The London Chuck Berry Sessions is the sixteenth studio album by Chuck Berry, and consists of studio recordings and live recordings released by Chess Records in October 1972 as LP record, 8 track cartridge and audio cassette.[4] Side one of the album consists of studio recordings,[2] engineered by Geoff Calver; side two features three live performances recorded by the Pye Mobile Unit,[2] engineered by Alan Perkins, on February 3, 1972, at the Lanchester Arts Festival in Coventry, England. At the end of the live section, the recording includes the sounds of festival management trying in vain to get the audience to leave so that the next performers, Pink Floyd, can take the stage; the crowd begins chanting "We want Chuck!". His backing band for that concert included Onnie McIntyre (guitar), Robbie McIntosh (drums), Nic Potter (bass), and Dave Kaffinetti (piano). McIntosh and McIntyre would later form the Average White Band. The studio recordings included pianist Ian McLagan and drummer Kenney Jones from the bands the Small Faces and Faces.
"My Ding-a-Ling", from the live side of the album, was edited to approximately 4 minutes for release as a single. A novelty song based around sexual double-entendres, it was Berry's first and only single to reach number 1 in both the US and the UK.
William Ruhlmann of AllMusic retrospectively called the album Chuck Berry's "commercial, if not artistic, peak".[3]Robert Christgau thinks the album is of bad quality, that his voice is croaky and the studio material only fillers.[8]
Commercial performance
The album was not even out for a month, when on October 27, 1972, The London Chuck Berry Sessions was certified gold by the Recording Industry Association of America with sales of 1,000,000 units. It is Berry's only album to be certified by the RIAA,[11] and is his most successful release.