; Lady Claire is also kidnapped. Marek frees himself, Lady Claire, and Johnston, while Chris helps de Cervole defeat de Vannes. Enraged, DeKere slashes off Marek's earlobe, and Marek realizes that he is destined to be the knight in the sarcophagus. Marek defeats DeKere, recovers the markers, gives them to the others, and says his goodbyes while running off to help the French assure victory and restore history.
In the present, Josh and Kramer finish the repairs. Doniger, who tried to sabotage their attempts, fears that when the students' stories become public, ITC will suffer great financial losses. As the machine activates, Doniger races into it, attempting to block the teleportation, but instead is sent back to 1357, where he arrives outside the castle and is presumably killed by a charging knight.
Chris, Kate, and Johnston safely return. Later, the team returns to the Castlegard ruins, re-examines the sarcophagus, and finds that Marek and Lady Claire lived together after the war and had three children: Christophe, Katherine, and François.
Composer Jerry Goldsmith, who had previously collaborated with Donner on The Omen, completed a score for the film - his final score before his death in 2004 - but it was replaced by a different score composed by Brian Tyler after Donner was forced to re-cut the film at the insistence of Sherry Lansing, the then-head of Paramount Pictures.[6] However, both Goldsmith and Tyler's scores were released on CD.
Reception
Timeline performed poorly at the box office, only recouping $43 million worldwide from a budget of $80 million.[3][4]
Critical response
On Rotten Tomatoes, the film has an approval rating of 13% based on reviews from 144 critics. The site's consensus states: "This incoherently plotted addition to the time-travel genre looks and sounds cheesy".[7] On Metacritic the film has a score of 28% based on reviews from 32 critics, indicating "generally unfavorable reviews".[8] Audiences surveyed by CinemaScore gave the film a grade C+ on a scale of A to F.[9]
Kirk Honeycutt of The Hollywood Reporter called it "Glorious so-bad-it's-good entertainment."[10]Roger Ebert gave it 2 out of 4, and wrote that it was "not so much about travel between the past and the present as about travel between two movie genres" namely "a corporate thriller crossed with a medieval swashbuckler". He was disappointed that the elaborate premise was not put to greater use, that it was essentially nothing more than a frame for action scenes.[11]
Robert Koehler of Variety wrote: "Lacks the consistent tone, pace and point of view for either a science fiction thriller or medieval war adventure."[12]
