It is 1883. Hunting of buffalo (bison) has reduced the population from 60 million in 1853 to 3,000. This is the story of “the last of the buffalo hunts.”.[2] Sandy McKenzie, a famous buffalo hunter for the Army Engineers, has his small herd of cattle wiped out by stampeding bison. He joins up with a new partner, the obsessive Charles Gilson (Robert Taylor), who believes killing is natural. While McKenzie has grown tired of buffalo hunting, Gilson derives an intense pleasure from his "stands" – killing an entire herd of buffalo at one time. They add an old friend of McKenzie, a legendary skinner named Woodfoot because of his peg leg, and young Jimmy O'Brien, whose mother was Dakota, to their team.
When Gilson chases down and kills an Indian raiding party, he takes an Indian woman and a toddler captive. The presence of the native woman causes tension and Gilson becomes increasingly paranoid and deranged, leading to a stand-off between the two former partners. He is obsessed with the idea that McKenzie stole a valuable white buffalo hide. In fact, Jimmy took it and placed in a tree along with the body of his friend, one of Gilson's many victims, according to the religious practices of their people.
Over a landscape strewn with bones, Gilson tracks McKenzie, the woman and Jimmy to a cave high in a bluff. It is bitterly cold and snowing. McKenzie persuades Gilson to allow Jimmy to go on with the cattle, which they are taking to the Indian agency where her people are starving. It grows dark, and Gilson tells McKenzie he does not trust him. He should come down in the morning. A lone buffalo appears; Gilson kills and hastily skins it, saying “You'll keep me warm.”
In the bright morning, McKenzie and the woman emerge from shelter to find that Gilson has frozen to death during the night, pointing his gun at the cave. waiting to ambush them. The moisture in the raw buffalo skin has turned it into an icy coffin, and the snow collected on the fur makes it look like the pelt of a white buffalo. McKenzie and the woman ride away, and the camera pans up to a nearby tree, the white buffalo skin stretched in its branches.
The New York Times said "except for A.B. Guthrie's "The Big Sky" and "The Way West" I can think of no novel about the Old West published within the last fifteen years as good as "The Last Hunt", by Milton Lott. This is the real thing, a gritty, tough, exciting story reeking with the pungent smells of dead buffalo and of dirty men."[3]W.R. Burnett called it an "undeniably able and interesting book."[4]
Development
MGM bought the film rights and announced it as a vehicle for Stewart Granger in February 1955. "It's real Americana", said the star.[5] Richard Brooks was assigned the job of adapting and directing.[6] The film was the first of only three westerns directed by Brooks, and was his first film following the critically acclaimed Blackboard Jungle (1955).
In March Robert Taylor was announced as co-star.[7] Russ Tamblyn was then given the lead support part as a half Indian.[8]
Actual footage of buffalo being shot and killed (by government marksmen) was used for the film. Harvey Lancaster of Custer was the main marksman for the filming.
The story takes place during the winter but was actually filmed during the scorching summer months in Custer State Park. When temperatures reached triple digits, Stewart Granger, whose costume consisted of full winter clothing, passed out from heat exhaustion and the crew had to cut away his clothes to revive him.
Granger and director Brooks were reportedly not fond of one another, especially after Brooks married Granger's ex-wife, Jean Simmons.
After three weeks of filming, Anne Bancroft was injured during filming after falling from a horse. She was replaced by Debra Paget.[12][13]
During filming Dore Schary announced Taylor and Granger would be reteamed in another western, The Return of Johnny Burro with Granger playing a villain and Taylor a hero.[14] However the film was not made.
