A Scotland Yard inspector is called to investigate a series of unsolved robberies. Inspector Cooper-Smith arrives at the country manor of a respectable English family. He discovers Livia Emberday, the mistress of the house, has turned to crime in order to bolster the family's flagging fortunes. With assistance from an order of bogus nuns, stolen goods end up in the warehouse of Hamlyn, purportedly a respectable businessman.[4]
Susan Hampshire called the film "another B picture. Very often I did films because of tax demands" and said Stewart Granger had a big ego, but felt "we had a very interesting director in that film, Cyril Frankley, and I think it was one of the best acting performances I've ever given."[5]
Release
The film premiered in West Germany on 16 December 1966.[6]
Critical reception
The Monthly Film Bulletin wrote: "Take one of England's statelier homes, serving as headquarters for a ruthless criminal conspiracy by a sisterhood of nuns engaged in smuggling, bank-robbery and murder; add a matriarch behaving like a genteel Doctor Mabuse, whose son is kinky for French girls' blonde hair, and whose daughter displays marked transvestite tendencies; throw in Robert Morley pouting petulantly, and you should have the ingredients for an entertaining thriller. Apparently you don't. The film is confused, rambling, and almost entirely lacking in humour or real tension. However, it is mostly agreeable to look at, thanks to the photography and art direction. Susan Hampshire and James Culliford adequately portray mental imbalance, and there is an excellent performance by Cathleen Nesbitt, of whom one would happily have seen much more."[7]
Variety noted, "a complicated Scotland Yard whodunit which the spectator will find taxing to follow ... Script is pocketed with story loopholes and attempts to confuse, plus certain motivations and bits of business impossible to fathom. Granger still makes a good impression."[9]
Allmovie wrote, "there are plenty of twists in the storyline of this often complex mystery feature."[10]
Soundtrack
The soundtrack composed by Peter Thomas was released in 1968 on a library music LP Jazz Graphics / The Spy Set (KPM 1042)[11] without any reference to the film. Parts of the soundtrack can be found on the 2000 CD – Peter Thomas – Kriminalfilmmusik (Prudence 398.6533.2).[12]
