Maggie Sherwoode is the longtime personal assistant to legendary R&B singer Grace Davis, who still has a successful touring career despite not releasing new material for a decade. Also an aspiring music producer, Maggie remixes Grace's songs in her free time. Grace's egocentric manager, Jack Robertson, believes that her time has passed and she should accept a Las Vegas residency and release live albums rather than record new material.
At a grocery store, Maggie meets aspiring musician David Cliff, watching him perform outdoors. He invites her to a party at his house, where to her surprise she learns that despite slumming it as a musician he is quite wealthy. Impressed by his voice, Maggie lies about being a professional producer and offers to work with him on an album. David accepts and they begin work together with Maggie coaching him through his nerves.
Grace is displeased when a famous music producer modernizes one of her songs, remixing it with excessive synths and pop elements. Appalled, Maggie shows her own version of the song, and she releases Maggie's version, without payment or credit. While pleased to be producing for her, Jack pulls her aside to reveal how her tactlessness ruined potential future deals.
When Grace later expresses her interest in recording a new album to her record label, they discourage her, pushing her towards the Vegas residency. When Maggie encourages Grace to disregard the label and create new material, Grace lectures her on how women of her age and race rarely succeed in music.
Maggie and David begin a romance as recording for his demo comes to a close. At the same time, she learns that Ariana Grande has backed out of opening for Grace's album launch. She initially books Dan Deakins to open for Grace before realizing it would be the perfect place for David to perform his songs. She enlists Dan's assistant to help but is surprised when Dan himself, after listening to David's songs, decides to step away to allow him to perform.
On the night of the party, Maggie tells Jack and Grace that Dan has backed out and promises to fix it. She then asks David, who believed they were going on a date, to sing. Hearing that the party is for Grace Davis, David leaves in a huff, refusing to perform. Maggie tells Jack and Grace she was unable to deliver a backup performer and Grace berates her, mocking her ambitions to become a producer when she cannot even succeed as an assistant before firing her.
Maggie moves back home with her father Max, a radio DJ, and starts planning her future. After encouragement from him, she reaches out to David to continue work on their album and to Grace to thank her for her time working for her. At the same time, Grace realizes that she misses Maggie, who was a faithful assistant who never used her.
Grace arrives at Maggie's home and offers a roundabout apology. After complimenting her production work on the live album, she reveals that she has never worked with a female producer before but wants Maggie to be the first, also telling her that she has begun writing new material.
While Grace is singing for her, David arrives. Before Maggie can introduce them, he reveals that Grace is his estranged mother, something she has kept from the public. He also tells her that Dan Deakins has been passing around his material leading him to an offer of representation from a studio.
Later, David performs at a music festival. He asks Grace to join him on stage, revealing she is his mother, and they sing a duet as Maggie watches. Later in the studio, Maggie produces Grace's new album.
The High Note soundtrack was released on May 29, 2020, through Republic, Universal. The lead single, "Love Myself" by Ross, was released on May 15.[13]
The High Note (Original Motion Picture Soundtrack)[14]
The High Note was originally scheduled for a wide theatrical release on May 8, 2020, but due to movie theater closures beginning in mid-March, due to the COVID-19 pandemic, it was cancelled.[15]
The film made $87,800 from 50 theaters (mostly drive-ins) in its opening weekend.[16] In its third weekend it made $59,000 from 64 theaters, for a running total of $293,000.[17] By June 28, it had grossed $420,000 in the United States.[3] It was also released in several countries with relaxed COVID-19 theater restrictions, including South Korea, the Netherlands and France, and grossed $1.7 million as of August 28.[4][18]
Reception
VOD sales
In its opening weekend, The High Note was the second-most rented film on FandangoNow, third-most from the iTunes Store, and 11th-most on Amazon Prime Video.[19][2] In its second weekend it fell to fourth on FandangoNow and 10th on iTunes, but ranked second on Spectrum.[20][21] It remained in the top 10 on all services in its third weekend.[22] After lowering its rental price, it returned to the #10 spot on FandangoNow and Apple TV in mid-July.[23][24]
Critical response
On review aggregator website Rotten Tomatoes, the film holds an approval rating of 71% based on 189 reviews, with an average rating of 6.1/10. The site's critics consensus reads, "The High Note doesn't quite soar above rom-com formula, but audiences seeking some comfort viewing should find themselves solidly in harmony with this well-acted genre entry."[25] On Metacritic, the film has a weighted average score of 58 out of 100, based on 34 critics, indicating "mixed or average reviews".[26]
Writing for Forbes, Scott Mendelson gave the film a positive review, writing: "It's leisurely-paced, relatively grounded and rooted in the specific pleasures of watching good actors play nice people who deal with their specific conflicts as nicely as possible."[27]
Owen Gleiberman of Variety said the film "can't decide if it's a behind-the-music-industry drama or a go-for-your-dream fairy tale" and that "the feel-good factor hovers over this movie like a fuzzy bland cloud."[28]
The Guardian[29] ranked The High Note 47th in its list of "50 best films of 2020 in the US".
^Although many theaters around the world closed due to COVID-19 and the film went to VOD, The High Note played domestically at several theaters, grossing $420,000 by June 28,[3] as well as $2.1 million from foreign territories.[4] These figures do not include the revenue made from VOD sales.
