Time-lapse photography of books, paintings, reflections, and light falling on textures,[1] shot entirely through a glass ashtray.[2]
Reception
The film is considered an "epistemological meditation": "This uncommon lens [that is the glass ashtray] generates an equally uncommon image of the world. The density and shape of the glass subtracts linear perspective from the visual field. In this respect, the ash-tray takes up part of the function of rapid camera movements and zooms in other Brakhage films insofar as the ash-tray demolishes perspective. As well, in Text of Light objects lose their individuation, their outlines blurred in masses of light and color."[3] A presentation by Jonathan P. Watts for the Tate underlines the influence of Turner on this film: "In The Text of Light Turner’s influence is felt in the experimental use of colour, and is similarly visionary in the way it collapses naturalistic pictorial space."[4]
^Carroll, Noel, ed. (1998), "Text of Light", Interpreting the Moving Image, Cambridge Studies in Film, Cambridge: Cambridge University Press, pp. 225–227, ISBN978-0-521-58970-3, retrieved 2023-06-10