The use of masks in Ensor's paintings is prevalent. The masks and the use of colours increase the expressive quality of the painting. The sharp contrast that is created through the use of pure colours on white canvas is a follow-up on French impressionist traditions.[2]
Description
The painting consists of 11 figures who are all masked. In the centre of the painting, a woman is taking a man's hand with a triumphant smile. The masks are revealing the figures' characters instead of hiding them. In the right corner of the painting, a woman is holding a doll or a dead baby. The colourful bodies create a contrast with the white background.
This painting is labelled as "grotesque" and "a group portrait".[3] This painting might still be considered as a realistic picture because of its few references to accurate depiction of the outside world, for instance the colour of the sky.[4]
The story behind the painting is autobiographical and inspired by an actual event during Ensor's life. It depicts his sister's marriage with a Chinese art dealer from Berlin that caused a scandal in Ensor's hometown.[5]