Outlaw Rawlins is accompanied by a child (Bill) and avoids a sheriff's posse by heading into a desert. The boy becomes ill, causing Rawlins to take a doctor from town into the desert to treat him. With the assistance of a girl (Alice), Rawlins turns himself in to the sheriff. Bill and Alice promise to wait for Rawlins to complete his sentence.[2]
Michael R. Pitts. Poverty Row Studios, 1929–1940: An Illustrated History of 55 Independent Film Companies, with a Filmography for Each. McFarland & Company, 2005.