Reception
The film earned $1,750,000 in North American rental during its first year of release.[15] It recorded admissions of 1,201,326 in France.[16]
According to MGM records, the film earned $1,604,000 in the US and Canada and $1,379,000 overseas, resulting in a loss of $323,000.[1]
In his March 1, 1956, review for The New York Times, Bosley Crowther wrote: “ Buffaloes never looked lovelier than they do…in "The Last Hunt," …Great shaggy beasts with tiny soft eyes and heads like mahogany lions roam in huge herds across the landscape… Indeed, they appear so noble in their natural habitat on the western plains that it shocks one to sit in the theatre and see them deliberately slain. And that is what you see in this picture…. the killing that is witnessed by the audience is contemporary and real. It is the annual "thinning" of the protected herd at Custer State Park in South Dakota, … It is official and necessary killing, …Even so…the cold-blooded shooting down of them as they stand in all their majesty and grandeur around a water hole…is startling and slightly nauseating. … Of course, that is as it was intended, for "The Last Hunt" is aimed to display the low and demoralizing influence of a lust for slaughter upon the nature of man. …But, unfortunately, what follows … is mainly an account of bitter conflict between two hard-bitten buffalo-hunting men. One..is a bestial and brutal type who hates Indians and likes to kill them almost as much as he likes to kill buffaloes. The other…is a decent, deliberate sort of chap who has a high regard for the Indians and eventually for buffaloes. He develops, especially, a soft spot for a beautiful Indian girl…And while his companion..is alternately beating on the girl and making vain efforts to assault her, Mr. Granger is, …working up his nerve to slug his pal. ….The picture has been made with clear devotion …. The equating of Indian-hating with a lust for slaughter is morally good. But it does seem to take Mr. Granger an awfully long time to get around to freezing out Mr. Taylor. That's the way sermons sometimes go.”[17]
"The public couldn't stand it", said Brooks. "In England most of the scenes with the buffalo were cut out. In the States they couldn't stand it because of their own guilt... I learnt something very valuable: when you deal with a subject that is traditional, don't deny it to the public... If you want to do the real thing, the way the West really was, do it on a small budget and don't expect any miracles."[18]
^ abc'The Eddie Mannix Ledger’, Margaret Herrick Library, Center for Motion Picture Study, Los Angeles
^This written introduction to the film says that “hunters and Indians had recklessly slaughtered” the animals but in fact, as can be read in the WP article on Bison hunting, it should say “amateur and professional hunters and the government”
^Orville Prescott (October 13, 1954). "Books of The Times". New York Times. p. 29.
^W. R. Burnett (October 31, 1954). "Struggle Unto Death: THE LAST HUNT. By Milton Lott. 399 pp. Boston: Houghton Mifflin Company. $3.95". New York Times. p. BR4.
^Hopper, Hedda (February 11, 1955). "Stewart Granger to Do Film on Buffalo Hunting in '70s". Chicago Daily Tribune. p. a10.
^Thomas M. Pryor (February 12, 1955). "FOX APPROPRIATES $1,000,000 FOR TV: Studio Will Convert Plant to New Medium Films -- Some Space Already Leased". New York Times. p. 10.
^Thomas M. Pryor (March 26, 1955). "METRO SCHEDULES FILM ABOUT BISON: Robert Taylor and Stewart Granger Will Be Teamed for 'The Last Hunt'". New York Times. p. 12.
^Hopper, Hedda (April 9, 1955). "Sinatra and Debbie Reynolds to Co-Star in 'Tender Trap'". Chicago Daily Tribune. p. 12.
^Hopper, Hedda (April 29, 1955). "Nolan Shuns Hero Movie Role; So Star with Taylor, Granger". Chicago Daily Tribune. p. a6.
^Hopper, Hedda (July 11, 1955). "Lucille Ball, Arnaz Plan Stage Musical". Los Angeles Times. p. b10.
^William H. Brownell Jr. (June 12, 1955). "HOLLYWOOD BULLETINS: M-G-M Prepares to Invade the Buffalo Country -- Busy Studio -- Other Items". New York Times. p. X5.
^Schallert, Edwin (August 20, 1955). "Moreno Quits Natives; Paget Now in 'Last Hunt'; Clift Eyed for Tolstoy". Los Angeles Times. p. 13.
^Thomas M. Pryor (August 20, 1955). "DEVIL'S DISCIPLE' PLANNED AS FILM: Hecht-Lancaster Arranging With Pascal Estate to Do Shaw's Great Comedy". New York Times. p. 20.
^Schallert, Edwin (October 13, 1955). "Drama: 'Johnny Burro' to Reteam Taylor, Granger; Korda to Do 'Burlington Bertie'". Los Angeles Times. p. B15.
^'The Top Box-Office Hits of 1956', Variety Weekly, January 2, 1957
