The film is a depiction of the Führerprinzip. The analogy to Adolf Hitler was so clear that Hitler sent a print to Benito Mussolini, and Joseph Goebbels warned against the drawing of the comparison in print, in particular, because of the pessimistic mood that opens the film.[3] After a sergeant gives an unauthorised order, the king orders him simultaneously promoted and punished. His later decision to desert results in his death because no disobedience is justified.[2] Goebbels declared that the parallels were not a matter of propaganda, but an obvious result of the parallels of history.[4]
Goebbels also regarded it as instructive that current sufferings would be a source of strength.[5] Goebbels had some difficulty with the Army High Command over this film because it depicted the king as being left in the lurch by his general. He complained that the army felt that any depiction, however historical, reflected badly on them.[2]
The Great King was meant to premiere on 30 January 1942, but was postponed.[9] It was approved by the censors on 28 February, and premiered in Berlin on 3 March to an audience of wounded soldiers and armaments workers. Otto Gebühr was elevated to staatsschauspieler by Goebbels.[10] It earned 6 million ℛℳ (equivalent to $25,154,671 in 2021) at the box office for a profit of 343,000 ℛℳ (equivalent to $1,438,009 in 2021).[7][11]
Noack, Frank (2016) [2000]. Veit Harlan: "des Teufels Regisser" [Veit Harlan: The Life and Work of a Nazi Filmmaker]. Lexinton: University Press of Kentucky. ISBN9780813167008.